Biografia:
Julian Cope es un músico galés, autor, anticuario, musicólogo y poeta. Nace en 1957 en Deri, Gales.
En el año 1977 conoce a Pete Wylie y Ian McCulloch, los tres forman el grupo The Crucial Three. Tras la ruptura del grupo Julian formaría el grupo post-punk The Teardrop Explodes, con los que alcanzaría relevancia. Editaría dos albumes antes de iniciar su carrera en solitario.
Es conocido también por sus libros, tales como Krautrocksampler (sobre el género musical Krautrock desarrollado en Alemania)
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Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: [email protected]
Date: Wed, 6 Sep 1995 16:15:39 +0300 (CET-DST)
Subject: "madmax" by Julian Cope
# The chords with "height" only mean you should play in high tone.
# Angelo Taibi [email protected]
{title: MadMax}
{subtitle: Julian Cope}
{define:A' base-fret 5 frets 1 3 3 2 1 1}
{define:G' base-fret 3 frets 1 3 3 2 1 1}
I don't me[D]an to hold a g[A]un up to your h[D]ead [Dsus] [D]
I'll be fi[A']ne once you are go[G']ne, of that I'm su[D]re [Dsus] [D]
Another time and I'd be s[A]miling in your ey[D]es
For the [A']sake of all our lo[G']ve and that I k[D]now
But the [Bm]rising of the moon means the [F#m]ending of the day
[G']Time waits for no-one just [E]takes you aw[A]ay
I don't me[D]an to hold a [A]gun up to your h[G]ead
It's just the [C]antici[G]pation I can'[D]t stand.
Well, I feel [D]sure that the g[A]enius who did [D]this [Dsus] [D]
Didn't [A']even feel a t[G']hud as he drove [D]by [Dsus] [D]
Now I know this day must [A]end with me alo[D]ne, dear
And I see m[A']ore than only da[G']rk on my horiz[D]on.
Tre[Bm]ason and infamy [F#m]enter my life
Te[G']ars out the spark that illu[E]mines the S[A]un
[D]Down comes this u[A]niverse [C]tumbling [G]down
[C]Everything [G]is come un[D]done (twice)
{comment:instrumental verse}
[Bm]Cut like a knife in the [F#m]soil with a spade
[G']Merge with the one light pos[E]sessing the ot[A]her
[D]Scream, "Holly [A]Murder, he's [C]done us to[G]night."
[C]Come, little [G]sister, be[C]hold the [G]Mother,
[C]Come, little [G]sister, be[C]hold ye the [D]Mother.
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: [email protected]
Date: Wed, 6 Sep 1995 16:15:39 +0300 (CET-DST)
Subject: "madmax" by Julian Cope
# The chords with "height" only mean you should play in high tone.
# Angelo Taibi [email protected]
{title: MadMax}
{subtitle: Julian Cope}
{define:A' base-fret 5 frets 1 3 3 2 1 1}
{define:G' base-fret 3 frets 1 3 3 2 1 1}
I don't me[D]an to hold a g[A]un up to your h[D]ead [Dsus] [D]
I'll be fi[A']ne once you are go[G']ne, of that I'm su[D]re [Dsus] [D]
Another time and I'd be s[A]miling in your ey[D]es
For the [A']sake of all our lo[G']ve and that I k[D]now
But the [Bm]rising of the moon means the [F#m]ending of the day
[G']Time waits for no-one just [E]takes you aw[A]ay
I don't me[D]an to hold a [A]gun up to your h[G]ead
It's just the [C]antici[G]pation I can'[D]t stand.
Well, I feel [D]sure that the g[A]enius who did [D]this [Dsus] [D]
Didn't [A']even feel a t[G']hud as he drove [D]by [Dsus] [D]
Now I know this day must [A]end with me alo[D]ne, dear
And I see m[A']ore than only da[G']rk on my horiz[D]on.
Tre[Bm]ason and infamy [F#m]enter my life
Te[G']ars out the spark that illu[E]mines the S[A]un
[D]Down comes this u[A]niverse [C]tumbling [G]down
[C]Everything [G]is come un[D]done (twice)
{comment:instrumental verse}
[Bm]Cut like a knife in the [F#m]soil with a spade
[G']Merge with the one light pos[E]sessing the ot[A]her
[D]Scream, "Holly [A]Murder, he's [C]done us to[G]night."
[C]Come, little [G]sister, be[C]hold the [G]Mother,
[C]Come, little [G]sister, be[C]hold ye the [D]Mother.
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