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Coheed And Cambria

Three Evils Embodied In Love And Shadow

by Coheed And Cambria
Coheed And Cambria

Biografía:

Coheed and Cambria es una banda de rock de Nueva York fundada originalmente por Claudio Sanchez (voz y guitarra), Michael Todd (bajo y voces, actualmente Zach Cooper), Travis Stever (guitarra y voces) y Josh Eppard (batería) en 2000. En 1996 fundaron Shabütie, a la que, posteriormente, se la renombraría por el actual Coheed and Cambria.

Tienen 7 álbumes de estudio, todos conceptuales y entrelazados bajo el nombre general de “The Bag On The

Read more on Last.fm

Coheed And Cambria

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  • Time Consumer
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¡Cuatro años de duro trabajo!

Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!

218 Artista   80 Música   159 Tablatura Tab
Three Evils Embodied in Love and Shadow
by Coheed and Cambria.

All I've ever wanted with guitar is to strum some chords and jam out my favorite songs.

There weren't any chord diagrams for this song, so imaedit.

Disclaimer: The Chords throughout the Verses aren't song acurate, They serve for simplicty of playing and
will play through the song nicely. these chords create a simpler rythm when attempting to sing
and play at first. This helps find where all those syllables fit in the song. If you're like me, you'll end up
replacing this simpler pattern for the trickier intro pattern you here in the song.

Also, The intro I have listed isn't song accurate either, but a simplier substitute that will work for
intro and throughout the verses.

[Intro]

A Asus4 F# Dsus4

Asus4 Essentially looks like: EADGBE x0223x

Dsus4? Essentially looks like: EADGBE xx003x

[Verse 1]
A F# E A F# E A
Across the floor, in the hand of where we drove the drill
A F# E
A cautious ear to the mouth of your confession
B5
Think of all the things we put him through

In the face of his god, would he tell the truth?

A F# E A F# E
Still, recorded were the words that dribbled out his kiss
A F# E
When eyes go blind in this man of what could once become
B5
Sever the limbs off his torso, in sleep

And burn what remains, so the world may now see

A F# E A F# E A
No longer will we wait for your answers
A F# E
Back to the hell where you've come from
B5
Think of all the times you've once had
C#5 D5
Write them in a letter that says "goodbye" uh-uh ah aye, anye- uh ah aye


[Pre-Chorus]
Asus2 B5 F#
You'll listen to rea-son
G D5 C#5
While you're face down in the dirt
Asus2 B5 F#
You'll stomach the hurt and break for him, here
G D5 C#5
Just how much he's worth


[Verse 2]
A F# E A F# E
Slowly discarded were the remains of his lonely youth
A F# E
Among the alley, where the dwellers scare to notice
B5
Picture a young boy in pieces and streets with leveled

Malfunctions, no name to be called redeemer

A F# E A F# E A
We'll fix him, restore him
A F# E
With the love is no other
B5
Think of all the things you did before
C#5 D5
Write them in a letter that says "reborn"


[Pre-Chorus]
Asus2 B5 F#
You'll listen to rea-son
G D5 C#5
While you're face down in the dirt
Asus2 B5 F#
You'll stomach the hurt and break for him, here
G D5 C#5
Just how much he's worth


[Bridge]
F# Asus2 B5 C#5 D5
(Following you across the interstate, walking away!)
D5 F#
Walking away, I'll fire on!

F# Asus2 B5 C#5 D5
(Following you across the interstate, walking away!)
D5 F#
Walking away, I'll fire on!

F# Asus2 B5 C#5 D5
(Following you across the interstate, walking away!)
D5 F#
Walking away, I'll fire on!


[Pre-Chorus]
B5
On the wrong way out
D5 C#5 Asus2
On the causeway to neverwhere
B5
On the wrong way out
D5 C#5 Asus2
On the causeway to neverwhere
B5
On the wrong way out
D5 C#5 Asus2
On the causeway to neverwhere

Throughout these last choruses I have the first Emaj listed for simplicity. When I play this song I use a
more subtle Ab Chord (Which is really Emaj Omitting the 2nd fret A string note)x02100. It adds a subtle warmth
and creates the fluid descension of notes heard in the song, rather than the jumping to-and-fro of notes we
hear previously in the song. Of course the Emaj works great for keeping the song simple to play through.

Also, the D5 for these choruses I play with open chords. (Which is a Dmaj omitting the 2nd fret high E string
note). EADGBE x00230

And lastly, the C#5 is optional. It gives it that signature coheed sound we hear throughout their music.
Totally optional though, the song plays just fine without it.

All these suggestions completley optional of course! These are just the basic notes, feel free to play
whichever way sounds best to you!


[Chorus]
Asus2 E
Dear, my friends
F#
In the time we've spent
E
Forever after, beyond this
D5
When will our nightmare ever end, end, end?

Asus2 E
Dear, my friends

In the time we've spent
E
Forever after, beyond this
D5
When will our nightmare ever end, end, end?



Asus2
Pull the trigger and the nightmare stops
E
Pull the trigger and the nightmare stops
F#
Pull the trigger and the nightmare stops
E D5 C#5
Forever you will, forever you will learn


Asus2
Pull the trigger and the nightmare stops
E
Pull the trigger and the nightmare stops
F#
Pull the trigger and the nightmare stops
E D5 C#5
Forever you will, forever you will learn


Asus2
Pull the trigger and the nightmare stops
E
Pull the trigger and the nightmare stops
F#
Pull the trigger and the nightmare stops
E D5 C#5
Forever you will, forever you will learn


Asus2
Pull the trigger and the nightmare stops
E
Pull the trigger and the nightmare stops
F#
Pull the trigger and the nightmare stops
E D5 C#5 Asus2
Forever you will, forever you will learn




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