Biografía:
Lucinda Williams (Lake Charles, Luisiana, 26 de enero de 1953) es una cantautora estadounidense de música rock, folk y country. Ha obtenido tres premios Grammy, y fue considerada la mejor autora de canciones de Estados Unidos por la revista TIME en 2002.
Con poco más de veinte años, tocaba en las ciudades texanas de Austin y Houston una mezcla de folk, rock y country. En 1978 se trasladó a Jackson, en el estado de Misisipi, para grabar su primer disco, para Smithsonian/Folkways Records.
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Otras canciones:
- Are You Alright?
- 2 Kool 2 Be 4
- A Song For You Live
- Abandoned
- Am I Too Blue
- Are You Alright
- Are You Down
- Big Red Sun Blues
- Blue
- Born To Be Loved
- Broken Butterflies
- Bus To Baton Rouge
- Buttercup
- Cant Let Go
- Car Wheels On A Gravel Road
- Changed The Locks
- Compassion
- Concrete And Barbed Wire
- Copenhagen
- Crescent City
- Dark Side Of Life
- Drunken Angel
- East Side Of Town
- Essence
- Everything Has Changed
- Fancy Funeral
- Fruits Of My Labor
- Greenville
- Happy Woman Blues
- He Never Got Enough Love
- Here In California
- Howlin At Midnight
- I Asked For Water
- I Asked Him For Water He Gave Me Gasoline
- I Envy The Wind
- I Just Wanted To See You
- I Just Wanted To See You So Bad
- I Lost It
- If Wishes Were Horses
- Jackson
- Jailhouse Tears
- King Of Hearts
- Lake Charles
- Learning How To Live
- Like A Rose
- Lines Around Your Eyes
- Little Angel Little Brother
- Little Darling Pal Of Mine
- Lonely Girls
- Maria
- Memphis Pearl
- Metal Firecracker
- Minneapolis
- Out Of Touch
- Passionate Kisses
- Pineola
- Place In My Heart
- Price To Pay
- Ramblin On My Mind
- Real Live Bleeding Fingers
- Reason To Cry
- Return Of Grevious Angel
- Return Of The Grievous Angel
- Right In Time
- Rolling Along
- Seeing Black
- Sharp Cutting Wings Song To A Poet
- Side Of The Road
- Sidewalks Of The City
- Six Blocks Away
- Something About What Happens
- Something About What Happens When We Talk
- Still I Long For Your Kiss
- Sundays
- Sweet Old World
- Sweet Side
- The Nights Too Long
- Those Three Days
- Ventura
- West Memphis
- When I Look At The World
- Which Will
- World Without Tears
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
G A
I've been waiting for you to come back
C G
since you left Minneapolis
D
Snow covers the streetlamps and the
C
windowsills
G D C G
The buildings and the brittle crooked trees
D G
Dead leaves of December thin skinned and
D
splintered
G D C
Never gotten used to this bitter winter
G A
I've been wasted angry and sad since you
C G
left Minneapolis
D
I wish my thoughts were pure like the
C
driven snow
G D
Like the heavens and the spring's virgin
C
buds
G D G
But they strangled me up with their sin
D G
fill me up with poison
D C
Black clouds have covered up the sun again
G A C
I can always trace it back to that night in
G
Minneapolis
D C
Here on the seventh floor in a room I can't
G
call mine
D C G
Deadbolt on the door do not disturb sign
D G
Shaking and trembling on the clean white
D
linen
G D
Slivers of starlight danced across the
C
ceiling
G A C
A dozen yellow roses all thats left in
G
Minneapolis
D C
I wish I'd never seen your face or heard
your voice
G D C
You're a bad pain in my gut I wanna spit
G
you out
D G
Open up this wound again let my blood flow
D G
red and thin
D G D G
Into the glistening into the whiteness
D C G
Into the melting snow of Minneapolis
[Thanks to Eddie Smith for tabs]
I've been waiting for you to come back
C G
since you left Minneapolis
D
Snow covers the streetlamps and the
C
windowsills
G D C G
The buildings and the brittle crooked trees
D G
Dead leaves of December thin skinned and
D
splintered
G D C
Never gotten used to this bitter winter
G A
I've been wasted angry and sad since you
C G
left Minneapolis
D
I wish my thoughts were pure like the
C
driven snow
G D
Like the heavens and the spring's virgin
C
buds
G D G
But they strangled me up with their sin
D G
fill me up with poison
D C
Black clouds have covered up the sun again
G A C
I can always trace it back to that night in
G
Minneapolis
D C
Here on the seventh floor in a room I can't
G
call mine
D C G
Deadbolt on the door do not disturb sign
D G
Shaking and trembling on the clean white
D
linen
G D
Slivers of starlight danced across the
C
ceiling
G A C
A dozen yellow roses all thats left in
G
Minneapolis
D C
I wish I'd never seen your face or heard
your voice
G D C
You're a bad pain in my gut I wanna spit
G
you out
D G
Open up this wound again let my blood flow
D G
red and thin
D G D G
Into the glistening into the whiteness
D C G
Into the melting snow of Minneapolis
[Thanks to Eddie Smith for tabs]
Lucy Hale
Lucy Rose
Lucy Scwartz
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Lucy Wilson
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