Biografía:
The Milk Carton Kids es un dúo indie folk de Eagle Rock, California, formado por los guitarristas Kenneth Pattengale y Joey Ryan. El grupo se formó a principios de 2011. La banda ha grabado y editado tres discos: "Retrospect", "Prologue" y "The Ash & Clay". La banda es conocida por haber distribuido sus dos primeros álbumes de forma gratuita y por el uso de guitarras vintage: Ryan una Gibson J45 de 1951 y Pattengale una Martin 0-15 de 1954.
Su estilo recuerda al de Simon & Garfunkel
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Otras canciones:
- Michigan
- A Sea Of Roses
- All The Things
- As It Must Be
- Asheville Skies
- Big Time
- Broken Headlights
- Freedom
- Getaway
- Girls Gather Round
- Hear Them Loud
- Heaven
- Honey Honey
- Hope Of A Lifetime
- I Still Want A Little More
- Lake Skaneateles
- Laredo
- Like A Cloak
- Maybe Its Time
- Memoires Of An Owned Dog
- Memphis
- Milk Carton Kid
- Monterey
- New York
- No Hammer To Hold
- Nothing Is Real
- On The Mend
- One Goodbye
- Permanent
- Poison Tree
- Promised Land
- Queen Jane
- Retrospect
- Rock Roller
- Secret Of The Stars
- Secrets Of The Stars
- Shooting Shadows
- Sing Sparrow Sing
- Snake Eyes
- Stealing Romance
- The Ash And Clay
- The Jewel Of June
- There By Your Side
- Trouble In These Parts
- Undress The World
- Whisper In Her Ear
- Years Gone By
- Younger Years
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
[Chords]
Am1 E7 Am2 D A#maj7 Amsus4 Am G C F D/F# G#m Am4 Am5 F#7 Am6 E
e|--x----x----x----x----1------1------0----3----0----x----x----4----5----8----8----x-----x--|
B|--10---6----5----3----3------0------1----3----1----1----3----0----5----10---7----10----9--|
G|--9----7----6----5----2------2------2----0----0----2----2----4----5----9----8----11----9--|
D|--7----6----5----4----3------0------2----0----2----3----0----x----7----x----x----0-----9--|
A|--0----x----0----0----x------x------0----2----3----3----0----x----7----x----x----x-----x--|
E|--x----0----x----x----x------x------x----3----x----1----2----4----5----x----7----x-----x--|
[Verse 1]
Am1 E7 Am2 D
Sing, sparrow, sing loud
A#maj7 Amsus4 Am
Hide under here
G C F D/F# G
Little voices sound bigger now
G#m Am4 Am5 F#7 Am6 E
Who could be listening through the clouds?
Am1 E7 Am2 D
Sing, sparrow, sing loud
A#maj7 Amsus4 Am
Hide under here
[Verse 2]
Am1 E7 Am2 D
Sing, sparrow, sing loud
A#maj7 Amsus4 Am
Hide under here
G C F D/F# G
Don't you fear the noise; boys are boys
G#m Am4 Am5 F#7 Am6 E
Spare us a world of what fate destroys
Am1 E7 Am2 D
Sing, sparrow, sing loud
A#maj7 Amsus4 Am
Hide under here
(As far as strumming goes, flatpicking the base note for the first note of the 1/8 triplet and then strumming
the other two in a triplet pattern sounds sterile, but better than straight strumming. Refer to the song for
a sense of what I'm talking about, Thanks!)
Am1 E7 Am2 D A#maj7 Amsus4 Am G C F D/F# G#m Am4 Am5 F#7 Am6 E
e|--x----x----x----x----1------1------0----3----0----x----x----4----5----8----8----x-----x--|
B|--10---6----5----3----3------0------1----3----1----1----3----0----5----10---7----10----9--|
G|--9----7----6----5----2------2------2----0----0----2----2----4----5----9----8----11----9--|
D|--7----6----5----4----3------0------2----0----2----3----0----x----7----x----x----0-----9--|
A|--0----x----0----0----x------x------0----2----3----3----0----x----7----x----x----x-----x--|
E|--x----0----x----x----x------x------x----3----x----1----2----4----5----x----7----x-----x--|
[Verse 1]
Am1 E7 Am2 D
Sing, sparrow, sing loud
A#maj7 Amsus4 Am
Hide under here
G C F D/F# G
Little voices sound bigger now
G#m Am4 Am5 F#7 Am6 E
Who could be listening through the clouds?
Am1 E7 Am2 D
Sing, sparrow, sing loud
A#maj7 Amsus4 Am
Hide under here
[Verse 2]
Am1 E7 Am2 D
Sing, sparrow, sing loud
A#maj7 Amsus4 Am
Hide under here
G C F D/F# G
Don't you fear the noise; boys are boys
G#m Am4 Am5 F#7 Am6 E
Spare us a world of what fate destroys
Am1 E7 Am2 D
Sing, sparrow, sing loud
A#maj7 Amsus4 Am
Hide under here
(As far as strumming goes, flatpicking the base note for the first note of the 1/8 triplet and then strumming
the other two in a triplet pattern sounds sterile, but better than straight strumming. Refer to the song for
a sense of what I'm talking about, Thanks!)
The Moldy Peache (...)
The Monkees
The Moody Blues
The Morning Bend (...)
The Morning Of
The Music Man
The Mystics
The N-11
The Naked And Fa (...)
The Naked Brothe (...)