Biografía:
La historia de Supertramp se inicia en 1969. El teclista Rick Davies (nacido en Gran Bretaña en 1944) se hallaba tocando con el grupo Joint, y estaba arruinado, cuando la suerte llamó a su puerta en forma de un apasionado del rock, que reconoció en él las dotes de una estrella de rock y se ofreció para financiar su carrera.
Davies regresó a Londres para probar nuevos músicos y crear un grupo llamado provisionalmente Daddy. Uno de los elegidos fue el poliinstrumentista Roger Hodgson (nacido en 1950).
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Otras canciones:
- Babaji
- Breakfest In America
- Downstream
- Dreamer
- Give A Little Bit
- Goodbye Stranger
- School
- Take The Long Way Home
- The Logical Song
- United states
- A Soapbox Opera
- Aint Nobody But Me
- Another Mans Woman
- Asylum
- Bloody Well Right
- Bonnie
- Breakfast In America
- Casual Conversations
- Cest Le Bon
- Child Of Vision
- Crazy
- Crime Of The Century
- Dont Leave Me Now
- Easy Does It
- Even In The Quietest Moments
- Fools Overture
- Free As A Bird
- Friend In Need
- From Now On
- Hide In Your Shell
- Home Again
- If Everyone Was Listening
- Its Raining Again
- Just Another Nervous Wreck
- Lady
- Land Ho
- Logical Song
- Lord Is It Mine
- Lover Boy
- Maybe Im A Beggar
- My Kind Of Lady
- Oh Darling
- Poor Boy
- Put On Your Old Brown Shoes
- Rosie Had Everything Planned
- Rudy
- Sister Moonshine
- Surely
- Take A Look At My Girlfriend
- Travelled
- Two Of Us
- Words Unspoken
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Take the long way home – Supertramp
Intro: [Dm7 C D Dm7 C D Dm7 C D x 2]
Alt. [[Eb] [Bb] [C] [Eb] [Bb] [C] [Eb] [Bb] [C] x 2]]
Em = F#m ; Am = Hm ; Dm = Em ; G = A ; F = G ;
#1. [Dm7] So you think you're a [C] Romeo,
[G] Playing a part in a [D] picture-show.
Take the [C] long way home, [G]
[G] take the [D] long way home.
[Dm7] 'Cause you're the joke of the [C]
[C] neighbourhood,
[G] Why should you care if you're [D] feeling good.
Take the [C] long way home, [G]
[G] take the [D] long way home.
[F#m] But there are times that you [F#m7]
[F#m7] feel you're part of the [Hm] scenery, [Hm7]
All the [G] greenery, [Em] is comin' [C] down, [G] boy.
[A] And then your wife seems to [F#m7]
[F#m7] think you're part of the [Hm] furniture, [Hm7]
Oh, it's pe- [G] -culiar, [Em] she used to [C]
[C] be [G] so [A] nice. [A7]
#2. [Dm7] When lonely days turn to [C] lonely nights,
[G] You take a trip to the [D] city lights.
And take the [C] long way home, [G]
[G] take the [D] long way home.
[Dm7] You never see what you [C] want to see,
[G] Forever playing to the [D] gallery.
You take the [C] long way home, [G]
[G] take the [D] long way home.
[F#m] And when you're up on the [F#m7] stage,
it's so un-[Hm]-believable, [Hm7]
Unfor-[G]-gettable, [Em]
[Em] how they a-[C]-dore [G] you,
[A] But then your wife seems to [F#m7] think
you're losing your [Hm] sanity, [Hm7]
Oh, cal-[G]-amity, is there
[C] no [G] way [A] out? [A7]
Solo: (Like Intro)
[Dm7] [C] [D] [Dm7] [C] [D] [Dm7] [C] [D] x 2
#3.
[F#m] Does it feel that your [F#m7] life's become a
cat-[Hm]-astrophe? [Hm7]
Oh, it [G] has to be, [Em] for you to [C]
[C] grow, [G] boy.
[A] When you look through the [F#m7] years
and see what you [Hm] could have been, [Hm7]
Oh, what you [G] might have been, [Em] if you'd [C]
[C] had [G] more [A] time. [A7]
[Dm7] So, when the day comes to [C] settle down,
[G] Who's to blame if you're [D] not around?
You took the [C] long way home, [G]
[G] you took the [D] long way home,
You took the [C] long way home, [G]
[G] you took the [D] long way home.
[repeat & fade]
Intro: [Dm7 C D Dm7 C D Dm7 C D x 2]
Alt. [[Eb] [Bb] [C] [Eb] [Bb] [C] [Eb] [Bb] [C] x 2]]
Em = F#m ; Am = Hm ; Dm = Em ; G = A ; F = G ;
#1. [Dm7] So you think you're a [C] Romeo,
[G] Playing a part in a [D] picture-show.
Take the [C] long way home, [G]
[G] take the [D] long way home.
[Dm7] 'Cause you're the joke of the [C]
[C] neighbourhood,
[G] Why should you care if you're [D] feeling good.
Take the [C] long way home, [G]
[G] take the [D] long way home.
[F#m] But there are times that you [F#m7]
[F#m7] feel you're part of the [Hm] scenery, [Hm7]
All the [G] greenery, [Em] is comin' [C] down, [G] boy.
[A] And then your wife seems to [F#m7]
[F#m7] think you're part of the [Hm] furniture, [Hm7]
Oh, it's pe- [G] -culiar, [Em] she used to [C]
[C] be [G] so [A] nice. [A7]
#2. [Dm7] When lonely days turn to [C] lonely nights,
[G] You take a trip to the [D] city lights.
And take the [C] long way home, [G]
[G] take the [D] long way home.
[Dm7] You never see what you [C] want to see,
[G] Forever playing to the [D] gallery.
You take the [C] long way home, [G]
[G] take the [D] long way home.
[F#m] And when you're up on the [F#m7] stage,
it's so un-[Hm]-believable, [Hm7]
Unfor-[G]-gettable, [Em]
[Em] how they a-[C]-dore [G] you,
[A] But then your wife seems to [F#m7] think
you're losing your [Hm] sanity, [Hm7]
Oh, cal-[G]-amity, is there
[C] no [G] way [A] out? [A7]
Solo: (Like Intro)
[Dm7] [C] [D] [Dm7] [C] [D] [Dm7] [C] [D] x 2
#3.
[F#m] Does it feel that your [F#m7] life's become a
cat-[Hm]-astrophe? [Hm7]
Oh, it [G] has to be, [Em] for you to [C]
[C] grow, [G] boy.
[A] When you look through the [F#m7] years
and see what you [Hm] could have been, [Hm7]
Oh, what you [G] might have been, [Em] if you'd [C]
[C] had [G] more [A] time. [A7]
[Dm7] So, when the day comes to [C] settle down,
[G] Who's to blame if you're [D] not around?
You took the [C] long way home, [G]
[G] you took the [D] long way home,
You took the [C] long way home, [G]
[G] you took the [D] long way home.
[repeat & fade]
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