Biografía:
The Smith Street Band (formerly Wil Wagner and the Smith Street Band) are an Australian rock band based in Melbourne, Victoria, in which the titular Smith Street can be found. The band currently consists of vocalist/guitarist Wil Wagner, lead guitarist/vocalist Lee Hartney, bassist Michael "Fitzy" Fitzgerald, keyboardist/guitarist/vocalist Lucy Wilson, guitarist/vocalist Jess Locke, and drummer Matt Bodiam. Born out of a backing band for the solo
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Otras canciones:
- 25
- Birthdays
- Calgary Girls Acoustic
- Death To The Lads
- Dont Fuck With Our Dreams
- Dont Mention The War
- Ducks Fly Together
- East London Summer
- Forrest
- Get High See Mice
- Get High See No One
- I Cant Feel My Face
- I Hope I Scare People On Public Transport
- I Hope You Find Your Way Home
- I Love Life
- I Scare Myself Sometimes
- I Want Friends
- It Kills Me To Have To Be Alive
- Its Alright I Understand
- Laughing Or Pretending To Laugh
- My Little Sinking Ship
- My New Dress Up Shoes
- Passiona
- Run Into The World
- Self Control
- Shine
- Sigourney Weaver
- Something I Can Hold In My Hands
- Song For You
- South East Facing Wall
- Suffer
- Surrey Dive
- The Arrogance Of The Drunk Pedestrian
- The Belly Of Your Bedroom
- Throw Me In The River
- Tom Busby
- When I Was A Boy I Thought I Was A Fish
- Why I Cant Draw
- Young Drunk
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Ive managed to pick out to my best ability the chords to this song as it's my favourite
and they're aren't enough Smith Street tabs here!
Im not sure of all the licks and shit through it but I find playing it my your self on
an acoustic or whatever you can fiddle around with D and Dsus4 to kinda imitate it.
Also not sure of the name of the chord so when you see this D/C# its
e--2--|
b--3--|
g--2--|
d--0--|
a--4--|
e-----|
D
Walking back to my house the morning after the sugar cube and the
D
Heavens opened up and drowned the heat.
D
With the trace elements tickling my spine,
G
I took my shoes off and danced in puddles
D (Dsus4)
on the sudden downpour ghost town street.
G Bm Asus4 A
D
Hello, my name is Wil and I slept through the millennium
G
But what I wouldn't give to be young, dreaming and ten again.
Bm Asus4 A
It’s New Years 2009, with what's in my system I won't be sleeping for a long time.
D
And when I was a boy, I thought I was a fish and
G
I still love the ocean like when I was a kid,
Bm Asus4 A
But lately I have come to the conclusion, that I'm disappointingly probably human.
D
And I've come a long way from those amphibious days and
G
I'd like to thank the things I've seen, the friends that I've made,
Bm
All the people that have hurt me, the times that I've been saved and to
Asus4 A
music, which has made me its most obliging slave.
D
There's blood on this guitar, there's sweat between these keys,
G
when I step forward to the mic it’s with my tail between my knees,
Bm
But we aren't here to fight, we are here to dance.
Asus4 A
No, we aren't here to fight, we are here to dance.
G A
And then the summer crept up like only a Melbourne summer can.
G A
We ducked back in our alleys and pretended to hate our tans.
G A
And told each other one day, we'd all look back and smile,
D D/C# Bm
Asus4 A
While knowing that we've been drinking ourselves to sleep for a long time.
G A
And now we're back at work and we're working on those numbers.
G A
They're getting us in our sleep, we're having nightmares in our slumber,
G A
About the dealers and the overheads we're going to have to pay.
D D/C# Bm Asus4 G A
Just pass out, pass out, pass out, pass out.
D (Dsus4)
It’s a job for another day.
*****The next bit is pretty much the same*****
And last night I kissed a girl that I met in a bar, which seems momentous given how
things are.
We made out all morning then slept in the afternoon and she said, "Wil, I think that I
can deal with you."
And I never found the right way to say thanks to Alex for keeping my head screwed on.
For telling me when I was wrong, even though I've known all along.
It’s time to clean up, start a band, get back on the road again. Stay sober and
appreciate my friends.
So I'd like to say thank you to every single one of you for everything.
G A
And then the summer crept up like only a Melbourne summer can.
G A
We ducked back in our alleys and pretended to hate our tans.
G A
And told each other one day, we'd all look back and smile,
D D/C# Bm
Asus4 A
While knowing that we've been drinking ourselves to sleep for a long time.
G A
And now we're back at work and we're working on those numbers.
G A
They're getting us in our sleep, we're having nightmares in our slumber,
G A
About the dealers and the overheads we're going to have to pay.
D D/C# Bm Asus4 G A
Just pass out, pass out, pass out, pass out.
D (Dsus4)
It’s a job for another day.
Hope it makes some kind of sense, I think its pretty close at least and is a decent
version to play by your self and sing along what have you. Comments/corrections welcome coz
If i can play it a better way Id love to know!
Tabbed My Mitchell Jones.
and they're aren't enough Smith Street tabs here!
Im not sure of all the licks and shit through it but I find playing it my your self on
an acoustic or whatever you can fiddle around with D and Dsus4 to kinda imitate it.
Also not sure of the name of the chord so when you see this D/C# its
e--2--|
b--3--|
g--2--|
d--0--|
a--4--|
e-----|
D
Walking back to my house the morning after the sugar cube and the
D
Heavens opened up and drowned the heat.
D
With the trace elements tickling my spine,
G
I took my shoes off and danced in puddles
D (Dsus4)
on the sudden downpour ghost town street.
G Bm Asus4 A
D
Hello, my name is Wil and I slept through the millennium
G
But what I wouldn't give to be young, dreaming and ten again.
Bm Asus4 A
It’s New Years 2009, with what's in my system I won't be sleeping for a long time.
D
And when I was a boy, I thought I was a fish and
G
I still love the ocean like when I was a kid,
Bm Asus4 A
But lately I have come to the conclusion, that I'm disappointingly probably human.
D
And I've come a long way from those amphibious days and
G
I'd like to thank the things I've seen, the friends that I've made,
Bm
All the people that have hurt me, the times that I've been saved and to
Asus4 A
music, which has made me its most obliging slave.
D
There's blood on this guitar, there's sweat between these keys,
G
when I step forward to the mic it’s with my tail between my knees,
Bm
But we aren't here to fight, we are here to dance.
Asus4 A
No, we aren't here to fight, we are here to dance.
G A
And then the summer crept up like only a Melbourne summer can.
G A
We ducked back in our alleys and pretended to hate our tans.
G A
And told each other one day, we'd all look back and smile,
D D/C# Bm
Asus4 A
While knowing that we've been drinking ourselves to sleep for a long time.
G A
And now we're back at work and we're working on those numbers.
G A
They're getting us in our sleep, we're having nightmares in our slumber,
G A
About the dealers and the overheads we're going to have to pay.
D D/C# Bm Asus4 G A
Just pass out, pass out, pass out, pass out.
D (Dsus4)
It’s a job for another day.
*****The next bit is pretty much the same*****
And last night I kissed a girl that I met in a bar, which seems momentous given how
things are.
We made out all morning then slept in the afternoon and she said, "Wil, I think that I
can deal with you."
And I never found the right way to say thanks to Alex for keeping my head screwed on.
For telling me when I was wrong, even though I've known all along.
It’s time to clean up, start a band, get back on the road again. Stay sober and
appreciate my friends.
So I'd like to say thank you to every single one of you for everything.
G A
And then the summer crept up like only a Melbourne summer can.
G A
We ducked back in our alleys and pretended to hate our tans.
G A
And told each other one day, we'd all look back and smile,
D D/C# Bm
Asus4 A
While knowing that we've been drinking ourselves to sleep for a long time.
G A
And now we're back at work and we're working on those numbers.
G A
They're getting us in our sleep, we're having nightmares in our slumber,
G A
About the dealers and the overheads we're going to have to pay.
D D/C# Bm Asus4 G A
Just pass out, pass out, pass out, pass out.
D (Dsus4)
It’s a job for another day.
Hope it makes some kind of sense, I think its pretty close at least and is a decent
version to play by your self and sing along what have you. Comments/corrections welcome coz
If i can play it a better way Id love to know!
Tabbed My Mitchell Jones.
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The Snuts
The Soaks
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The Social Club (...)
The Sorry Kisses
The Soul Rebels
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The Sound
The Sound City P (...)