Biografia:
Dry the River é um quinteto folk/alt-country de Londres. Peter D'Artagnan Liddle (vocalista/guitarrista) foi o grande mentor desse projeto, que foi formado no início de 2009. Em Junho de 2009, trabalharam com o produtor Peter Miles (The King Blues, Sweet Billy Pilgrim, Young Soul Rebels), na gravação do seu EP de estréia "The Chambers & The Valves" que foi gravado em apenas dois dias. Este foi seguido de uma turnê de trinta dias com o cantor e compositor Matthew Reynolds
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Outras músicas:
- Alarms In The Heart
- Shaker Hymns
- Weights And Measures
- Bible Belt
- Chambers And The Valves
- Coast
- Deadheads
- Demons
- Everlasting Light
- Family Tree
- Gethsemane
- Hammer
- Hidden Hand
- History Book
- Hope Diamond
- Husk
- It Was Love That Laid Us Low
- Lions Den
- Med School
- New Ceremony
- Night Owls
- No Rest
- Roman Candle
- Shield Your Eyes
- Vessel
- Zaytoun
Quatro anos de trabalho duro!Neste mês de maio fizemos quatro anos no ar. Continuamos trabalhando na divulgação deste maravilhoso instrumento, obrigado por participar da nossa história!
Artist: Dry the River
Song: Hidden Hand
Album: Alarms in the Heart (2014)
Tabber Email: [email protected]
E C#m
I had a vision in the chapel
E G#m
Flame flickered on your forehead like an apple
F# G#m B
When the morning came I was enthralled by your movement
C#m F#
But I was scared, I wrote a letter
C#m G#m
To articulate my thoughts a little better
F# B
When the time came for speaking my mind it was gone
E
The garden's overgrown
B
Is the fact of the matter
E
And now it's just a field behind the house
B
Where the creepers kinda swallow the light
C#m E
Where you wait for a talking snake
B
For a calendar day - something you can rely on
G#m
You can steady the scale
B F#
With my heart in a pail if I'm wrong
E C#m
When I was young and not a cynic
E G#m
I felt a gravity beyond the city limit
F# G#m B
In the violent heart I couldn't start to explain it
C#m F#
But all my lovers turned to friends
C#m G#m
and I'm in London singing "if it be your will" again
F# B
When the time came for speaking my mind it was gone
E
The garden's overgrown
B
Is the fact of the matter
E
And now it's just a field behind the house
B
Where the creepers kinda swallow the light
C#m E
Where you wait for a talking snake
B
For a calendar day - something you can rely on
G#m
You can steady the scale
B F#
With my heart in a pail if I'm wrong
C#m G#m
I miss my childhood house
E
Where my heart slowed down
B G#m
I could take control of myself there
E C#m G#m
Since our childhood homes
E C#m
Are apartments though
G#m B G#m F#
I've been finding I don't feel it the same way now
E
The garden's overgrown
B
Is the fact of the matter
E
And now it's just a field behind the house
B
Where the creepers kinda swallow the light
C#m E
Where you wait for a talking snake
B
For a calendar day - something you can rely on
G#m
You can steady the scale
B F#
With my heart in a pail if I'm wrong
G#m
You can steady the scale
B F#
With my heart in a pail if I'm wrong
G#m
Steady the scale
B F#
With my heart in a pail if I'm wrong
--------------------------------
This is the key the album version is in. It can be easier to transpose 5 steps down and play capo 5.
When playing it live, they play half a step higher.
Song: Hidden Hand
Album: Alarms in the Heart (2014)
Tabber Email: [email protected]
E C#m
I had a vision in the chapel
E G#m
Flame flickered on your forehead like an apple
F# G#m B
When the morning came I was enthralled by your movement
C#m F#
But I was scared, I wrote a letter
C#m G#m
To articulate my thoughts a little better
F# B
When the time came for speaking my mind it was gone
E
The garden's overgrown
B
Is the fact of the matter
E
And now it's just a field behind the house
B
Where the creepers kinda swallow the light
C#m E
Where you wait for a talking snake
B
For a calendar day - something you can rely on
G#m
You can steady the scale
B F#
With my heart in a pail if I'm wrong
E C#m
When I was young and not a cynic
E G#m
I felt a gravity beyond the city limit
F# G#m B
In the violent heart I couldn't start to explain it
C#m F#
But all my lovers turned to friends
C#m G#m
and I'm in London singing "if it be your will" again
F# B
When the time came for speaking my mind it was gone
E
The garden's overgrown
B
Is the fact of the matter
E
And now it's just a field behind the house
B
Where the creepers kinda swallow the light
C#m E
Where you wait for a talking snake
B
For a calendar day - something you can rely on
G#m
You can steady the scale
B F#
With my heart in a pail if I'm wrong
C#m G#m
I miss my childhood house
E
Where my heart slowed down
B G#m
I could take control of myself there
E C#m G#m
Since our childhood homes
E C#m
Are apartments though
G#m B G#m F#
I've been finding I don't feel it the same way now
E
The garden's overgrown
B
Is the fact of the matter
E
And now it's just a field behind the house
B
Where the creepers kinda swallow the light
C#m E
Where you wait for a talking snake
B
For a calendar day - something you can rely on
G#m
You can steady the scale
B F#
With my heart in a pail if I'm wrong
G#m
You can steady the scale
B F#
With my heart in a pail if I'm wrong
G#m
Steady the scale
B F#
With my heart in a pail if I'm wrong
--------------------------------
This is the key the album version is in. It can be easier to transpose 5 steps down and play capo 5.
When playing it live, they play half a step higher.
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