Biografía:
El vocalista de la banda Aiden, Will Francis, sale con este proyecto como solista, bajo el sello de victory records (la discografica de Aiden), con una musica distinta a la que estamos poco acostumbrados bajo su creacion.
http://www.myspace.com/williamcontrol
Read more on Last.fm
Otras canciones:
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
LONDON TOWN
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WILLIAM CONTROL
Tuning is A WHOLE STEP DOWN!
----------------------------
Sounds fine in standard but if you wanna play
along with the recording, you're gonna have to
downtune. Sorry!
CHORDS USED:
Am x02210
Fmaj7 133210 (play bass note with thumb)
G6 355430 (play bass note with thumb) or 320030
C 332010
The little intro riff goes a-something like:
D|-----------------------0-----0-----|
A|------------0----------1-----1-----|
F|-----------------------2-----2-----|
C|---------0--------2----2-----2-----| x4
G|---2--3--------0-------0--0--0--0--|
D|-----------------------------------|
D|-----------------0-----------------|
A|------------0----1-----------------|
F|-----------------2-----------------|
C|---------0-------3-----------------|
G|---2--3----------3-----------------|
D|-----------------1-----------------|
*
D|----------------|
A|------------0---|
F|----------------|
C|---------0------|
G|---2--3---------|
D|----------------|
* Follow the recording for the strumming on this chord.
(intro riff x2)
[Verse 1:
Am Fmaj7
Hate I would forever lie
G6
I would fake all the times
C G6
That you broke me down misery
Am Fmaj7
Hate covered in broken glass
G6
My skeleton bones will last
C G6 Fmaj7
Far beyond flowers and dust
G6
So where would I be? ]
(intro riff)
[Verse 2:
Am Fmaj7
Love the feeling I've lost control
G6
Failing so beautiful
C G6
When you left me there misery
Am Fmaj7
Hate blacken my artery
G6
Harden my every
C G6 Fmaj7
fiber of grief stricken love
G6
So where would I be? ]
[Chorus:
C Am
Sadness in London Town
Fmaj7 G6
I walk the streets of Leicester Square
C Fmaj7
Sadness in my own heart's sound
Am G6 Fmaj7
I walk till dawn the disappear ]
(repeat verse 1 and chorus)
(intro riff, ending on Fmaj7 chord)
-----------
WILLIAM CONTROL
Tuning is A WHOLE STEP DOWN!
----------------------------
Sounds fine in standard but if you wanna play
along with the recording, you're gonna have to
downtune. Sorry!
CHORDS USED:
Am x02210
Fmaj7 133210 (play bass note with thumb)
G6 355430 (play bass note with thumb) or 320030
C 332010
The little intro riff goes a-something like:
D|-----------------------0-----0-----|
A|------------0----------1-----1-----|
F|-----------------------2-----2-----|
C|---------0--------2----2-----2-----| x4
G|---2--3--------0-------0--0--0--0--|
D|-----------------------------------|
D|-----------------0-----------------|
A|------------0----1-----------------|
F|-----------------2-----------------|
C|---------0-------3-----------------|
G|---2--3----------3-----------------|
D|-----------------1-----------------|
*
D|----------------|
A|------------0---|
F|----------------|
C|---------0------|
G|---2--3---------|
D|----------------|
* Follow the recording for the strumming on this chord.
(intro riff x2)
[Verse 1:
Am Fmaj7
Hate I would forever lie
G6
I would fake all the times
C G6
That you broke me down misery
Am Fmaj7
Hate covered in broken glass
G6
My skeleton bones will last
C G6 Fmaj7
Far beyond flowers and dust
G6
So where would I be? ]
(intro riff)
[Verse 2:
Am Fmaj7
Love the feeling I've lost control
G6
Failing so beautiful
C G6
When you left me there misery
Am Fmaj7
Hate blacken my artery
G6
Harden my every
C G6 Fmaj7
fiber of grief stricken love
G6
So where would I be? ]
[Chorus:
C Am
Sadness in London Town
Fmaj7 G6
I walk the streets of Leicester Square
C Fmaj7
Sadness in my own heart's sound
Am G6 Fmaj7
I walk till dawn the disappear ]
(repeat verse 1 and chorus)
(intro riff, ending on Fmaj7 chord)
William DeVaughn
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William Matthews
William McDowell
William Michael (...)
William Murphy
William O. Cushi (...)