Biografia:
Meat Loaf (em português: "Rocambole / bolo de carne") é o nome artístico de Michael Lee Aday (nascido com o nome de Marvin Lee Aday em 27 de Setembro de 1947, nos Estados Unidos da América). Michael é cantor e actor e lidera uma banda de música, também com o nome de Meat Loaf, onde é vocalista. É conhecido pelo seu álbum 'Bat Out Of Hell' e por muitas canções que fizeram parte de trilhas sonoras de filmes.
Marvin Lee Aday nasceu em Dallas, Texas.
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Outras músicas:
- Bat Out Of Hell
- Heaven Can Wait
- Paradise By The Dashboard Light
- Alive
- All Revved Up With No Place To Go
- Bad Attitude
- Bad For Good
- Because Of You
- Blind As A Bad
- Blind As A Bat
- Blind Before I Stop
- Blue Sky
- Cheatin In Your Dreams
- Cheating In Your Dreams
- Couldnt Have Said It Better
- Cry Over Me
- Cry To Heaven
- Dead Ringer For Love
- Did I Say That
- Did You Ever Love Somebody
- Everything Is Permitted
- Everything Louder Than Everything Else
- Fallen Angel
- For Crying Out Loud
- Going All The Way Is Just The Start
- Good Girls Go To Heaven Bad Girls Go Everywhere
- Hot Patootie
- Id Do Anything For Love
- Id Lie For You And Thats The Truth
- If God Could Talk
- If I Cant Have You
- If This Is The Last Kiss
- Ill Kill You If You Dont Come Back
- Im Gonna Love Her For Both Of Us
- Is Nothing Sacred
- It Just Wont Quit
- Its All Coming Back To Me Now
- Left In The Dark
- Life Is A Lemon
- Lost Boys And Golden Girls
- Man And A Woman
- Man Of Steel
- Martha
- Modern Girl
- More Than You Deserve
- Not A Dry Eye In The House
- Objects In The Rear View Mirror
- Objects In The Rear View Mirror May Appear Closer Than They Are
- One More Kiss Night Of The Soft Parade
- Only When I Feel
- Original Sin
- Out Of The Frying Pan And Into The Fire
- Peel Out
- Piece Of The Action
- Read Em And Weep
- Rock And Roll Dreams Come Through
- Rock N Roll Dreams
- Rocknroll Dreams Come Through
- Sailor To A Siren
- Souvenirs
- Speaking In Tongues
- Special Girl
- Standing On The Outside
- Surfs Up
- The Future Aint What It Used To Be
- Two Out Of Three Aint Bad
- What About Love
- Where Angels Sing
- Why Isnt That Enough
- You Took The Words Right Out Of My Mouth
- Youre Right I Was Wrong
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Meat Loaf - Martha
CAPO: 3rd Fret
INTRO: C G C G Am G F (2x)
C G C G
Operator, number please
Am G7 F
It's been so many years
C G C G
And she'll remember my old voice
Am G F C
While I hold back the tears
A7 Dm G
Hello, hello there, is this Martha?
C A Dm G
This is old Tom Frost
C A7 Dm G
And I am calling long distance
Am G F
Don't worry about the cost
C A7 Dm G
It's been forty years or more
C A Dm G
Now Martha, please recall
C A7 Dm G
Meet me out for coffee where
Am G F
We'll talk about it all
CHORUS:
C F
And, those were days of roses
C F
Poetry and prose
Am C F
And Martha, all I had was you
D G7 C
And all you had was me
F
And there was no tomorrows
C F
As we packed away our sorrows
G7 Dm C G C G Am G F
And we saved it for a rainy day
C G C G6
And I feel so much older now
Am G7 F
And you're much older too
C G C G6
Oh, how's the husband and how's the kids?
Am G F
You know that I got married too?
C A7 Dm G
And lucky that ya found someone
C A Dm G
To make you feel secure
C A7 Dm G
Oh, 'cause we were all so young and foolish
Am G F
Now we are mature
CHORUS:
C F
And, those were days of roses
C F
Poetry and prose
Am C F
And Martha, all I had was you
D G7 C
And all you had was me
F
And there was no tomorrows
C F
As we packed away our sorrows
G7 Dm C G C G Am G F
And we saved it for a rainy day
C G C G
And I was always so impulsive
Am G7 F
I guess that I still am
C G C G6
But all that really mattered then
Am G F
Was that I was a man
C A7 Dm G
I guess that our being together
C A Dm G
Was never meant to be
C A7 Dm G
Oh, but Martha, Oh Martha
Am G F
I love you, can't you see
CHORUS:
C F
And, those were days of roses
C F
Poetry and prose
Am C F
And Martha, all I had was you
D G7 C
And all you had was me
F
And there was no tomorrows
C F
As we packed away our sorrows
G7 Dm C G C G Am G F
And we saved it for a rainy day
OUTRO: (## slow to end ##)
C G C G6
And I remember quiet evenings
Am G F
Trembling close to you
CAPO: 3rd Fret
INTRO: C G C G Am G F (2x)
C G C G
Operator, number please
Am G7 F
It's been so many years
C G C G
And she'll remember my old voice
Am G F C
While I hold back the tears
A7 Dm G
Hello, hello there, is this Martha?
C A Dm G
This is old Tom Frost
C A7 Dm G
And I am calling long distance
Am G F
Don't worry about the cost
C A7 Dm G
It's been forty years or more
C A Dm G
Now Martha, please recall
C A7 Dm G
Meet me out for coffee where
Am G F
We'll talk about it all
CHORUS:
C F
And, those were days of roses
C F
Poetry and prose
Am C F
And Martha, all I had was you
D G7 C
And all you had was me
F
And there was no tomorrows
C F
As we packed away our sorrows
G7 Dm C G C G Am G F
And we saved it for a rainy day
C G C G6
And I feel so much older now
Am G7 F
And you're much older too
C G C G6
Oh, how's the husband and how's the kids?
Am G F
You know that I got married too?
C A7 Dm G
And lucky that ya found someone
C A Dm G
To make you feel secure
C A7 Dm G
Oh, 'cause we were all so young and foolish
Am G F
Now we are mature
CHORUS:
C F
And, those were days of roses
C F
Poetry and prose
Am C F
And Martha, all I had was you
D G7 C
And all you had was me
F
And there was no tomorrows
C F
As we packed away our sorrows
G7 Dm C G C G Am G F
And we saved it for a rainy day
C G C G
And I was always so impulsive
Am G7 F
I guess that I still am
C G C G6
But all that really mattered then
Am G F
Was that I was a man
C A7 Dm G
I guess that our being together
C A Dm G
Was never meant to be
C A7 Dm G
Oh, but Martha, Oh Martha
Am G F
I love you, can't you see
CHORUS:
C F
And, those were days of roses
C F
Poetry and prose
Am C F
And Martha, all I had was you
D G7 C
And all you had was me
F
And there was no tomorrows
C F
As we packed away our sorrows
G7 Dm C G C G Am G F
And we saved it for a rainy day
OUTRO: (## slow to end ##)
C G C G6
And I remember quiet evenings
Am G F
Trembling close to you
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