Biografía:
The Fratellis son una banda de rock alternativo originaria de Glasgow, Escocia.
Los Fratellis tocaron por primera vez el día 4 de Marzo de 2005 en el bar O'Henry's de Glasgow. Supuestamente la banda surgió a partir de un cuarteto que tocaba en bodas, pero de acuerdo al programa televisivo Top of the Pops, la banda se reunió después de que los miembros se conocieron colocando anuncios en la misma tienda de discos .
Diferentes fuentes citan diferentes orígenes del nombre de la banda.
Read more on Last.fm
Otras canciones:
- Acid Jazz Singer
- Baby Doll
- Babydoll
- Chelsea Dagger
- Cigarello
- Flathead
- For The Girl
- Got Ma Nuts From A Hippy
- Henrietta
- Medusa In Chains
- Milk And Money
- Mon Yous Mon Us But No Them
- Nina
- She's Not Gone Yet But She's Leaving
- Vince The Loveable Stoner
- Whislte For The Choir
- Whistle For The Choir
- 3 Skinny Girls
- A Heady Tale
- B Movie Saga
- Baby Dont You Lie To Me
- Baby Fratelli
- Boy Scout To The End
- Costello Music
- Creepin Up The Backstairs
- Desperate Guy
- Dirty Barry Stole The Bluebird
- Doginabag
- Dogtown
- Down The Road And Back Again
- Getting Surreal
- Gutterati
- Halloween Blues
- Imposter Little By Little
- Imposters Acoustic
- Ive Been Blind
- Jeanie Nitro
- Jesus Stole My Baby
- Johnny Come Last
- Laughing Gas
- Lazybones
- Lonesome Anti
- Look Out Sunshine
- Lupe Brown
- Me And The Devil
- Milk Money
- Mistress Mabel
- Moonshine
- My Friend John
- Nobodys Favourite Actor
- Oh Scarlett
- Ole Black N Blue Eyes
- Pimp
- Pretty Like A Girl
- Rock N Roll Will Break Your Heart
- Rosanna
- Seven Nights Seven Days
- Shes Not Gone Yet But Shes Leaving
- Slow
- Sometimes You Just Cant Win
- Soul Crush
- Stacie Anne
- Stand Up Tragedy
- Star Crossed Losers
- Starcrossed Losers
- Steamin
- Stragglers Moon
- Sugartown
- Tell Me A Lie
- The Good Life
- The Next Time We Wed
- They Go Down
- Thief
- This Is Not The End Of The World
- This Old Ghost Town
- Too Much Talk In Tokyo
- Too Much Wine
- Until She Saves My Soul
- We Need Medicine Acoustic
- When All The Lights Go Out
- Whisky Saga
- Z Movies Saga
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Slow
(Electric Version) from "Eyes Wide, Tongue Tied"
The Fratellis
Capo: 2
| G | G | C | C | G | G | C | C |
|G |G |C |C |
If I had an audience . . . . I'd cover my face . . . .
|D |Em Em/D C |C
Lock away myself in a lonesome place . . .
|G |G |C |C |
If I'd had a premonition . . . . of how this would be . . . .
|D |Em Em/D C |
I would still have begged and took you home with me .
|D |Em Em/D C
Still have done it all, done it hope-less-ly
|G |D
And bury myself when all I could see .
|G |C
Well, I lost my heart when my back was turned
|G |C
If you see it could you let me know? . . .
|G |D |Em |C |
If you've got to leave me, baby, won't you do it slow? . . . .
|G |G |C |C |
If I had a crystal ball . . . . I still wouldn't see it all . . . .
|D |Em Em/D C |C
I swear I didn't do it just to make you crawl . . . .
|G |G |C |C |
And if I had a audience . . . . I'd ask them to leave . . . .
|D |Em Em/D C |
How can I give them what I can't re———ceive?
|D |Em Em/D C |
How can I pray when I just don't be———lieve?
|G |D
And sometimes it takes all your heart just to breathe
|G |C
Well, I lost my heart when my back was turned
|G |C
If you see it could you let me know? . . .
|G |D |Em |C |
And if you've got to leave me, baby, won't you do it slow? . . . .
|G |C
Well, there's nothin' that I wouldn't give in this whole world,
|G |C
To be the man you met long ago . . .
|G |D |Em |C |
And if you've got to leave me, baby, won't you do it slow? . . . .
|G |D |Em |C |
If you've got to leave me, baby, won't you do it slow? . . . .
| G | G | C | C | G | G | C | C |
|D |Em Em/D C |
Don't let me see, don't linger at my door,
|D |Em Em/D C |
Tell me again was it to you I swore that
|G |D
No one would play with your heart anymore?
|G |C
Well, I lost my heart when my back was turned
|G |C
If you see it could you let me know? . . .
|G |D |Em |C |
And if you've got to leave me, baby, won't you do it slow? . . . .
|G |D |Em |C |
If you've got to leave me, baby, won't you do it slow? . . . .
|G |D |Em |C |
If you've got to leave me, baby, won't you do it slow? . . . .
|G |D |Em |C |
If you've got to leave me, baby, won't you do it slow? . . . .
| G | G | C | C | G | G | C | C | G <> |
Charted by Dexex
I write chord charts to show how, as a rhythm guitarist,
I play songs. I don't claim they are the "right" way. They're not
tabs — not intended to notate exactly how a song was played
on a recording.
(Electric Version) from "Eyes Wide, Tongue Tied"
The Fratellis
Capo: 2
| G | G | C | C | G | G | C | C |
|G |G |C |C |
If I had an audience . . . . I'd cover my face . . . .
|D |Em Em/D C |C
Lock away myself in a lonesome place . . .
|G |G |C |C |
If I'd had a premonition . . . . of how this would be . . . .
|D |Em Em/D C |
I would still have begged and took you home with me .
|D |Em Em/D C
Still have done it all, done it hope-less-ly
|G |D
And bury myself when all I could see .
|G |C
Well, I lost my heart when my back was turned
|G |C
If you see it could you let me know? . . .
|G |D |Em |C |
If you've got to leave me, baby, won't you do it slow? . . . .
|G |G |C |C |
If I had a crystal ball . . . . I still wouldn't see it all . . . .
|D |Em Em/D C |C
I swear I didn't do it just to make you crawl . . . .
|G |G |C |C |
And if I had a audience . . . . I'd ask them to leave . . . .
|D |Em Em/D C |
How can I give them what I can't re———ceive?
|D |Em Em/D C |
How can I pray when I just don't be———lieve?
|G |D
And sometimes it takes all your heart just to breathe
|G |C
Well, I lost my heart when my back was turned
|G |C
If you see it could you let me know? . . .
|G |D |Em |C |
And if you've got to leave me, baby, won't you do it slow? . . . .
|G |C
Well, there's nothin' that I wouldn't give in this whole world,
|G |C
To be the man you met long ago . . .
|G |D |Em |C |
And if you've got to leave me, baby, won't you do it slow? . . . .
|G |D |Em |C |
If you've got to leave me, baby, won't you do it slow? . . . .
| G | G | C | C | G | G | C | C |
|D |Em Em/D C |
Don't let me see, don't linger at my door,
|D |Em Em/D C |
Tell me again was it to you I swore that
|G |D
No one would play with your heart anymore?
|G |C
Well, I lost my heart when my back was turned
|G |C
If you see it could you let me know? . . .
|G |D |Em |C |
And if you've got to leave me, baby, won't you do it slow? . . . .
|G |D |Em |C |
If you've got to leave me, baby, won't you do it slow? . . . .
|G |D |Em |C |
If you've got to leave me, baby, won't you do it slow? . . . .
|G |D |Em |C |
If you've got to leave me, baby, won't you do it slow? . . . .
| G | G | C | C | G | G | C | C | G <> |
Charted by Dexex
I write chord charts to show how, as a rhythm guitarist,
I play songs. I don't claim they are the "right" way. They're not
tabs — not intended to notate exactly how a song was played
on a recording.
The G-clefs
The Gabe Dixon B (...)
The Gadjits
The Garden
The Gardener And (...)
The Good Life
The Good Mad
The Good The Bad (...)
The Gospel Whisk (...)
The Gothic Archi (...)