Biografia:
O cantor/compositor Gregory Alan Isakov nasceu em Joanesburgo, África do Sul e foi criado em Filadélfia, Pensilvânia, onde ele começou a sair em turnê com uma banda aos 16 anos, antes de eventualmente mudar-se novamente para Colorado para afiar suas qualidades como um artista solo. Influenciado pelo lirismo rural de artistas como Bruce Springsteen, Kelly Joe Phelps e Leonard Cohen, não demorou muito antes da própria mistura de folk empoeirado com americana melancólica de Gregory começar a virar cabeças.
Read more on Last.fm
Outras músicas:
- All Shades Of Blue
- Big Black Car
- Caves
- If I Go I'm Goin'
- Living Proof
- Suitcase Full Of Sparks
- That Moon Song
- That Sea, The Gambler
- The Stable Song
- Time Will Tell
- 3Am
- All There Is
- Amsterdam
- Astronaut
- Berth
- Black Blue
- Bullet Holes
- Buried In The Waves
- Chelsea Hotel No 2
- Chemicals
- Dandelion Wine
- Dark Dark Dark
- Desdemone
- Drank All The Wine
- Evelyn
- February
- Fire Escape
- Garden
- Girl With The Feather
- Highway 29
- Honey Its Alright
- Idaho
- If I Go Im Goin
- If I Go Im Going
- Ill Feed Your Horses
- In Tall Buildings
- John Browns Body
- Kathys Song
- Liars
- Light Year
- Master And A Hound
- Mercury
- Monsters
- Morning Lady
- O City Lights
- One Of Us Cannot Be Wrong
- Raising Cain
- Red And Gold
- Saint Valentine
- Salt And The Sea
- San Francisco
- San Luis
- Second Chances
- She Always Takes It Black
- Shining Offa You
- Southern Star
- That Sea The Gamber
- That Sea The Gambler
- The Moon Song
- The Moon Was Red And Dangerous
- The Universe
- This Empty Northern Hemisphere
- Too Far Away
- Unwritable Girl
- Virginia May
- Was I Just Another One
- Where You Gonna Go
- Wings In All Black
- Words
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
This seems to be played on an electric piano, but it was too beautiful to not transcribe for guitar.
Keep in mind, the meter is a bit tricky, as it is in a syncopated 3/4, with asymmetrical bar structures.
I won't notate all of that, so you'll have to listen to it to get the feel.
Here's a tip:
Play the A with just your pinky and ring finger on the D and G string,
so when you slide up to the open B, C#m, and E, it's a smoooth transition,
only needing to add your index finger as you go up from B all the way to the E, holding the same fingering.
Until the final chorus, the chords in the intro are the same cadence for its entirety.
[Intro]
A B C#m E X2
[Verse 1]
A B C#m E
Silver winged, broken English, boys they smoke
A B C# E
Talk and joke, above the water
A B C#m E
New York lady, holding in her heavy hand
A B C#m E
Sacred lantern, guiding dawn
[Chorus]
A B C#m E
Quit all that, quit all that, quit all that looking back
A B C#m E
Quit all that, quit all that, quit all that
A B C#m E
Quit all that, quit all that, quit all that looking back
A B C#m E
Quit all that, quit all that, quit all that
[Verse 2]
A B C#m E
Casting glances backwards, but it's not your fault
A B C#m E
Turned to salt for the wandering
A B C#m E
In your braids and heavy pages, we were folded
A B C#m E
Kiss the cold and dirty ground
[Chorus]
A B C#m E
Quit all that, quit all that, quit all that looking back
A B C#m E
Quit all that, quit all that, quit all that
A B C#m E
Quit all that, quit all that, quit all that looking back
A B C#m E
Quit all that, quit all that, quit all that
[Instrumental]
A B C#m E x2
[Verse 3]
A B C#m E
Seasons wake with sleeping birds now flying south
A B C#m E
Covered mouth, we watch in awe
A B C#m E
Fallen pines to shape the skyline, take me there
A B C#m E
Beneath the barren coloured moon
A B C#m
(Quit all that, quit all that, quit all that looking back)
A C#m E
(Quit all that, quit all that, quit all that)
[Bridge]
A
Greeting all the masses
B C#m E
From their teeming shores
A B C#m E
She was born with open hands
A B C#m
(Quit all that, quit all that, quit all that looking back)
A C#m E
(Quit all that, quit all that, quit all that)
[Outro]
E A
Quit all that, quit all that, quit all that looking back
E A
Quit all that, quit all that, quit all that looking back
E A
Quit all that, quit all that, quit all that looking back
E A
Quit all that, quit all that, quit all that looking back
E A
Quit all that, quit all that, quit all that looking back
E A E A
Mmmm, mmmm
Keep in mind, the meter is a bit tricky, as it is in a syncopated 3/4, with asymmetrical bar structures.
I won't notate all of that, so you'll have to listen to it to get the feel.
Here's a tip:
Play the A with just your pinky and ring finger on the D and G string,
so when you slide up to the open B, C#m, and E, it's a smoooth transition,
only needing to add your index finger as you go up from B all the way to the E, holding the same fingering.
Until the final chorus, the chords in the intro are the same cadence for its entirety.
[Intro]
A B C#m E X2
[Verse 1]
A B C#m E
Silver winged, broken English, boys they smoke
A B C# E
Talk and joke, above the water
A B C#m E
New York lady, holding in her heavy hand
A B C#m E
Sacred lantern, guiding dawn
[Chorus]
A B C#m E
Quit all that, quit all that, quit all that looking back
A B C#m E
Quit all that, quit all that, quit all that
A B C#m E
Quit all that, quit all that, quit all that looking back
A B C#m E
Quit all that, quit all that, quit all that
[Verse 2]
A B C#m E
Casting glances backwards, but it's not your fault
A B C#m E
Turned to salt for the wandering
A B C#m E
In your braids and heavy pages, we were folded
A B C#m E
Kiss the cold and dirty ground
[Chorus]
A B C#m E
Quit all that, quit all that, quit all that looking back
A B C#m E
Quit all that, quit all that, quit all that
A B C#m E
Quit all that, quit all that, quit all that looking back
A B C#m E
Quit all that, quit all that, quit all that
[Instrumental]
A B C#m E x2
[Verse 3]
A B C#m E
Seasons wake with sleeping birds now flying south
A B C#m E
Covered mouth, we watch in awe
A B C#m E
Fallen pines to shape the skyline, take me there
A B C#m E
Beneath the barren coloured moon
A B C#m
(Quit all that, quit all that, quit all that looking back)
A C#m E
(Quit all that, quit all that, quit all that)
[Bridge]
A
Greeting all the masses
B C#m E
From their teeming shores
A B C#m E
She was born with open hands
A B C#m
(Quit all that, quit all that, quit all that looking back)
A C#m E
(Quit all that, quit all that, quit all that)
[Outro]
E A
Quit all that, quit all that, quit all that looking back
E A
Quit all that, quit all that, quit all that looking back
E A
Quit all that, quit all that, quit all that looking back
E A
Quit all that, quit all that, quit all that looking back
E A
Quit all that, quit all that, quit all that looking back
E A E A
Mmmm, mmmm
Greta Isaac
Grey
Grey Larson
Greyson Chance
Gribi