Biografía:
The Faces se formó con las piezas desencajadas de Small Faces. En 1969 su guitarrista , cantante y principal compositor, Steve Marriott, abandonó la mítica banda británica para fundar Humble Pie.
A los anteriores miembros de Small Faces, Ronnie Lane(bajo), Ian McLagan(teclados) y Kenney Jones(batería), se les unieron dos músicos procedentes de la banda de Jeff Beck: Rod Stewart(voz) y Ron Wood(guitarra).Ambos se impusieron rápidamente a los componentes originales de Small Faces
Read more on Last.fm
Otras canciones:
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Rolling Stones - Brown Sugar
ACOUSTIC ARRANGEMENT
STANDARD TUNING CAPO 3
[Intro]
C G-C C C F C / x 4
Eb C Ab Bb F-C
Eb C Ab Bb F-C
Eb C Ab Bb F-C
[Verse 1]
C
Gold Coast slave ship bound for cotton fields
F
Sold in the market down in New Orleans
A
C
Scarred old slaver knows he's doin' all right
Bb C
Hear him whip the women just around midnight
[Chorus]
G C
Brown Sugar, how come you taste so good
G C
Brown Sugar, just like a young girl should
[Instrumental]
Eb C Ab Bb F-C
[Verse 2]
C
Drums beatin' cold, English blood runs hot
F
Lady of the house wonderin' when it's gonna stop
C
House boy knows that he's doin' all right
Bb C
You should have heard him just around midnight
[Chorus]
G C
Brown Sugar, how come you taste so good
G C
Brown Sugar, just like a young girl should
[Instrumental]
Eb C Ab Bb F-C X 4 Times
[Chorus]
G C
Brown Sugar, how come you dance so good
G C
Brown Sugar, just like a black girl should
[Verse 3]
C
I bet your mama was a tent show Queen
F
And all her boyfriends were sweet sixteen
A C
I'm no school boy but I know what I like
Bb C
You should have heard them just around midnight
[Chorus]
G F
Brown Sugar, how come you taste so good
C F
Brown Sugar, just like a black girl should
G
I said yea, yea, yea, whoo!
C
How come you, how come you dance so good?..
G
I said yea, yea, yea, whoo!
C
Just like a black girl should,
G F
Yea, yea, yea, whoo!
G F
ACOUSTIC ARRANGEMENT
STANDARD TUNING CAPO 3
[Intro]
C G-C C C F C / x 4
Eb C Ab Bb F-C
Eb C Ab Bb F-C
Eb C Ab Bb F-C
[Verse 1]
C
Gold Coast slave ship bound for cotton fields
F
Sold in the market down in New Orleans
A
C
Scarred old slaver knows he's doin' all right
Bb C
Hear him whip the women just around midnight
[Chorus]
G C
Brown Sugar, how come you taste so good
G C
Brown Sugar, just like a young girl should
[Instrumental]
Eb C Ab Bb F-C
[Verse 2]
C
Drums beatin' cold, English blood runs hot
F
Lady of the house wonderin' when it's gonna stop
C
House boy knows that he's doin' all right
Bb C
You should have heard him just around midnight
[Chorus]
G C
Brown Sugar, how come you taste so good
G C
Brown Sugar, just like a young girl should
[Instrumental]
Eb C Ab Bb F-C X 4 Times
[Chorus]
G C
Brown Sugar, how come you dance so good
G C
Brown Sugar, just like a black girl should
[Verse 3]
C
I bet your mama was a tent show Queen
F
And all her boyfriends were sweet sixteen
A C
I'm no school boy but I know what I like
Bb C
You should have heard them just around midnight
[Chorus]
G F
Brown Sugar, how come you taste so good
C F
Brown Sugar, just like a black girl should
G
I said yea, yea, yea, whoo!
C
How come you, how come you dance so good?..
G
I said yea, yea, yea, whoo!
C
Just like a black girl should,
G F
Yea, yea, yea, whoo!
G F
The Felice Broth (...)
The Films
The Finches
The Fine Young C (...)
The Five Satins
The Four Preps
The Frames
The Franklin Ele (...)
The Fratellis
The Fray