Biografía:
The Association es un grupo de pop formado por Jules Alexander y originalmente llamada The Men. El grupo era parte del genero pop "sunshine". Fueron muy populares en la década de los 60's y tuvieron numerosos éxitos ubicados en el Billboard.
También fueron conocidos por ser una de las bandas líderes en el Festival Pop de Monterrey en 1967. Se destacan por su suaves armonías vocales.
Discografía
* And Then... Along Comes The Association -- Valiant VLM-5002/VLS-25002 (#5, 1966)
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Otras canciones:
- Never My Love
- Windy
- Along Comes Mary
- Are You Ready
- Blistered
- Broccoli
- Changes
- Cherish
- Dont Blame It
- Dont Blame It On Me
- Enter The Young
- Everything That Touches You
- Goodbye Columbus
- Ill Be Your Man
- Like Always
- Looking Glass
- No Fair At All
- On A Quiet Night
- One Too Many Mornings
- Remember
- Requiem For The Masses
- Round Again
- Six Man Band
- Standing Still
- Time For Livin
- Time It Is Today
- Wasnt It A Bit
- Wasnt It A Bit Like Now
- We Love Us
- Your Own Love
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Along Comes Mary:The Association.
#7 in '66.
#1.
Am7 Bm7
Everytime I think that I'm the only one who's lonely
Am7 Bm7
someone calls on me.
Am7 Bm7
And every now and then I spend my time at rhyme and verse
Am7 Bm7
and curse those faults in me.
CHORUS:
E A E7 A
And then along comes Mary.
E A E7
And does she want to give me kicks, and be my steady chick
A E A D G
And give me pick of mem..or..ies?
B E B E
Or maybe rather gather tales from all the fails
B E A
and tribulations no one ever sees?
Dm Em F
When we met I was sure out to lunch,
F D Am7 Am7 Bm7 Am7 Bm7
Now my empty cup tastes as sweet as the punch.
#2.
Am7 Bm7
When vague desire is the fire in the eyes of chicks,
Am7 Bm7
whose sickness is the games they play.
Am7 Bm7
And when the masquerade is played and neighbor folks make jokes
Am7 Bm7
at who is most to blame today.
CHORUS:#2.
E A E7 A
And then along comes Mary.
E A E7
And does she want to set them free, and let them see reality?
A E A D G
From where she got her name.
B E
And will they struggle much..
B E B E
when told that such a tender touch of hers will make them not
A
the same?
Dm Em F
When we met I was sure out to lunch.
F D Am7 Am7 Bm7 Am7 Bm7
Now my empty cup tastes as sweet as the punch.
(INTERLUDE:)
#3.
Am7
And when the morning of the warning's passed,
Bm7 Am7 Bm7
the gassed and flaccid kids are flung across the stars.
Am7
The psychodramas and the traumas gone
Bm7 Am7 Bm7
the songs are left unsung and hung upon the scars.
CHORUS:#3.
E A E7 A
And then along comes Mary.
E A E7
And does she want to see the stains, the dead remains of
A E A D G
all the pains she left the night before?
B E B
Or will their waking eyes, reflect the lies,
E B E E7
and make them realize their urgent cry for sight no more?
Dm Em F
When we met I was sure out to lunch.
F D Am7 Am7 Bm7 Am7 Bm7
Now my empty cup tastes as sweet as the punch.
OUTRO:
Bm7 Am7 Bm7 Am7 Bm7 Am7
Sweet as the punch.........sweet as the punch.
Bm7 Am7 Bm7 Am7 Bm7 Am7
Sweet as the punch.........sweet as the punch.
Em
Sweet as the punch.
A sixties smash from Kraziekhat.
#7 in '66.
#1.
Am7 Bm7
Everytime I think that I'm the only one who's lonely
Am7 Bm7
someone calls on me.
Am7 Bm7
And every now and then I spend my time at rhyme and verse
Am7 Bm7
and curse those faults in me.
CHORUS:
E A E7 A
And then along comes Mary.
E A E7
And does she want to give me kicks, and be my steady chick
A E A D G
And give me pick of mem..or..ies?
B E B E
Or maybe rather gather tales from all the fails
B E A
and tribulations no one ever sees?
Dm Em F
When we met I was sure out to lunch,
F D Am7 Am7 Bm7 Am7 Bm7
Now my empty cup tastes as sweet as the punch.
#2.
Am7 Bm7
When vague desire is the fire in the eyes of chicks,
Am7 Bm7
whose sickness is the games they play.
Am7 Bm7
And when the masquerade is played and neighbor folks make jokes
Am7 Bm7
at who is most to blame today.
CHORUS:#2.
E A E7 A
And then along comes Mary.
E A E7
And does she want to set them free, and let them see reality?
A E A D G
From where she got her name.
B E
And will they struggle much..
B E B E
when told that such a tender touch of hers will make them not
A
the same?
Dm Em F
When we met I was sure out to lunch.
F D Am7 Am7 Bm7 Am7 Bm7
Now my empty cup tastes as sweet as the punch.
(INTERLUDE:)
#3.
Am7
And when the morning of the warning's passed,
Bm7 Am7 Bm7
the gassed and flaccid kids are flung across the stars.
Am7
The psychodramas and the traumas gone
Bm7 Am7 Bm7
the songs are left unsung and hung upon the scars.
CHORUS:#3.
E A E7 A
And then along comes Mary.
E A E7
And does she want to see the stains, the dead remains of
A E A D G
all the pains she left the night before?
B E B
Or will their waking eyes, reflect the lies,
E B E E7
and make them realize their urgent cry for sight no more?
Dm Em F
When we met I was sure out to lunch.
F D Am7 Am7 Bm7 Am7 Bm7
Now my empty cup tastes as sweet as the punch.
OUTRO:
Bm7 Am7 Bm7 Am7 Bm7 Am7
Sweet as the punch.........sweet as the punch.
Bm7 Am7 Bm7 Am7 Bm7 Am7
Sweet as the punch.........sweet as the punch.
Em
Sweet as the punch.
A sixties smash from Kraziekhat.
The B Sharps
The B-52's
The B-52s
The B52's
The Babe Rainbow
The Beatles
The Beatles/dodi (...)
The Beautiful Gi (...)
The Bens
The Besnard Lake (...)