Biografia:
Outras músicas:
- Arclight Swiftcurrent
- Ayn Loveth
- Bring Chemlights
- Click
- Debts Public And Private
- En La Avenida De Los Volcanes
- Everything That Needs Sunlight
- Gallery Space
- How Much Absinthe Does It Take Not Finish A Sad Song
- Marshals Against Karl Rove
- My Response To The Evil Love Of Person A And Person L In Song Form
- One Secret Goal
- Paid
- Return Home
- The Entire Process Theme Not Drinking Outside Your Own House Etc
- The Nariz Del Diablo Train
- The Universe Is Made Up Only Of Particles That Existed In J Roland Kellys Childhood
- The Wes Anderson Slide
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
BRING CHEMLIGHTS (SONG FOR CIRCA 2008 JOHN DARNIELLE) by J ROLAND KELLY from the 2012
album J ROLAND KELLY INTERNALIZES ITERATIONS OF THE PRISONER'S DILEMMA
j-roland-kelly.com
The guitar is tuned down two full steps.
Transcribed by Jeff Goldblaumen
Intro:
F# A
... ...
F# A
They're coming for you Barbara
F# A D
They're coming for you Barbara
F# A
We were alone together
F# A
On the outskirts of town
F# A D
We had just made love under an ancient oak tree
F# A
When you said if you want me
F# A
If I want you
F# A D
That you were mine
F# A
Ah, how great is that?
F# A
What is greater than that?
F# A D
There is nothing in the human experience greater than that
F# A
F# A
F# A D
CHANGE TO A QUICK STRUM
F# A
But it really was unfortunate
F# A
And it really was unfortunate
F# A D
It really was fucking too bad
F# A
Because it was at that exact moment
F# A
It was THAT exact moment
F# A D
That the sword tips of the angry dead came up out of the earth
F# A
The sword tips of the angry dead
F# A
The sword tips of the angry dead
F# A D
Sword tips started to come up out of the ground
F# A
F# A
F# A D
F# A
Let me tell you their time was neigh
F# A
And let me tell you their time was near
F# A D
And they were going to seize control of everything
F# A
And it's true what I am about to tell you
F# A
Every time someone tells you they love you
F# A D
Evil sprits start to move around a tomb somewhere
F# A
And it is better be ready
F# A
It is better to be ready
F# A D
It is best to prepared
F# A
F# A
F# A D
STOP ON D AND FRIDAY THE 13TH THE LAST F#
album J ROLAND KELLY INTERNALIZES ITERATIONS OF THE PRISONER'S DILEMMA
j-roland-kelly.com
The guitar is tuned down two full steps.
Transcribed by Jeff Goldblaumen
Intro:
F# A
... ...
F# A
They're coming for you Barbara
F# A D
They're coming for you Barbara
F# A
We were alone together
F# A
On the outskirts of town
F# A D
We had just made love under an ancient oak tree
F# A
When you said if you want me
F# A
If I want you
F# A D
That you were mine
F# A
Ah, how great is that?
F# A
What is greater than that?
F# A D
There is nothing in the human experience greater than that
F# A
F# A
F# A D
CHANGE TO A QUICK STRUM
F# A
But it really was unfortunate
F# A
And it really was unfortunate
F# A D
It really was fucking too bad
F# A
Because it was at that exact moment
F# A
It was THAT exact moment
F# A D
That the sword tips of the angry dead came up out of the earth
F# A
The sword tips of the angry dead
F# A
The sword tips of the angry dead
F# A D
Sword tips started to come up out of the ground
F# A
F# A
F# A D
F# A
Let me tell you their time was neigh
F# A
And let me tell you their time was near
F# A D
And they were going to seize control of everything
F# A
And it's true what I am about to tell you
F# A
Every time someone tells you they love you
F# A D
Evil sprits start to move around a tomb somewhere
F# A
And it is better be ready
F# A
It is better to be ready
F# A D
It is best to prepared
F# A
F# A
F# A D
STOP ON D AND FRIDAY THE 13TH THE LAST F#
J Walter Hawkes
J Ward
J Williams
J-Ax
J-Ax & Fedez