Biografía:
Trayendo toda la tradición musical estadounidense hasta nuestros días, Langhorne Slim se mueve con facilidad entre el country, el hillbilly, el rock'n'roll primigenio, el nuevo folk, algunos toquecitos blues... brindando canciones redondas, cargadas de letras profundas y realmente bien compuestas.
Read more on Last.fm
Otras canciones:
- Sea Of Love
- Airplane
- Alligator Girl
- Bad Luck
- Be Set Free
- Blown Your Mind
- Boots Boy
- Changes
- Checking Out
- Coffee Cups
- Colette
- Diamonds And Gold
- Drowning
- For A Little While
- Funny Feelin
- Great Divide
- House Of My Soul You Light The Rooms
- Hummingbird
- I Love You But Goodbye
- Land Of Dreams
- Lifes A Bell
- Lord
- Lost This Time
- Mary
- Never Break
- On The Attack
- Past Lives
- Put It Together
- Restless
- Salvation
- Shes Gone
- So Glad Im Coming Home
- Song For Sid
- Spinning Compass
- Strangers
- Sweet Olive Tree
- Take My Hand
- The Way We Move
- The Way We Moves
- We Love The Animals
- Wild Soul
- Worries
- Yer Wrong
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
-------------------------------------------------------------------------------
Colette - Langhorne Slim
-------------------------------------------------------------------------------
Tabbed by: Nate Mitchell
Email: [email protected]
Tuning: Standard
Capo on 2
Notes concerning chord shapes at the bottom of the page.
Intro:
F Fadd11* F C C
F Fadd11 F C C
F Fadd11 F C C
G
Verse 1:
F Fadd11 F C C
All I wanted was a good song and a fair friend
F Fadd11 F C C
You came along just then
F Fadd11 F C C
You gave me crazy love and you whispered,
G
"You got a bottle and nobody that your missin'."
F Fadd11 F C C
I wasn't much of a fighter or a lover
F Fadd11 F C C
You said, "Don't get excited, but take cover"
F Fadd11 F C C
We stepped into the light to pictures of each other
G
Some were in black and white, the others were in color
Chorus:
F Fadd11 F G G C
Colette, I knew the second we met, you'd go to my head
C Am Am
we took a breath and leapt into the atmosphere
F Fadd11 F G G C
and I guess it was something you said, we'll rest when we're dead
C Am Am
now it must seem pretty clear
F C G F C G
That I love you. Yes, I do.
(repeat intro and verse 1, lyrics are the same, sing one octave higher)
Break:
C/G D5** C F C G G
(repeat x8)
Chorus (2x as fast as previously played)
F Fadd11 F G G C
C Am Am
F Fadd11 F G G C
C Am Am
F Fadd11 F G G C
Colette, I knew the second we met, you'd go to my head
C Am Am
we took a breath and leapt into the atmosphere
F Fadd11 F G G C
and I guess it was something you said, we'll rest when we're dead
C Am Am
now it must seem pretty clear
F C G F C C/G
That I love you.
* Fadd11 is used as a passing tone, hammer your pinky onto an A# and then
immediately release back into F. Chord shape for Fadd11 is simply:
-1-
-1-
-3-
-3-
-0-
---
** the D5 of the break is used as a passing tone, just release your fingers from
the C/G shape and pick the A and D strings. Part is so fast that it won't be
noticeable and sounds correct in the context.
Note concerning chord shapes:
As with many of Folk musicians, Langhorne Slim uses a slight variation in chord
shapes. The chords will usually feel like they are shaped like C, that is:
-0-
-1-
-0-
-2-
-3-
-0-
To form an F Chord, all you would have to do would be to move your 2 fingers from
the D and A Strings to the G and D strings, and mute (or don't play) the E
strings. So F would be formed like this:
---
-1-
-2-
-3-
-0-
---
similarly, G would be played like this:
-3-
-0-
-0-
-0-
-2-
-3-
Note that your pinky is on the high G.
Another note is that for this song, Langhorne plays C with the added 5th, so just
keep your pinky like its playing G and your good to go.
The final chord of this song is C/G, the G is the lower G, not the higher one, so
the chord would be:
-0-
-1-
-0-
-2-
-3-
-3-
This is the same shape of C/G used in the break section.
Forming these chords is far easier then explaining how to :], but I hope this
helped some people who are new to folk chord shapes.
Colette - Langhorne Slim
-------------------------------------------------------------------------------
Tabbed by: Nate Mitchell
Email: [email protected]
Tuning: Standard
Capo on 2
Notes concerning chord shapes at the bottom of the page.
Intro:
F Fadd11* F C C
F Fadd11 F C C
F Fadd11 F C C
G
Verse 1:
F Fadd11 F C C
All I wanted was a good song and a fair friend
F Fadd11 F C C
You came along just then
F Fadd11 F C C
You gave me crazy love and you whispered,
G
"You got a bottle and nobody that your missin'."
F Fadd11 F C C
I wasn't much of a fighter or a lover
F Fadd11 F C C
You said, "Don't get excited, but take cover"
F Fadd11 F C C
We stepped into the light to pictures of each other
G
Some were in black and white, the others were in color
Chorus:
F Fadd11 F G G C
Colette, I knew the second we met, you'd go to my head
C Am Am
we took a breath and leapt into the atmosphere
F Fadd11 F G G C
and I guess it was something you said, we'll rest when we're dead
C Am Am
now it must seem pretty clear
F C G F C G
That I love you. Yes, I do.
(repeat intro and verse 1, lyrics are the same, sing one octave higher)
Break:
C/G D5** C F C G G
(repeat x8)
Chorus (2x as fast as previously played)
F Fadd11 F G G C
C Am Am
F Fadd11 F G G C
C Am Am
F Fadd11 F G G C
Colette, I knew the second we met, you'd go to my head
C Am Am
we took a breath and leapt into the atmosphere
F Fadd11 F G G C
and I guess it was something you said, we'll rest when we're dead
C Am Am
now it must seem pretty clear
F C G F C C/G
That I love you.
* Fadd11 is used as a passing tone, hammer your pinky onto an A# and then
immediately release back into F. Chord shape for Fadd11 is simply:
-1-
-1-
-3-
-3-
-0-
---
** the D5 of the break is used as a passing tone, just release your fingers from
the C/G shape and pick the A and D strings. Part is so fast that it won't be
noticeable and sounds correct in the context.
Note concerning chord shapes:
As with many of Folk musicians, Langhorne Slim uses a slight variation in chord
shapes. The chords will usually feel like they are shaped like C, that is:
-0-
-1-
-0-
-2-
-3-
-0-
To form an F Chord, all you would have to do would be to move your 2 fingers from
the D and A Strings to the G and D strings, and mute (or don't play) the E
strings. So F would be formed like this:
---
-1-
-2-
-3-
-0-
---
similarly, G would be played like this:
-3-
-0-
-0-
-0-
-2-
-3-
Note that your pinky is on the high G.
Another note is that for this song, Langhorne plays C with the added 5th, so just
keep your pinky like its playing G and your good to go.
The final chord of this song is C/G, the G is the lower G, not the higher one, so
the chord would be:
-0-
-1-
-0-
-2-
-3-
-3-
This is the same shape of C/G used in the break section.
Forming these chords is far easier then explaining how to :], but I hope this
helped some people who are new to folk chord shapes.
Larin
Larrikin Love
Larry Clinton
Larry Kimura And (...)
Lars Dyrskj&osla (...)
Lasso
Last Dinosaurs
Lateeya
Lateeyah
Latin Dreams