Biografia:
Matthew Ryan cresceu no sul da Filadélfia em Chester, PA. Ele recentemente comprou uma casa em um morro no Tennessee. Seus primeiros amores e influências eram The Clash, Doc Martens, The Replacenments, MLK, Paul Buchanan's voice, Blond hir & Bob Dylan.Ele aprendeu a tocar guitarra quando ele tinha 17.
Frustrado ele não podia aprender outras canções do povo, começou logo após a escrever a sua própria.
Suas músicas tendem a ser sobre as mulheres
Read more on Last.fm
Outras músicas:
- 3Rd Of October
- All I Wanted
- All Of That Means Nothing Now
- All The Wild Horses
- American Dirt
- An Anthem For The Broken
- And Its Such A Drag
- Battle Born
- Beautiful Fool
- Boxer
- Boxers
- Certainly Never
- Chrome
- Close Your Eyes
- Comfort
- Dam
- Dear Lover
- Devastation
- Dulce Et Decorum Est
- Gods Not Here Tonight
- Guilty
- Heartache Weather
- Heavens Hill
- Hey Kid
- Hold On Firefly
- I Cant Steal You
- I Hear A Symphony
- I Just Died Like An Aviator
- I Must Love Leaving
- Irrelevant
- It Could Of Been Worse
- Its A Delicate Waltz
- Jane I Still Feel The Same
- Lights Of The Commodore Barry
- Long Blvd
- Maybe Ill Disappear
- Me And My Lover
- Railroaded
- Return To Me
- Run Rabbit Run
- Sadly Love
- Spark
- Still Part Two
- Summer In The South
- Summer Never Ends
- Sunk
- T Decorum Est
- The Dead Girl
- The First Heartbreak
- Then She Threw Me Like A Hand Grenade
- There Was A Day
- They Were Wrong
- This Ones For You Frankie
- Trouble Doll
- Until Kingdom Come
- Watch You Step
- Your Museun
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
This is 'The Dead Girl', track 4 from Matthew Ryan's "May Day". It's in standard tuning
with capo on the 1st fret.
Intro: C, C/B, Em (x4) C, C/B
Verse 1:
D G
The dead girl mopes through a dead scene
D C
With a cross-stitched lip she’s picking at the seams
D
She’s got bravado she says she’s been
G G/F# Em
Featured in a few magazines
Am D
Ahh, Ahh
Interlude: C, C/B, Em (x2) C, C/B
Verse 2:
D G
Now outside the bar Hank is straddling a police car
D C
His fingers are purple and numb from circling a crowbar
D
Well twenty-four years have made it clear
G G/F# Em
That things ain't ever what they appear
Am D
No no
He says
Chorus:
G D
I won’t be going easily
Am C/B D C
No I won’t be going lightly
G D
And I won’t be going peacefully
Am C/B D C
No I won’t be going innocently
Interlude: C, C/B, Em (x4) C, C/B
Verse 3:
D G
A sweet drink spiked with a speed-ball
D C
A twenty-foot ladder and a ninety-foot wall
D G
Dark shadows are gathering and swaggering
G/F# Em
Down the hall
Am D
Ahh, Ahh
And I know
Chorus:
G D
I won’t be going easily
Am C/B D C
I won’t be going lightly
G D
And I won’t be going peacefully
Am C/B D C
No I won’t be going cleanly
Outro: C, C/B, Em
with capo on the 1st fret.
Intro: C, C/B, Em (x4) C, C/B
Verse 1:
D G
The dead girl mopes through a dead scene
D C
With a cross-stitched lip she’s picking at the seams
D
She’s got bravado she says she’s been
G G/F# Em
Featured in a few magazines
Am D
Ahh, Ahh
Interlude: C, C/B, Em (x2) C, C/B
Verse 2:
D G
Now outside the bar Hank is straddling a police car
D C
His fingers are purple and numb from circling a crowbar
D
Well twenty-four years have made it clear
G G/F# Em
That things ain't ever what they appear
Am D
No no
He says
Chorus:
G D
I won’t be going easily
Am C/B D C
No I won’t be going lightly
G D
And I won’t be going peacefully
Am C/B D C
No I won’t be going innocently
Interlude: C, C/B, Em (x4) C, C/B
Verse 3:
D G
A sweet drink spiked with a speed-ball
D C
A twenty-foot ladder and a ninety-foot wall
D G
Dark shadows are gathering and swaggering
G/F# Em
Down the hall
Am D
Ahh, Ahh
And I know
Chorus:
G D
I won’t be going easily
Am C/B D C
I won’t be going lightly
G D
And I won’t be going peacefully
Am C/B D C
No I won’t be going cleanly
Outro: C, C/B, Em
Matthews Brother (...)
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