Biografía:
Paul Westerberg (n. el 31 de diciembre de 1959) es un cantante nacido en Minneapolis, mejor conocido como el vocalista de The Replacements, una de las primeras bandas alternativas de los '80. Desde la separación de The Replacements en 1991, Westerberg ha grabado varios álbumes solistas bajo su nombre y como Grandpaboy, así como participado de numerosas bandas sonoras para películas, entre ellas "Singles" de Cameron Crowe.
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Otras canciones:
- 2 Days Til Tomorrow
- Best Thing That Never Happened
- Born For Me
- Crackle And Drag
- Dyslexic Heart
- Even Here We Are
- Final Hurrah
- First Glimmer
- Good Day
- Here Comes A Regular
- Hide N Seekin
- Its A Wonderful Lie
- Knockin On Mine
- Let The Bad Times Roll
- Lookin Out Forever
- Lookin Up In Heaven
- Love Untold
- Mamadaddydid
- Mr Rabbit
- My Dad
- Once Around The Weekend
- Only Lie Worth Telling
- Runaway Wind
- Someone I Once Knew
- Stain Yer Blood
- These Are The Days
- Things
- Waiting For Somebody
- Whatever Makes You Happy
- Wild And Lethal
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Intro:
| C C/B C/A C/G | D/F# - - - | G - - - | G - - - |
G D
All of the sun
C D
That New York will allow
C D
Is taking one last bow
G D
and left
G D
Let's throw this night
C D
to the fuckin' wind
C D
Don't ever want to hear
Em(7)
These words again
C C/B C/A C/G
“If on-ly we had
D/F# G - - - | G - - [STOP!]
Wish that we did.”
D C
You're my latest last chance
D C
My final hur-rah
D C C/B
This day went so fast
C/A D Dsus4 D
I barely even saw you
G D
Clap your hands
C D
And stamp your skinny wrists
C D
Cross me off your list
G D
in the sand
G D
And throw this night
C D
to the fuckin' wind
C D
I don't ever want to hear
Em(7)
These words again
C C/B C/A C/G
“If only we had I
D/F# G - - - | G - - [STOP!]
wish we did.”
D C
You're my latest last chance
D C
My final hur-rah
D C C/B
This day went so fast
C/A C/B
I barely even saw you writhe
C Em
You barely even saw me cry
C/A D
I barely even saw you
G D
Hmmmmmmmmmmm
C D
Hmmmmmmmmmmmmmmmmmmmmmmm
C D
Hmmmmmmmmmmmmmmmmmmmmmmm
Em(7)
Hmmmmmmmmmmmmmmmmm
C C/B C/A C/G
Hmmmmmmmmmmmmmmmmmmmmmm
D/F# G - - - | G - - [STOP!]
Hmmmmmmmmmmmmmmmmm
D C
You're my latest last chance
D C
My final hur-rah
D C
This day went so fast
D C
My final hur-rah
D C
In your black satin pants
D C
My final hur-rah
D C
My final hur-rah
D C
My final hur-rah
D C
My final hur-rah
What I am calling a "C/A" can also be written as Am7 because that's the shape (and
notes), but I like C/A better because it illustrates the descending bass note pattern in
relation to what goes before and after.
| C C/B C/A C/G | D/F# - - - | G - - - | G - - - |
G D
All of the sun
C D
That New York will allow
C D
Is taking one last bow
G D
and left
G D
Let's throw this night
C D
to the fuckin' wind
C D
Don't ever want to hear
Em(7)
These words again
C C/B C/A C/G
“If on-ly we had
D/F# G - - - | G - - [STOP!]
Wish that we did.”
D C
You're my latest last chance
D C
My final hur-rah
D C C/B
This day went so fast
C/A D Dsus4 D
I barely even saw you
G D
Clap your hands
C D
And stamp your skinny wrists
C D
Cross me off your list
G D
in the sand
G D
And throw this night
C D
to the fuckin' wind
C D
I don't ever want to hear
Em(7)
These words again
C C/B C/A C/G
“If only we had I
D/F# G - - - | G - - [STOP!]
wish we did.”
D C
You're my latest last chance
D C
My final hur-rah
D C C/B
This day went so fast
C/A C/B
I barely even saw you writhe
C Em
You barely even saw me cry
C/A D
I barely even saw you
G D
Hmmmmmmmmmmm
C D
Hmmmmmmmmmmmmmmmmmmmmmmm
C D
Hmmmmmmmmmmmmmmmmmmmmmmm
Em(7)
Hmmmmmmmmmmmmmmmmm
C C/B C/A C/G
Hmmmmmmmmmmmmmmmmmmmmmm
D/F# G - - - | G - - [STOP!]
Hmmmmmmmmmmmmmmmmm
D C
You're my latest last chance
D C
My final hur-rah
D C
This day went so fast
D C
My final hur-rah
D C
In your black satin pants
D C
My final hur-rah
D C
My final hur-rah
D C
My final hur-rah
D C
My final hur-rah
What I am calling a "C/A" can also be written as Am7 because that's the shape (and
notes), but I like C/A better because it illustrates the descending bass note pattern in
relation to what goes before and after.
Paul Yandell
Paula Cole
Paula i Karol
Paula Koivuniemi
Paula Moore
Pauline Wilson
Paulinho da viol (...)
Paulinho Nogueir (...)
Paulinho Pedra A (...)
Paulino Bernal