Biografía:
Peter, Paul and Mary were a US folk-singing trio whose nearly 50-year career began with their rise to become a paradigm for 1960s folk music. The trio was composed of Peter Yarrow, Paul Stookey and Mary Travers. After the death of Mary Travers in 2009, Yarrow and Stookey continued to perform as a duo under their individual names.[1]
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Otras canciones:
- 500 Miles
- 75 Septembers
- A Soalin
- All My Trials
- Autumn To May
- Blowin In The Wind
- Boa Constrictor Song
- Children Go Where I Send You
- Cruel War
- Day Is Done
- Dodi Li
- Dont Ever Take Away Our Freedom
- Dont Laugh At Me
- Dont Think Twice Its Alright
- Early In The Morning
- Early Morning Rain
- El Salvador
- Flora
- For Baby
- Freight Train
- Garden Song
- Gilgarra Mountain
- Going To The Zoo
- Gone The Rainbow
- Good Times We Had
- Greenland Whale Fisheries
- Hangman
- Home On The Range Dont Ever Take Away My Freedom
- Hurry Sundown
- Hush A Bye
- I Dig Rock And Roll Music
- If I Had A Hammer
- Kisses Sweeter Than Wine
- Kumbaya
- Leatherwing Bat
- Leaving On A Jet Plane
- Lemon Tree
- Light One Candle
- Man Come Into Egypt
- Man Of Constant Sorrow
- Michael Row The Boat Ashore
- Monday Morning
- Morning Train
- No Easy Walk To Freedom
- No Other Name
- One Tin Soldier
- Polly Von
- Puff The Magic Dragon
- Right Field
- River Of Jordan
- San Francisco Bay Blues
- Settle Down
- Some Walls
- Somos El Barco
- Stewball
- Such Is Love
- Tell It On The Mountain
- The Cruel War
- The First Time Ever I Saw Your Face
- The Great Mandala
- The Kid
- The Magi The Heart Of Mans A Palace
- The Marvelous Toy
- The Times They Are A Changing
- There Is A Ship The Water Is Wide
- There Is Love
- This Land Is Your Land
- Three Ravens
- Tiny Sparrow
- Too Much Of Nothing
- Very Last Day
- Weave Me The Sunshine
- Wedding Song
- Well Well Well
- When The Ship Comes In
- Where Have All The Flowers Gone
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
This song is recorded in the key of Bb, so you must capo on the third fret to use these
and match the recorded pitch. The song is played very briskly and is a good exercise in
chord changes!
Noel: "I wrote 'Early In The Morning' in about one hour in my apartment on East fifth
It turned out to be such a great up tempo gospel piece that Peter and I were inspired to
"Very Last Day" as a sort of sequel. Though it seldom gets the credit it's due, gospel
is responsible for a lot of what has become part of the folk music tradition. As Mary
pointed out in her introductions from stage, much of the music of the faith community
wound its way through the labor movement of the '30s and '40s and the civil rights
of the '50s and '60s. So many times it speaks of an ideal society; a 'heaven' if you
a hope for a better, more just life."
[Intro]
G C G C G C G C G C G C G C G
[Verse]
G C G G C G
Well early in the morning, about the break of day,
Bm Am - D7
I ask the Lord, "Help me find the way!"
G C G C G C G
Help me find the way to the promised land
Em A7
This lonely body needs a helping hand
G Em Bm D7 G C G C G C G
I ask the Lord to help me please find the way.
G C G C G
When the new day's a dawning, I bow my head in prayer.
Bm Am - D7
I pray to the Lord, "Won't you lead me there?"
G C G C G C G
Won't you guide me safely to the Golden Stair?
Em A7
Won't you let this body your burden share?
G Em Bm D7 C G C G C G C G C G C G C G
I pray to the Lord, "Won't you lead me please, lead me there?"
G C G G C G
When the judgment comes to find the world in shame
Bm Am - D7
When the trumpet blows won't you call my name?
G C G G C G
When the thunder rolls and the heavens rain
Em A7
When the sun turns black, never shine again
G Em Bm D7 G C G C G C G
When the trumpet blows, won't you call me please, call my name!
and match the recorded pitch. The song is played very briskly and is a good exercise in
chord changes!
Noel: "I wrote 'Early In The Morning' in about one hour in my apartment on East fifth
It turned out to be such a great up tempo gospel piece that Peter and I were inspired to
"Very Last Day" as a sort of sequel. Though it seldom gets the credit it's due, gospel
is responsible for a lot of what has become part of the folk music tradition. As Mary
pointed out in her introductions from stage, much of the music of the faith community
wound its way through the labor movement of the '30s and '40s and the civil rights
of the '50s and '60s. So many times it speaks of an ideal society; a 'heaven' if you
a hope for a better, more just life."
[Intro]
G C G C G C G C G C G C G C G
[Verse]
G C G G C G
Well early in the morning, about the break of day,
Bm Am - D7
I ask the Lord, "Help me find the way!"
G C G C G C G
Help me find the way to the promised land
Em A7
This lonely body needs a helping hand
G Em Bm D7 G C G C G C G
I ask the Lord to help me please find the way.
G C G C G
When the new day's a dawning, I bow my head in prayer.
Bm Am - D7
I pray to the Lord, "Won't you lead me there?"
G C G C G C G
Won't you guide me safely to the Golden Stair?
Em A7
Won't you let this body your burden share?
G Em Bm D7 C G C G C G C G C G C G C G
I pray to the Lord, "Won't you lead me please, lead me there?"
G C G G C G
When the judgment comes to find the world in shame
Bm Am - D7
When the trumpet blows won't you call my name?
G C G G C G
When the thunder rolls and the heavens rain
Em A7
When the sun turns black, never shine again
G Em Bm D7 G C G C G C G
When the trumpet blows, won't you call me please, call my name!
Petite League
Peto Vicky
Petr Hapka
Petr Muk
Petr Novak
Pettinellis
Petula Clark
Peyote Asesino
Pez De Marte
Pez Luna