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The Mavericks

Ride With Me

by The Mavericks
The Mavericks

Biografía:

Los Mavericks era un Grammy Award-winning de la música country alternativa banda fundada en 1989 en Miami, Florida, Estados Unidos. Entre 1991 y 2003 grabaron seis álbumes de estudio, además de la cartografía catorce individuales en el país Billboard gráficos. Su pico más alto de América 1996 fue solo de "todo lo que siempre es Llevar Do Me Down", una colaboración con el acordeonista Flaco Jiménez.

Read more on Last.fm

The Mavericks

Otras canciones:

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  • Summertime When Im With You
  • The Air That I Breathe
  • The Losing Side Of Me
  • There Goes My Heart
  • What A Crying Shame

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¡Cuatro años de duro trabajo!

Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!

248 Artista   87 Música   129 Tablatura Tab
Song: Ride With Me
Artist: The Mavericks
Album: Brand New Day, 2017
URL: https://www.youtube.com/watch?v=dt58GClhQkM
Tempo: Moderato
Tuning: Standard

Capo 3


Chords:
EADGBe
D XX0232
Bm X25542
E7 020100
A7 X02020
C#m XX2120


[Intro]
D-Bm-D D-Bm-D
D-Bm-D (Yeah, whoo!) D-Bm-D


[Verse 1]
D Bm D D-Bm-D
When I'm in New York City, I never sleep a wink, (Ha!)
G D D-Bm-D
When I'm in New York City, I never get to sleep a wink.
E7 A7 C#m D D-Bm-D
But when I cross that river all I want to do is drink.


[Verse 2](Honky-Tonk Piano)
D Bm D D-Bm-D
Well I have been to Chicago, they said it was the promised land, (That’s what they said)
G D D-Bm-D
You know I've been to Chicago, they said it was the promised land.
E7 Bm C#m D D-Bm-D
When I arrived as a child they promised that I'd leave a man


[Verse 3]
D
Well Phoenix, Arizona; Memphis, Tennessee,

Southern California, Washington DC.
G D-Bm-D D D-Bm-D (Oh yeah)
I gotta go... a whole world to see,
E7
So pack your bags up baby.
A7 C#m D D-Bm-D
Come along and ride with me.


[Instrumental 1](Lead Guitar)
D G D D-Bm-D (Whew) D-Bm-D
E7 A7 C#m D D-Bm-D D-Bm-D


[Verse 3](Piano accents)
D
I'm gonna get to Kansas City,
(Horn flourish)
And make my way to 12th and Vine.
G
I'm going to get to Kansas City,
D (Horn flourish)
And make my way to 12th and Vine.(Yes, I am)
E7
Where all the girls are pretty,
A7 C#m D D-Bm-D
But I already made one mine.


[Verse 4]
D
Well Amarillo Texas is just around the bend,

Off to Albuquerque on the road that never ends.
G D D-Bm-D
I gotta go... a whole world to see, (Woah, yeah)
E7
So pack your bags up baby.
A7 C#m D D-Bm-D
Come along and ride with me. (Come on, J.D.)


[Instrumental 2] (Keyboards)
D (Ah, that’s I’m talking about) G D D-Bm-D D-Bm-D
E7 A7 C#m D D-Bm-D D-Bm-D (One more, Harry)


[Verse 5]
D
The night down in the quarter that ended in a fight,

Someone got their ass kicked, no matter who was right.
G D D-Bm-D
I gotta go... a whole world to see, (Oh, yeah)
E7
So pack your bags up baby.
A7 C#m D D-Bm-D
Come along and ride with me. (I’m goin’ to tell you again)


[Refrain 1]
E7
So pack your bags up baby.
A7 C#m D D-Bm-D
Come along and ride with me. (Ahhhh)
E7
So pack your bags up baby.
A7 C#m D D-Bm-D
Come along and ride with me. (Oh yeah)


[Coda](Chorus repeats and fades, with horns over)
E7
Oh yeah (Oh yeah)
A7 C#m D D-Bm-D
Alright (Alright) Oh-huh (Oh-huh)
E7
Oh yeah (Oh yeah)
A7 C#m D D-Bm-D
Alright (Alright) Oh-huh (Oh-huh)
E7
Oh yeah (Oh yeah)
A7 C#m D D-Bm-D
Alright (Alright) Oh-huh (Oh-huh)
E7
Oh yeah (Oh yeah)
A7 C#m D D-Bm-D
Alright (Alright) Oh-huh (Oh-huh)
E7
Oh yeah (Oh yeah)
A7 C#m D D-Bm-D
Alright (Alright) Oh-huh (Oh-huh)
E7
Oh yeah (Oh yeah)
A7 C#m D D-Bm-D
Alright (Alright) Oh-huh (Oh-huh)


[End]


NOTES
1. This song is accompanied through with the style that is not unlike the Bo Diddley “hambone style”.
Ocsillating from the major chord to a variant by generally moving the topmost finger off and back onto
the string.
2. The rhythmic accent flourish, played by horns, at the Intro the end of the alternate verse lines,
is played down-down, down-up & down with respectively D = XX0232, Bm = Bm/D: XX0432 & D = XX0232.
You can also simplify this, by omitting the D string. This can be achieved by just using the fourth
finger to create the Bm/D formation, and leaving the D unchanged.
3. If this TAB is appreciated? I’ll TAB out the instrumental riffs, as well. :-R





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