Biografia:
Kashmir é um quarteto de rock alternativo originario da Dinamarca, muito comparada a banda inglesa Radiohead.
É formado pelo vocalista e guitarrista Kasper Eistrup, o baixista Mads Tunebjerg, o tecladista e guitarrista Henrik Lindstrand e o baterista Asger Techau.
Na primavera de 1991, Eistrup, Tunebjerg e Techau formaram uma banda de heavy blues chamada Nirvana em Frederiksberg, Dinamarca. Pouco tempo depois, começaram a apresentar no Ginasio de Ordrup (uma preparação local).
Read more on Last.fm
Outras músicas:
- Curse Of Being A Girl
- Melpomene
- Rocket Brothers
- Undisturbed
- Bag Of Flash And Thyme
- Bewildered In The City
- Big Fresh
- Cellophane
- Cursed Of Being A Girl
- Danger Bear
- Electrified Love
- Evermore
- Gloom
- In The Sand
- Its Ok Now
- Kalifornia
- Lampshade
- Make It Grand
- Milk For The Black Hearted
- Miss You
- Mom In Love Daddy In Space
- Mouthful Of Wasps
- Mudbath
- Peace In The Heart
- Petite Machine
- Piece Of The Sun
- Pursuit Of Misery
- Ramparts
- Ruby Over Diamonds
- Run To The Avalanche
- Seraphina
- Slay The Emperor
- Small Poem Of Old Friend
- Splittet Til Atomer
- Still Boy
- Surfing The Warm Industry
- Swahili
- The Aftermath
- The New Gold
- The Push
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
________________
/ Kashmir / I think this song is a sarcastic remark to our haughty
/ The New Gold / dominating western civilisation. "Behind the Bush" is
/ Zitilites / obviously a direct reference to the American president,
/_______________/ which represents haughtiness at its best.
Since there are both fills and chords in this song, I find this the easiest way
to notate it. When a chord is notated in the middle of the bar, it simply means
that it's regularly strummed. If there's a fill, all the details are notated.
Time: 6/8
Key: Bb major
Tuning: Full Step Down (D G C F A D)
Capo: None
Intro:
Bb F/A Bb F/A
|--3--|--3--|--3--|--3--|
|--1--|--3--|--1--|--3--|
|--0--|--0--|--0--|--0--|
|--2--|--0--|--2--|--0--|
|--3--|--2--|--3--|--2--|
|-----|-----|-----|-----|
Bb F/A Bb F/A Bb Ab6 Gm Gb13 (why not?)
|--3--|--3--|-3-3-3-3-3-3-|-3-3-3-3-3-3-|--3--|--3--|--0--|-------|-(4)-|
|--1--|--3--|-1-1-1-1-1-1-|-3-3-3-3-3-3-|--1--|--3--|--1--|-------|-(6)-|
|--0--|--0--|-0-0-0-0-0-0-|-0-0-0-0-0-0-|--0--|--3--|--2--|---x---|-(5)-|
|--2--|--0--|-2-2-3-3-x-x-|-3-3-2-2-0-0-|--2--|--3--|--2--|---4---|-(4)-|
|--3--|--2--|-3-3-3-3-3-3-|-2-2-2-2-2-2-|--3--|--1--|--0--|---8---|-(x)-|
|-----|-----|-------------|-------------|-----|-----|-----|---4---|-(4)-|
1st Verse:
Bb F/A Bb F/A Gm Eb/Bb Dm/A F7
|--3--|--3--|--3--|--3--|--0--|--1--|-0-0-0-0-0---|-----------3---|
|--1--|--3--|--1--|--3--|--1--|--1--|-0-0-0-0-0---|-----------0---|
|--0--|--0--|--0--|--0--|--2--|--2--|-0-0-0-0-0---|-----------0---|
|--2--|--0--|--2--|--0--|--2--|--3--|-2-2-2-2-2---|-------0-3---3-|
|--3--|--2--|--3--|--2--|--0--|--3--|-2-2-2-2-2---|---0h2---------|
|-----|-----|-----|-----|-----|-----|-----------0-|-3-------------|
Bb F/A Gm D/A Eb C/E F Eb
|--3--|--3--|--0--|-0-0-0-----0-0-|--1--|--2--|--3--|--1--|
|--1--|--3--|--1--|-0-0-0-----0-0-|--1--|--3--|--3--|--1--|
|--0--|--0--|--2--|-1-1-1-1-2-1-1-|--2--|--2--|--0--|--2--|
|--2--|--0--|--2--|-2-2-2-2-2-2-2-|--3--|--0--|--0--|--3--|
|--3--|--2--|--0--|-2-2-2-2-2-2-2-|--3--|--x--|--x--|--3--|
|-----|-----|-----|---------------|--1--|--2--|--3--|--1--|
1st Chorus:
Bb Bb/Ab Gm Eb F D7 Eb C/G
|--0--|--0--|--0--|--1--|--3--|--0--|--1--|--2--|
|--1--|--1--|--1--|--1--|--3--|--0--|--1--|--3--|
|--0--|--0--|--2--|--2--|--0--|--1--|--2--|--2--|
|--2--|--2--|--2--|--3--|--0--|--0--|--3--|--0--|
|--3--|--1--|--0--|--3--|--x--|--2--|--3--|--0--|
|-----|-----|-----|--1--|--3--|--0--|--1--|-----|
Ebmaj7/Bb F6/C Ebmaj7/Bb F6/C
|-0--------|------0---|-0--------|------0---|
|-1--------|------0---|-1--------|------0---|
|-2--------|------4---|-2--------|------4---|
|-3--------|------5---|-3--------|------5---|
|-3--------|------5---|-3--------|------5---|
|----------|----------|----------|----------|
Interlude:
Bb F/A Bb F/A
|--3--|--3--|-3-3-3-3-3-3-|-3-3-3-3-3-3-|
|--1--|--3--|-1-1-1-1-1-1-|-3-3-3-3-3-3-|
|--0--|--0--|-0-0-0-0-0-0-|-0-0-0-0-0-0-|
|--2--|--0--|-2-2-3-3-x-x-|-3-3-2-2-0-0-|
|--3--|--2--|-3-3-3-3-3-3-|-2-2-2-2-2-2-|
|-----|-----|-------------|-------------|
2nd Verse:
This verse is completely similar to the 1st Verse, except for two things:
*The fill in bars of Dm/A *The fill in the bar of D/A is replaced with
and F7 is a bit different: this D7/A chord, which is just strummed.
Dm/A F7 D7/A
|-0-0-0-0-----|---------------| |--0--|
|-0-0-0-0-----|---------------| |--0--|
|-0-0-0-0-----|-----------0---| |--1--|
|-2-2-2-2-3-2-|-0-------3---3-| |--0--|
|-2-2-2-2-----|-----0h2-------| |--2--|
|-------------|---3-----------| |-----|
2nd Chorus:
In this chorus the eight chords in the first line are played twice.
The second line is now a bit longer:
Ebmaj7 F6 Ebmaj7 F6 Ebmaj7 C/G
|-0-------|-----0---|-0-------|-----0---|-0-------|-2-------|
|-1-------|-----0---|-1-------|-----0---|-1-------|-3-------|
|-2-------|-----4---|-2-------|-----4---|-2-------|-2-------|
|-3-------|-----5---|-3-------|-----5---|-3-------|-0-------|
|-3-------|-----5---|-3-------|-----5---|-3-------|-0-------|
|---------|---------|---------|---------|---------|---------|
Outro:
Bb F/A Bb F/A
|--0--|--3--|-3-3-3-3-3-3-|-3-3-3-3-3-3-|
|--1--|--3--|-1-1-1-1-1-1-|-3-3-3-3-3-3-|
|--0--|--0--|-0-0-0-0-0-0-|-0-0-0-0-0-0-|
|--2--|--0--|-2-2-3-3-x-x-|-3-3-2-2-0-0-|
|--3--|--2--|-3-3-3-3-3-3-|-2-2-2-2-2-2-|
|-----|-----|-------------|-------------|
Bb Ab6 Gb Emaj9(b5) % % % Bb
|--3--|--3--|--4--|-------|-----|-----|-----|-3^------:
|--1--|--3--|--4--|-------|-----|-----|-----|-1^------:
|--0--|--3--|--5--|---1---|--1--|--1--|--1--|-0^------:
|--2--|--3--|--6--|---3---|--3--|--3--|--3--|-2^------:
|--3--|--1--|--6--|---3---|--3--|--3--|--3--|-3^------:
|-----|-----|--4--|---2---|--2--|--2--|--2--|---------:
LYRICS
**********
We're all prosperous and proud to be
With our holiday photos and our tickets for speed
Kitchens installed for a family
And once in a while for making love
Look at her eyes, they're so eager and dead
As she dances for you, more than ready for bed
But it's alright on a Tuesday night
To drink up and hit it at five
It's the new gold in fact
It will keep us all intact
As long as our eyes are all closed
To the coals that we just fled
You can relax
'Cause we're safe behind
Behind the Bush
We're in love we're all occupied
With our 200 lovers in a fast moving line
It's a need you cannot deny
It's something to straighten your spine
Now we know the grim reaper's on our side
We can turn to the papers and watch for the fight
Man, it's warm let's just sleep outside
And see how the sky reflects our fire
It's the new gold in fact
It will keep us all intact
As long as our eyes are all closed
To the coals that we just fled
It's the new gold in fact
It will keep us all intact
As long as our eyes are all closed
To the coals that we just fled
You can relax
'Cause it's far away
We're safe behind
Behind the Bush
------------------------------------------------------------------------------
19th /January /12
Just mail me at [email protected] with questions, comments and corrections!
------------------------------------------------------------------------------
" Maitinin writing here - the author of this tab.
The past 11 years, I have generated 10,318,000 views and 815 top-rated tabs for this site.
If you want to support an eager contributor like me, check out my own site:
_____ http://www.PlayLikeTheGreats.com _____
Here I will continue to upload and improve my transcriptions.
Best regards,
Maitinin
July, 2015 "
/ Kashmir / I think this song is a sarcastic remark to our haughty
/ The New Gold / dominating western civilisation. "Behind the Bush" is
/ Zitilites / obviously a direct reference to the American president,
/_______________/ which represents haughtiness at its best.
Since there are both fills and chords in this song, I find this the easiest way
to notate it. When a chord is notated in the middle of the bar, it simply means
that it's regularly strummed. If there's a fill, all the details are notated.
Time: 6/8
Key: Bb major
Tuning: Full Step Down (D G C F A D)
Capo: None
Intro:
Bb F/A Bb F/A
|--3--|--3--|--3--|--3--|
|--1--|--3--|--1--|--3--|
|--0--|--0--|--0--|--0--|
|--2--|--0--|--2--|--0--|
|--3--|--2--|--3--|--2--|
|-----|-----|-----|-----|
Bb F/A Bb F/A Bb Ab6 Gm Gb13 (why not?)
|--3--|--3--|-3-3-3-3-3-3-|-3-3-3-3-3-3-|--3--|--3--|--0--|-------|-(4)-|
|--1--|--3--|-1-1-1-1-1-1-|-3-3-3-3-3-3-|--1--|--3--|--1--|-------|-(6)-|
|--0--|--0--|-0-0-0-0-0-0-|-0-0-0-0-0-0-|--0--|--3--|--2--|---x---|-(5)-|
|--2--|--0--|-2-2-3-3-x-x-|-3-3-2-2-0-0-|--2--|--3--|--2--|---4---|-(4)-|
|--3--|--2--|-3-3-3-3-3-3-|-2-2-2-2-2-2-|--3--|--1--|--0--|---8---|-(x)-|
|-----|-----|-------------|-------------|-----|-----|-----|---4---|-(4)-|
1st Verse:
Bb F/A Bb F/A Gm Eb/Bb Dm/A F7
|--3--|--3--|--3--|--3--|--0--|--1--|-0-0-0-0-0---|-----------3---|
|--1--|--3--|--1--|--3--|--1--|--1--|-0-0-0-0-0---|-----------0---|
|--0--|--0--|--0--|--0--|--2--|--2--|-0-0-0-0-0---|-----------0---|
|--2--|--0--|--2--|--0--|--2--|--3--|-2-2-2-2-2---|-------0-3---3-|
|--3--|--2--|--3--|--2--|--0--|--3--|-2-2-2-2-2---|---0h2---------|
|-----|-----|-----|-----|-----|-----|-----------0-|-3-------------|
Bb F/A Gm D/A Eb C/E F Eb
|--3--|--3--|--0--|-0-0-0-----0-0-|--1--|--2--|--3--|--1--|
|--1--|--3--|--1--|-0-0-0-----0-0-|--1--|--3--|--3--|--1--|
|--0--|--0--|--2--|-1-1-1-1-2-1-1-|--2--|--2--|--0--|--2--|
|--2--|--0--|--2--|-2-2-2-2-2-2-2-|--3--|--0--|--0--|--3--|
|--3--|--2--|--0--|-2-2-2-2-2-2-2-|--3--|--x--|--x--|--3--|
|-----|-----|-----|---------------|--1--|--2--|--3--|--1--|
1st Chorus:
Bb Bb/Ab Gm Eb F D7 Eb C/G
|--0--|--0--|--0--|--1--|--3--|--0--|--1--|--2--|
|--1--|--1--|--1--|--1--|--3--|--0--|--1--|--3--|
|--0--|--0--|--2--|--2--|--0--|--1--|--2--|--2--|
|--2--|--2--|--2--|--3--|--0--|--0--|--3--|--0--|
|--3--|--1--|--0--|--3--|--x--|--2--|--3--|--0--|
|-----|-----|-----|--1--|--3--|--0--|--1--|-----|
Ebmaj7/Bb F6/C Ebmaj7/Bb F6/C
|-0--------|------0---|-0--------|------0---|
|-1--------|------0---|-1--------|------0---|
|-2--------|------4---|-2--------|------4---|
|-3--------|------5---|-3--------|------5---|
|-3--------|------5---|-3--------|------5---|
|----------|----------|----------|----------|
Interlude:
Bb F/A Bb F/A
|--3--|--3--|-3-3-3-3-3-3-|-3-3-3-3-3-3-|
|--1--|--3--|-1-1-1-1-1-1-|-3-3-3-3-3-3-|
|--0--|--0--|-0-0-0-0-0-0-|-0-0-0-0-0-0-|
|--2--|--0--|-2-2-3-3-x-x-|-3-3-2-2-0-0-|
|--3--|--2--|-3-3-3-3-3-3-|-2-2-2-2-2-2-|
|-----|-----|-------------|-------------|
2nd Verse:
This verse is completely similar to the 1st Verse, except for two things:
*The fill in bars of Dm/A *The fill in the bar of D/A is replaced with
and F7 is a bit different: this D7/A chord, which is just strummed.
Dm/A F7 D7/A
|-0-0-0-0-----|---------------| |--0--|
|-0-0-0-0-----|---------------| |--0--|
|-0-0-0-0-----|-----------0---| |--1--|
|-2-2-2-2-3-2-|-0-------3---3-| |--0--|
|-2-2-2-2-----|-----0h2-------| |--2--|
|-------------|---3-----------| |-----|
2nd Chorus:
In this chorus the eight chords in the first line are played twice.
The second line is now a bit longer:
Ebmaj7 F6 Ebmaj7 F6 Ebmaj7 C/G
|-0-------|-----0---|-0-------|-----0---|-0-------|-2-------|
|-1-------|-----0---|-1-------|-----0---|-1-------|-3-------|
|-2-------|-----4---|-2-------|-----4---|-2-------|-2-------|
|-3-------|-----5---|-3-------|-----5---|-3-------|-0-------|
|-3-------|-----5---|-3-------|-----5---|-3-------|-0-------|
|---------|---------|---------|---------|---------|---------|
Outro:
Bb F/A Bb F/A
|--0--|--3--|-3-3-3-3-3-3-|-3-3-3-3-3-3-|
|--1--|--3--|-1-1-1-1-1-1-|-3-3-3-3-3-3-|
|--0--|--0--|-0-0-0-0-0-0-|-0-0-0-0-0-0-|
|--2--|--0--|-2-2-3-3-x-x-|-3-3-2-2-0-0-|
|--3--|--2--|-3-3-3-3-3-3-|-2-2-2-2-2-2-|
|-----|-----|-------------|-------------|
Bb Ab6 Gb Emaj9(b5) % % % Bb
|--3--|--3--|--4--|-------|-----|-----|-----|-3^------:
|--1--|--3--|--4--|-------|-----|-----|-----|-1^------:
|--0--|--3--|--5--|---1---|--1--|--1--|--1--|-0^------:
|--2--|--3--|--6--|---3---|--3--|--3--|--3--|-2^------:
|--3--|--1--|--6--|---3---|--3--|--3--|--3--|-3^------:
|-----|-----|--4--|---2---|--2--|--2--|--2--|---------:
LYRICS
**********
We're all prosperous and proud to be
With our holiday photos and our tickets for speed
Kitchens installed for a family
And once in a while for making love
Look at her eyes, they're so eager and dead
As she dances for you, more than ready for bed
But it's alright on a Tuesday night
To drink up and hit it at five
It's the new gold in fact
It will keep us all intact
As long as our eyes are all closed
To the coals that we just fled
You can relax
'Cause we're safe behind
Behind the Bush
We're in love we're all occupied
With our 200 lovers in a fast moving line
It's a need you cannot deny
It's something to straighten your spine
Now we know the grim reaper's on our side
We can turn to the papers and watch for the fight
Man, it's warm let's just sleep outside
And see how the sky reflects our fire
It's the new gold in fact
It will keep us all intact
As long as our eyes are all closed
To the coals that we just fled
It's the new gold in fact
It will keep us all intact
As long as our eyes are all closed
To the coals that we just fled
You can relax
'Cause it's far away
We're safe behind
Behind the Bush
------------------------------------------------------------------------------
19th /January /12
Just mail me at [email protected] with questions, comments and corrections!
------------------------------------------------------------------------------
" Maitinin writing here - the author of this tab.
The past 11 years, I have generated 10,318,000 views and 815 top-rated tabs for this site.
If you want to support an eager contributor like me, check out my own site:
_____ http://www.PlayLikeTheGreats.com _____
Here I will continue to upload and improve my transcriptions.
Best regards,
Maitinin
July, 2015 "
Kat Edmonson
Kat Frankie
Katamalo
Katatonia
Katchafire