Biografia:
Guided By Voices foi uma banda de indie-rock americana formada em Dayton, Ohio. Desde o seu início, em 1983, a formação do grupo mudou muito, mas sempre manteve a presença do principal compositor Robert Pollard. O GBV se separou em 2004. Entre 2004 e 2011 a banda esteve inoperante. Nessa parada alguns de seus intregantes se envolveram e lançaram discos em outros projetos. No fim de 2011 o GBV se reuniu para um show em comemoração ao aniversário da Matador Rec. Em 2012 consolidaram o retorno com o lançamento de vasto material inédito.
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Outras músicas:
- Game Of Pricks
- Glad Girls
- Hold On Hope
- A Good Flying Bird
- A Man Called Aerodynamics
- Acorns And Orioles
- Alien Lanes
- As We Go Up We Go Down
- Awful Bliss
- Back To The Lake
- Big Boring Wedding
- Blimps Go 90
- Bright Paper Werewolves
- Bulldog Skin
- Chasing Heather Crazy
- Cheerleader Coldfront
- Chocolate Boy
- Circus Day Holdout
- Circus World
- Colonel Paper
- Cut Out Witch
- Dorothys A Planet
- Echoes Myron
- Echos Myron
- Everybody Thinks Im A Raincloud When Im Not Looking
- Everywhere With Helicopter
- Ex
- Exit Flagger
- Girls Of Wild Strawberries
- Gleemer
- Gold Star For Robot Boy
- Grandfather Westinghouse
- Hangover Child
- I Am A Scientist
- I Am A Tree
- If We Wait
- Im Cold
- Jabberstroker
- Jar Of Cardinals
- Kicker Of Elves
- Laundry And Lasers
- Liars Tale
- Lonely Town
- Motor Away
- Mushroom Art
- My Valuable Hunting Knife
- Over The Neptune
- Pan Swimmer
- Paper Girl
- Quality Of Armor
- Red Gas Circle
- Rhine Jive Click
- See My Field
- Smothered In Hugs
- Space Gun
- Sport Component National
- Surgical Focus
- Table At Fools Tooth
- Teenage Fbi
- The Best Of Jill Hives
- The Goldheart Mountaintop Queen Directory
- Things I Will Keep
- Twilight Campfighter
- Unbaited Vicar Of Scorched Earth
- Under The Bushes
- Underwater Explosions
- Unleashed
- Uphill Crick
- Visit This Place
- Wandering Boy Poet
- Weed King
- When She Turns 50
- You Own The Night
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
But, you ask, what about Gleemer? Well, here's my try:
It starts with G3 C3 D5 (all barre, the numbers are the frets for the
barre, DON'T play a D fifth). Then it goes to the verses:
G G* Em C
This G* is just a G with an F# (2nd fret, E string) in the bass, but I
can't play it with my thumb, so I hire a bassist. The chorus is the same,
and to get from the verses to the chorus, after the C go D C G and into the
chorus. I realize this probably makes little, if any, sense, but listen to
the album and you can probably figure it out (I actually got some help from
the Bevil Web version). I worked up a punk version of this with
powerchords, but it sounds really cheesy as a punk song, so don't try it at
home.
From Dougie:
Actually on Gleemer, I would like to add the following....
INTRO: Cmajor9 with suspension....ok make a G chord...now move your 1st and
2nd
fingers down one (ie your 2nd finger which is on 2nd fret/5th string...
move it down to 2nd fret 4th string....OK?)
Song: I play the following G Bm Em D
Then when "The higher clouds" I play: G G/F#M Em C
Then when Toby sings "Could this be...": G C D
End Riff: String:6 6 6 6 6 6 5 5 5 5 5
Fret :0 0 2 2 3 3 3 3 2 2 0
Try this riff anyway you would like...you could add String 6 Fret 4
instead of using S:6 and F:0...so start with S:6 F:2
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#
But, you ask, what about Gleemer? Well, here's my try:
It starts with G3 C3 D5 (all barre, the numbers are the frets for the
barre, DON'T play a D fifth). Then it goes to the verses:
G G* Em C
This G* is just a G with an F# (2nd fret, E string) in the bass, but I
can't play it with my thumb, so I hire a bassist. The chorus is the same,
and to get from the verses to the chorus, after the C go D C G and into the
chorus. I realize this probably makes little, if any, sense, but listen to
the album and you can probably figure it out (I actually got some help from
the Bevil Web version). I worked up a punk version of this with
powerchords, but it sounds really cheesy as a punk song, so don't try it at
home.
From Dougie:
Actually on Gleemer, I would like to add the following....
INTRO: Cmajor9 with suspension....ok make a G chord...now move your 1st and
2nd
fingers down one (ie your 2nd finger which is on 2nd fret/5th string...
move it down to 2nd fret 4th string....OK?)
Song: I play the following G Bm Em D
Then when "The higher clouds" I play: G G/F#M Em C
Then when Toby sings "Could this be...": G C D
End Riff: String:6 6 6 6 6 6 5 5 5 5 5
Fret :0 0 2 2 3 3 3 3 2 2 0
Try this riff anyway you would like...you could add String 6 Fret 4
instead of using S:6 and F:0...so start with S:6 F:2
Guitarricadelafu (...)
Gulddreng
Gumi Megpoid
Gun
Gunnarolla