Biografía:
Perfume Genius, es el proyecto musical de Mike Hadreas, un joven de 26 años que vive en Copenhague, junto a su madre. Diez temas incluye su trabajo debut "Learning", álbum con marcadas huellas autobiográficas. Él mismo ha declarado que su vida no ha sido fácil y que se lo pasa ocultándose de “cosas”, relacionadas siempre con la muerte, como: abusos sexuales, adicciones y suicidios. He ahí la razón del contenido de sus letras “frágiles y delicadas” que a la vez son “bellas y miserables”
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¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
3/4, Ab major, Capo 1
Without Capo:
G = Ab
C = Db
Em = Fm
D = Eb
If you want to play the piano part: (tabs ignoring capo)
e|---8-----8-----8-----8-----9-----9-----9-----9--------|
B|-----9-----9-----9-----9-----9-----9-----9-----9------|
G|-------8-----8-----8-----8-----10----10----10----10---|
D|------------------------------------------------------|
A|------------------------------------------------------|
E|------------------------------------------------------|
Alternatively, the B, G, and D strings on the open G and D line up with these notes on
an octave lower than the original part. I play the high part for the verse and open chords
strummed once each for the chorus
[Intro]
G C
G C
[Verse 1]
G C
Even your going
G C
Let it find you
G C
Even in hiding
G C
Find it knows you
[Chorus]
Em D C
Rocking you to sleep
Em D G C
From the Otherside
G C
[Verse 2]
G C
Tethered by timing
G C
Let it undo
G C
Aimless and ripped
G
From the root
C
Binds you
[Chorus]
Em D C
Rocking you to sleep
Em D G D
From the Otherside
G C
(keep strumming your root C into Slip Away, Db without capo)
The first chorus is played without chords in the live version. The three notes before
the drop are the same as the G chord during the chorus (8-9-8), played where the D is played
during the second chorus. The drop is an alternation between G and C just like the verse, but
it sounds better as a long-held G if you arent singing the part at the same time.
Without Capo:
G = Ab
C = Db
Em = Fm
D = Eb
If you want to play the piano part: (tabs ignoring capo)
e|---8-----8-----8-----8-----9-----9-----9-----9--------|
B|-----9-----9-----9-----9-----9-----9-----9-----9------|
G|-------8-----8-----8-----8-----10----10----10----10---|
D|------------------------------------------------------|
A|------------------------------------------------------|
E|------------------------------------------------------|
Alternatively, the B, G, and D strings on the open G and D line up with these notes on
an octave lower than the original part. I play the high part for the verse and open chords
strummed once each for the chorus
[Intro]
G C
G C
[Verse 1]
G C
Even your going
G C
Let it find you
G C
Even in hiding
G C
Find it knows you
[Chorus]
Em D C
Rocking you to sleep
Em D G C
From the Otherside
G C
[Verse 2]
G C
Tethered by timing
G C
Let it undo
G C
Aimless and ripped
G
From the root
C
Binds you
[Chorus]
Em D C
Rocking you to sleep
Em D G D
From the Otherside
G C
(keep strumming your root C into Slip Away, Db without capo)
The first chorus is played without chords in the live version. The three notes before
the drop are the same as the G chord during the chorus (8-9-8), played where the D is played
during the second chorus. The drop is an alternation between G and C just like the verse, but
it sounds better as a long-held G if you arent singing the part at the same time.
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