Biografia:
Karen Lucille "Lucy" Hale (Memphis, 14 de junho de 1989), é uma atriz e cantora estadunidense conhecida por atuar no elenco principal da série Pretty Little Liars, no papel de Aria Montgomery.
Seu nome de batismo é Karen Lucille Hale, ela é a mais jovem de três irmãos. Começou sua carreira cantando no American Juniors em 2003, e depois se dedicou a atuar. Desde então apareceu em diversas produções de televisão como Drake & Josh, Ned's Declassified School Survival Guide, The O.
Read more on Last.fm
Outras músicas:
- Extra Ordinary
- Run This Town
- You Sound Good To Me
- Bless Myself
- Come On
- Feels Like Home
- From The Backseat
- Goodbye Gone
- If Thats Love
- Just Another Song
- Kiss Me
- Lie A Little Better
- Love Tonight
- Loved
- Make You Believe
- Mistletoe
- My Little Black Wedding Dress
- Nervous Girls
- Red Dress
- Road Between
- Runaway Circus
- Thats What I Call Crazy
- Those 3 Words
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Lucy Hale
From the Backseat
Road Between - 2014
Standard Tuning
Capo 2
G C
We were burning in a '94 Corolla,
G C
3 hours deep into South Dakota.
G C
I was workin' on a lukewarm Coca-Cola
G C
In the dog days of July.
G C
And my dad was a Superman stick shift driver,
G C
Stay at home Lois Lane beside him,
G C
Kissing to the rhythm of the billboard signs,
G C
As they went blurring by.
Em
And even when he would stop to pull over,
D
He never took his hand off of her shoulder...
C G
You can see for miles,
Em
You can reach the dials,
D
Sit back and smile from the front seat.
C G
You can chase the sun,
Em D
You can feel the hum of the axles underneath your feet.
C G
When you're sitting shotgun,
Em D
You're sitting pretty and free.
C D G
But you learn to love from the backseat.
C G C
G C
So late one day and I'm rolling along,
G C
With a part time job and blue pom-poms,
G C
Like every day's a knock off Mellencamp song,
G C
With his hand right on my knee.
G C
We made the age old prom night promise,
G C
Put the corsage right where I want it.
G C
And we found a road with nobody on it,
G C
And we didn't stop to think.
Em
And I didn't care when he killed the motor,
D
Shut off the lights and we climbed over.
C G
You can see for miles,
Em
You can reach the dials,
D
Sit back and smile from the front seat.
C G
You can chase the sun,
Em D
You can feel the hum of the axles underneath your feet.
C G
When you're sitting shotgun,
Em D
You're sitting pretty and free.
C D C
But you learn to love from the backseat.
Em D
C
Up here I see it clear through the rear-view
D
It's good to take the back seat
C D
When you get to
C G
You can see for miles,
Em
You can reach the dials,
D
Sit back and smile from the front seat.
C G
You can chase the sun,
Em D
You can feel the hum of the axles underneath your feet.
C G
When you're sitting shotgun,
Em D
You're sitting pretty and free.
C D
But you learn to love...
C G
You can see for miles,
Em
You can reach the dials,
D
Sit back and smile from the front seat.
C G
You can chase the sun,
Em D
You can feel the hum of the axles underneath your feet.
C G
When you're sitting shotgun,
Em D
You're sitting pretty and free.
C D G
But you learn to love from the backseat.
C G C
G C
We were burning in a '94 Corolla,
G C
3 hours deep into South Dakota.
G C G
I was workin' on a lukewarm Coca-Cola
From the Backseat
Road Between - 2014
Standard Tuning
Capo 2
G C
We were burning in a '94 Corolla,
G C
3 hours deep into South Dakota.
G C
I was workin' on a lukewarm Coca-Cola
G C
In the dog days of July.
G C
And my dad was a Superman stick shift driver,
G C
Stay at home Lois Lane beside him,
G C
Kissing to the rhythm of the billboard signs,
G C
As they went blurring by.
Em
And even when he would stop to pull over,
D
He never took his hand off of her shoulder...
C G
You can see for miles,
Em
You can reach the dials,
D
Sit back and smile from the front seat.
C G
You can chase the sun,
Em D
You can feel the hum of the axles underneath your feet.
C G
When you're sitting shotgun,
Em D
You're sitting pretty and free.
C D G
But you learn to love from the backseat.
C G C
G C
So late one day and I'm rolling along,
G C
With a part time job and blue pom-poms,
G C
Like every day's a knock off Mellencamp song,
G C
With his hand right on my knee.
G C
We made the age old prom night promise,
G C
Put the corsage right where I want it.
G C
And we found a road with nobody on it,
G C
And we didn't stop to think.
Em
And I didn't care when he killed the motor,
D
Shut off the lights and we climbed over.
C G
You can see for miles,
Em
You can reach the dials,
D
Sit back and smile from the front seat.
C G
You can chase the sun,
Em D
You can feel the hum of the axles underneath your feet.
C G
When you're sitting shotgun,
Em D
You're sitting pretty and free.
C D C
But you learn to love from the backseat.
Em D
C
Up here I see it clear through the rear-view
D
It's good to take the back seat
C D
When you get to
C G
You can see for miles,
Em
You can reach the dials,
D
Sit back and smile from the front seat.
C G
You can chase the sun,
Em D
You can feel the hum of the axles underneath your feet.
C G
When you're sitting shotgun,
Em D
You're sitting pretty and free.
C D
But you learn to love...
C G
You can see for miles,
Em
You can reach the dials,
D
Sit back and smile from the front seat.
C G
You can chase the sun,
Em D
You can feel the hum of the axles underneath your feet.
C G
When you're sitting shotgun,
Em D
You're sitting pretty and free.
C D G
But you learn to love from the backseat.
C G C
G C
We were burning in a '94 Corolla,
G C
3 hours deep into South Dakota.
G C G
I was workin' on a lukewarm Coca-Cola
Ludacris
Ludmilla
Ludo
Ludocvic Einaudi
Ludovico Einaudi