Biografia:
Josh Pyke é um cantor, compositor e músico australiano.
Gênero: Indie
Início e Feeding the Wolves (2004-2005) [ editar]
Josh Pyke estava em sua primeira banda aos 12 anos e disputou sua primeira apresentação na frente de 650 pais e alunos em sua graduação da escola primária. Tocando guitarra sua primeira canção veio aos 14 anos. Apesar de sua aptidão para a composição e desempenho musical, ele ficou "sob o radar" ao longo de seus anos de colégio em Fort Street High School. [1]
Read more on Last.fm
Outras músicas:
- Love Lies
- Memories And Dust
- Silver
- The Lighthouse Song
- Beg Your Pardon
- Book Of Revelations
- Buttons
- Candle In Your Window
- Chimneys Afire
- Covers Are Thrown
- Diet Of Worms
- Doing What Youre Told
- Endless Summer
- Fed And Watered
- Fill You In
- Forever Song
- Goldmines
- Good Head Start
- Hollering Hearts
- House At Pooh Corner
- Leeward Side
- Lighthouse Song
- Lines On Palms
- Make You Happy
- Middle Of The Hill
- Momentary Glow
- New Years Song
- Private Education
- Punch In The Heart
- Sew My Name
- Staring Down The Sun
- Still Some Big Deal
- The Beginning And The End Of Everything
- The Best Man At Your First Loves Wedding
- The Doldrums
- The Summer
- Theres A Line
- Vibration In Air
- Vibrations In Air
- When Your Colours Go
- Where Two Oceans Meet
- Wuthering Heights
- You Dont Scare Me
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
PRIVATE EDUCATION
Written by Josh Pyke
4 beats per chord Left Channel guitar plays basic chords
Tune down one whole tone Right Channel guitar adds the extensions
in parentheses for two beats
TUNING: 6 5 4 3 2 1
D G C F A D
The final Em chord (very familiar) confirms the tuning.
The string scrape slides between the C and A chords confirm that barre
forms are used. Both chords share the E-note which can be left open on
the 1st-string making the moving extensions very easy to finger.
CHORDS:
C* C(#4) A A(4) Em Em(B6) C D Bm
E|--0-----0-----0---0----0-----0-----0---2---2--|
B|--8-----7-----5---5----0-----1-----1---3---3--|
G|--9-----9-----6---7----0-----0-----0---2---4--|
D|--10----10----7---7----2-----2-----2---0---4--|
A|--10----10----7---7----2-----2-----3-------2--|
E|--8-----8-----5---5----0-----0----------------| Thumb frets 6th-string
INTRO:
C* C(#4) A A(4)
VERSE:
C* C(#4) A A(4)
so it's a private education__ and it's not getting any easier__
C* C(#4) A A(4)
__ but if it's any indication__ well I feel a little weaker
C* C(#4) A A(4)
now and it's a private education__ so I pre-sent you with your de-
C* C(#4) A A(4)
gree a de-gree of separation__ goes a long long way when schooling
PRE-CHORUS:
Em Em(B6) C C
me so for-give me for what I have done and for-give me for what I might
Em Em(B6) C C
do and re-deem me to every-one as I sub-mit myself to
CHORUS:
D D C C
you you could wear me 'round like your best dress and I__ I wouldn't
Bm Bm C C
mind you could ruin me in one long night and then cast me a-
D D C C
side you could turn your mind back to your past and I couldn't change your
Bm Bm D D
heart or kiss your scars or find your heat there in the dark dark dark dark
RE-INTRO:
C* C(#4) A A(4)
dark ooh-ooh
VERSE:
C* C(#4) A A(4)
so it's a private education__ and I'm feeling like an innocent__
C* C(#4) A A(4)
__ though I feel a little guilty now since I've sinned against myself a-
PRE-CHORUS:
Em Em(B6) C C
gain so for-give me for what I have done and for-give me for what I might
Em Em(B6) C C
do and re-deem me to every-one as I sub-mit myself to
CHORUS-LONG:
D D C C
you you could wear me 'round like your best dress and I__ I wouldn't
Bm Bm C C
mind you could ruin me in one long night and then cast me a-
D D C C
side you could turn your mind back to your past and I couldn't change your
Bm Bm D D
heart or kiss your scars or find your heat there in the dark I wanna learn you
Bm Bm C C
good I wanna read your text I wanna cut you deeper wanna cut you best__
CHORUS-VARIATION:
D D C C
__ now my caution'ry ways are swept aside I fear you
Bm Bm C C
not all my past disclaimers and alibis I've now for-
D D C C
got you could turn your mind back to your past and I couldn't change your
Bm Bm D D
heart or kiss your scars or find your heat there in the dark dark dark__
RE-INTRO:
C* C(#4) A A(4)
__ ooh-ooh ooh-
C* C(#4) A A(4)
ooh___ ooh-ooh
VERSE: [breakdown]
C* C(#4) A A(4)
so it's a private education__ and it's not getting any cheaper__
C* C(#4) A A(4) Em
__ I wear the cost around like a wound and I'll try not to bleed all over you
================================================================================
Extensions are added for two beats with syncopated changes
C (#4) C
1 2 3 + 4 + 1 + 2 + 3 + 4 +
/ / / / / / / / / / / /
D D D u D u u u D u D u
D-chords have a typical rhythmic embellishment using Dsus2/4
Open strings passing chord on Beat-4 occurs throughout
D (Dsus2/4)
1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
E|-2---2---0-2-0-2-|---0---2---0-0---|
B|-3---3---3-3-3-3-|---3---3---3-0---|
G|-2---2---0-2-0-2-|---0---2---0-0---|
D|-0---0---0-0-0-0-|---0---0---0-0---|
A|-----------------|-----------------|
E|-----------------|-----------------|
Waynus Of Uranus
March 2006
Written by Josh Pyke
4 beats per chord Left Channel guitar plays basic chords
Tune down one whole tone Right Channel guitar adds the extensions
in parentheses for two beats
TUNING: 6 5 4 3 2 1
D G C F A D
The final Em chord (very familiar) confirms the tuning.
The string scrape slides between the C and A chords confirm that barre
forms are used. Both chords share the E-note which can be left open on
the 1st-string making the moving extensions very easy to finger.
CHORDS:
C* C(#4) A A(4) Em Em(B6) C D Bm
E|--0-----0-----0---0----0-----0-----0---2---2--|
B|--8-----7-----5---5----0-----1-----1---3---3--|
G|--9-----9-----6---7----0-----0-----0---2---4--|
D|--10----10----7---7----2-----2-----2---0---4--|
A|--10----10----7---7----2-----2-----3-------2--|
E|--8-----8-----5---5----0-----0----------------| Thumb frets 6th-string
INTRO:
C* C(#4) A A(4)
VERSE:
C* C(#4) A A(4)
so it's a private education__ and it's not getting any easier__
C* C(#4) A A(4)
__ but if it's any indication__ well I feel a little weaker
C* C(#4) A A(4)
now and it's a private education__ so I pre-sent you with your de-
C* C(#4) A A(4)
gree a de-gree of separation__ goes a long long way when schooling
PRE-CHORUS:
Em Em(B6) C C
me so for-give me for what I have done and for-give me for what I might
Em Em(B6) C C
do and re-deem me to every-one as I sub-mit myself to
CHORUS:
D D C C
you you could wear me 'round like your best dress and I__ I wouldn't
Bm Bm C C
mind you could ruin me in one long night and then cast me a-
D D C C
side you could turn your mind back to your past and I couldn't change your
Bm Bm D D
heart or kiss your scars or find your heat there in the dark dark dark dark
RE-INTRO:
C* C(#4) A A(4)
dark ooh-ooh
VERSE:
C* C(#4) A A(4)
so it's a private education__ and I'm feeling like an innocent__
C* C(#4) A A(4)
__ though I feel a little guilty now since I've sinned against myself a-
PRE-CHORUS:
Em Em(B6) C C
gain so for-give me for what I have done and for-give me for what I might
Em Em(B6) C C
do and re-deem me to every-one as I sub-mit myself to
CHORUS-LONG:
D D C C
you you could wear me 'round like your best dress and I__ I wouldn't
Bm Bm C C
mind you could ruin me in one long night and then cast me a-
D D C C
side you could turn your mind back to your past and I couldn't change your
Bm Bm D D
heart or kiss your scars or find your heat there in the dark I wanna learn you
Bm Bm C C
good I wanna read your text I wanna cut you deeper wanna cut you best__
CHORUS-VARIATION:
D D C C
__ now my caution'ry ways are swept aside I fear you
Bm Bm C C
not all my past disclaimers and alibis I've now for-
D D C C
got you could turn your mind back to your past and I couldn't change your
Bm Bm D D
heart or kiss your scars or find your heat there in the dark dark dark__
RE-INTRO:
C* C(#4) A A(4)
__ ooh-ooh ooh-
C* C(#4) A A(4)
ooh___ ooh-ooh
VERSE: [breakdown]
C* C(#4) A A(4)
so it's a private education__ and it's not getting any cheaper__
C* C(#4) A A(4) Em
__ I wear the cost around like a wound and I'll try not to bleed all over you
================================================================================
Extensions are added for two beats with syncopated changes
C (#4) C
1 2 3 + 4 + 1 + 2 + 3 + 4 +
/ / / / / / / / / / / /
D D D u D u u u D u D u
D-chords have a typical rhythmic embellishment using Dsus2/4
Open strings passing chord on Beat-4 occurs throughout
D (Dsus2/4)
1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 +
E|-2---2---0-2-0-2-|---0---2---0-0---|
B|-3---3---3-3-3-3-|---3---3---3-0---|
G|-2---2---0-2-0-2-|---0---2---0-0---|
D|-0---0---0-0-0-0-|---0---0---0-0---|
A|-----------------|-----------------|
E|-----------------|-----------------|
Waynus Of Uranus
March 2006
Josh Wilson
Josh.
Joshua Bassett
Joshua Dietrich
Joshua Hyslop