Biografía:
Sam Roberts es una de las referencias más interesantes dentro del panorama alternativo en Canadá. Aclamados tanto por la prensa musical como por el público en general, los premios que han recibido por parte de los medios y la industria discográfica canadiense asi como las ventas de sus discos les avalan. Tras dar el salto a USA, los de Montreal se desplazaron a Europa, donde dieron a conocerse con la publicación de su disco “Chemical City”. Su nuevo cd se llama "Love at the end of the world".
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Otras canciones:
- Brother Down
- Gate
- Mystified Heavy
- Paranoia
- An American Draft Dodger In Thunder Bay
- Be Thou My Vision
- Bootleg Saint
- Bridge To Nowhere
- Dead End
- Detroit 67
- Dont Walk Away Eileen
- Every Part Of Me
- Faultline Blues
- Fixed To Ruin
- Golden Hour
- Hard Road
- Lions Of The Kalahari
- Love At The End Of The World
- Metal Skin
- Mind Flood
- Never Enough
- No Sleep
- Oh Maria
- Partition Blues
- Stripmall Religion
- Sundance
- Taj Mahal
- The Pilgrim
- Them Kids
- This Wreck Of A Life
- Tractor Beam Blues
- Twist The Knife
- Uprising Down Under
- Were All In This Together
- Where Have All The Good People Gone
- With A Bullet
- Without A Map
- Words Fire
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Faultline Blues by Sam Roberts
G B# G
I come from the east, I come from the heart of the beast, of the beast
G
where dreams are made in factories, where hearts pound with heavy hurried
B# G
beats, hurried beats
D B# B C G D B# G
I can’t stay here, can’t tow the line, I’m leaving for Pacific standard ti- i- - i -ime
G B# G
Now I’m heading west, trying to get this heavy weight off my chest, off my chest
G B# G
and the ones I love the best, know that 'til I reach the sunset I won’t rest, I won’t rest
D B# B C G D B# G
Left home on St. Valentine and headed for Pacific standard ti-i-i-ime
[interlude]
G B# G D
Now I’m on the trail of Kerouac, it feels unbroken too, GP died not far from here, he was
C G B# D
wailing at the moo-oo-oon
G B# G D
Twenty-nine palms are just enough, one less would be too few, you find the diamond in
C G B# D
the rough and you’re the morning de—e-e-ew
G B C G D B# G
Even ticking clocks can ease your mind when you’re counting on Pacific standard ti-i-i-i-i-ime
G B# G D C G
In orange groves on storage streets I find a steady mind, wandered with my feet in Pacific standard time
G B# G D
Human consolations burning out before they shine, just to dance a little while, in
C G B# D
Pacific standard ti-i-i-ime
G B# B C G D B# G
even ticking clocks can ease your mind when you’re counting on Pacific standard time
D B# C G D B# G
stuck between insane and sublime, you’re living on Pacific standard ti-i-i-ime.
G B# G
I come from the east, I come from the heart of the beast, of the beast
G
where dreams are made in factories, where hearts pound with heavy hurried
B# G
beats, hurried beats
D B# B C G D B# G
I can’t stay here, can’t tow the line, I’m leaving for Pacific standard ti- i- - i -ime
G B# G
Now I’m heading west, trying to get this heavy weight off my chest, off my chest
G B# G
and the ones I love the best, know that 'til I reach the sunset I won’t rest, I won’t rest
D B# B C G D B# G
Left home on St. Valentine and headed for Pacific standard ti-i-i-ime
[interlude]
G B# G D
Now I’m on the trail of Kerouac, it feels unbroken too, GP died not far from here, he was
C G B# D
wailing at the moo-oo-oon
G B# G D
Twenty-nine palms are just enough, one less would be too few, you find the diamond in
C G B# D
the rough and you’re the morning de—e-e-ew
G B C G D B# G
Even ticking clocks can ease your mind when you’re counting on Pacific standard ti-i-i-i-i-ime
G B# G D C G
In orange groves on storage streets I find a steady mind, wandered with my feet in Pacific standard time
G B# G D
Human consolations burning out before they shine, just to dance a little while, in
C G B# D
Pacific standard ti-i-i-ime
G B# B C G D B# G
even ticking clocks can ease your mind when you’re counting on Pacific standard time
D B# C G D B# G
stuck between insane and sublime, you’re living on Pacific standard ti-i-i-ime.
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