Biografia:
A cantora e compositora Kris Delmhorst foi criada em Brooklyn, Nova Iorque. Ela treinou o violoncelo clássico logo no início, então usou suas habilidades para trabalhar com bandas de jazz e cantores folk na área. Uma mudança para Maine — e um inverno muito longo — deu a ela tempo para aprender a tocar rabeca e violão. Em 1996, ela mudou-se de novo para Boston, Massachusetts. A esta altura ela teve anos de experiência performando e estava pronta para tomar um passo à frente no mundo da música
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Outras músicas:
- Anybodys Heaven
- Blood Test
- Bobby Lee
- Broken White Line
- Damn Love Song
- Everything Is Music
- Galuppi Baldessare
- Garden Rose
- Gave It Away
- Hummingbird
- Hurricane
- Lighthouse
- Lullaby 101
- Mean Old Wind
- Open Road
- Pretty How Town
- Short Work
- Since You Went Away
- Sleeping Dogs
- Too Late
- Waiting Under The Waves
- Wasted Word
- Yellow Brick Road
- Youre No Train
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Kris Delmhorst - Too Late
## NOTE 1: The Intro and Interlude have bass walk-ups/walk-downs between C/G and F ##
## NOTE 2: The start of the 1st three lines of each Verse is a bass walk-up from C/G to F ##
CAPO: 2nd Fret
INTRO: C/G F C/G F C
F C/G
Good Friday came early, some might say that's just as well
F C/G
It's a wrecking-ball afternoon, leave everything where it fell
F G
And the things that were said still ring in your head
Am G F
And you'd give anything to be wrong
C/G G F C/G
But there's no turning back, too late's come and gone
F C/G
Now it's Somerville Avenue rain and the night's coming down
F C/G
And you're looking for someone to blame in an innocent town
F G
On the road all alone, getting further from home
Am G F
Every step that you take feels so long
C/G G F C/G
But there's no turning back, too late's come and gone
INTERLUDE: F C/G F C/G
F C/G
I remember the light in your eyes put the neon to shame
F C/G
The smoke hidden deep in your throat when you whisper my name
F G
The road is so rough, it's all been enough
Am G F
I got no idea how we go on
C/G G F
But there's no turning back, too late's come and gone
OUTRO:
G F C/G G F C/G G F
Hallelu-----jah, Hallelu-----jah, Hallelu---------
## NOTE 1: The Intro and Interlude have bass walk-ups/walk-downs between C/G and F ##
## NOTE 2: The start of the 1st three lines of each Verse is a bass walk-up from C/G to F ##
CAPO: 2nd Fret
INTRO: C/G F C/G F C
F C/G
Good Friday came early, some might say that's just as well
F C/G
It's a wrecking-ball afternoon, leave everything where it fell
F G
And the things that were said still ring in your head
Am G F
And you'd give anything to be wrong
C/G G F C/G
But there's no turning back, too late's come and gone
F C/G
Now it's Somerville Avenue rain and the night's coming down
F C/G
And you're looking for someone to blame in an innocent town
F G
On the road all alone, getting further from home
Am G F
Every step that you take feels so long
C/G G F C/G
But there's no turning back, too late's come and gone
INTERLUDE: F C/G F C/G
F C/G
I remember the light in your eyes put the neon to shame
F C/G
The smoke hidden deep in your throat when you whisper my name
F G
The road is so rough, it's all been enough
Am G F
I got no idea how we go on
C/G G F
But there's no turning back, too late's come and gone
OUTRO:
G F C/G G F C/G G F
Hallelu-----jah, Hallelu-----jah, Hallelu---------
Kris Jensen
Kris Kross Amste (...)
Kris Lawrence
Kris Tyler
Kris Wu