Biografía:
Este grupo se formó a principios de la decada de 1990 en la ciudad de San Diego, Estados Unidos. Enmarcados en la tendencia Grunge, fueron contemporáneos de Pearl Jam, Nirvana, Alice in chains, Soundgarden y Faith No More, entre otros. A pesar de sufrir notorias acusaciones de copiar el estilo de otros grupos (sobre todo a Pearl Jam), gracias a su single "Plush" Stone Temple Pilots sobrevive a las feroces críticas y escribe su particular página
Read more on Last.fm
Otras canciones:
- Atlanta
- Big Bang
- Big Empty
- Creep
- Inter State Love Song
- Interstate Love Song
- Plush
- Sex Type Thing
- Sour Girl
- Still Remains
- Adhesive
- Black Again
- Black Heart
- Finest Hour
- Good Shoes
- Guilty
- I Got You
- Just A Little Lie
- Kitchen Ware And Candy Bars
- Kitchenware And Candybars
- Lady Picture Show
- Middle Of Nowhere
- Never Enough
- Peacoat
- Red And Blues
- Roll Me Under
- Seven Caged Tigers
- Six Eight
- The Art Of Letting Go
- Thought Shed Be Mine
- Trippin On A Hole In A Paper Heart
- Vasoline
- Wicked Garden
- Wonderful
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
PLUSH
Stone Temple Pilots
Simplified interpretation - intended to be close enough to jam to, not exact! I offer,
hopefully, all the breakdown and detail you need to get started on this classic. Add in
complexity as desired with other tabs. I've migrated about 5 tabs into this version, and
modified some of that to an easier set. Now, this has just become the way I play the song
all the time, so I thought I'd share. (Oh, and below is the best breakdown of the intro).
Tuning: Down 1 whole step (to D) (1/2 step works nicely too)
Chords:
G = 3x0033 (or 320033, open G)
G2 = 355433 (G barre)
Gm = 355333 (or use 365333, x11333)
D/F# = 2x0232
F = 133211
C = x32010
D = xx023x (or xx0232)
Cadd9 = x3x030 (or x32033)
G/B = x2x033 (or x20033)
------------------
Section breakdowns
[Intro]
|.1..&..2..&..3..&..4..&..|.1..&..2..&..3..&..4..&..|
v v v (u) v v vu v v v v (u) v v vu v
D|-3--3--x-(3)-3---3-33-3--|-3--3--x-(3)-3---3-33-3--|
A|-3--3--x-(3)-2---2-22-2--|-1--1--x-(1)-0---0-11-2--|
F|-0--0--x-(0)-3---3-33-3--|-2--2--x-(2)-0---0-00-0--|
C|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------------------------|-------------------------| (repeat as needed)
then on last one...
v v v (u) v v vu v v v v (u) v (t tt t)
D|-3--3--x-(3)-3---3-33-3--|-3--3--x-(3)-3~----------|
A|-3--3--x-(3)-2---2-22-2--|-1--1--x-(1)-0~----------|
F|-0--0--x-(0)-3---3-33-3--|-2--2--x-(2)-0~----------|
C|-------------------------|------------(0)~---------|
G|-------------------------|-------------------------|
D|-------------------------|-------------------------|
[Verse]
|G D/F# |F C |Gm | (x2)
|1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |
// xxxx // xxxx // xxxx // xxxx // xxxx // xxxx (/=strum, x=mute, this is like radio version)
or
// x/// // x/// // x/// // x/// // x/// // x/// (on acoustic one mute does trick)
(over lyrics)
|1 . . . 2 . . . 3 . . . 4 . . . |
|G D/F# |
And I.. feel..... that
|F C |
time's a wasted go.
|Gm |
So whereya going to to-
|G D/F# |
-morrow? And I see....... that
|F C |
these are lies to come.
|Gm |D* (start pre-chorus)
So would you even care?
[Pre-Chorus]
|D Cadd9 G/B Cadd9 | (x4)
|1 . . 2 . . 3 . . 4 . . |
// // // // // /
(over lyrics)
|1 . . 2 . . 3 . . 4 . . |
|D Cadd9 G/B Cadd9 |
And I
|D Cadd9 G/B Cadd9 |
fe-el it.. (it..)(it!)
|D Cadd9 G/B Cadd9 |
Yeah I
|D Cadd9 G/B Cadd9 |
fe-el it.. (it..)(it!)
[Chorus part 1]
|Gm |F | (x4)
|1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |
/ / x xxx / / x xxx / / x xxx / / x xxx
or
/ / x /// / / x /// / / x /// / / x ///
(note: same as verse rhythm, but spacing is shown better here)
(over lyrics) *
|1 . . 2 . . 3 . . 4 . . |1 . . 2 . . 3 . . 4 . . |
|Gm * |F |
Where ya going for tomorrow?
|Gm * |F |
Where ya goin w/that mask I found?
|Gm * |F |
And I feel I feel when the dogs begin to smell her
|Gm * |F |
Will she smell a-lo-oo-----------oo-one?
* = the word under the asterisk starts at 3rd beat and rest squishes in before the correct
change over the letter/word on F (sorry, couldn't fit)
[Chorus part 2]
|G2 |F |(x3)
|1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |
/ / / /// / / / /// / / / /// / / / ///
|G2 |F |(x1)
/ / / /// / / / /// / / / /// / /
(over lyrics)
|G2 |F |
When the dogs do find her. Got time, time, to wait for
|G2 |F |
tomorrow... to find it, to find it, to find it.
|G2 |F |
When the dogs do find her. Got time, time, to wait for
|G2 |F / / |
tomorrow... to find it, to find it. (to find it.)
---------------
(Okay, here's the complete song... Enjoy!)
PLUSH
[Intro] x2
[Verse 1]
G D/F# F C
And I feel that time's a wasted go.
Gm
So where ya going to
G D/F# F C
tomorrow? And I see that these are lies to come.
Gm
Would you even care?
[Pre-Chorus]
D Cadd9 G/B Cadd9
And I
D Cadd9 G/B Cadd9
feel it...(it....it!)
D Cadd9 G/B Cadd9
Yeah I
D Cadd9 G/B Cadd9
feel it...(it....it!)
[Chorus part 1]
Gm F
Where ya going for tomorrow?
Gm F
Where ya going with that mask I found?
Gm F
And I feel, and I feel when the dogs begin to smell her...
Gm F
Will she smell alone?
[Instrumental] x1
[Verse 2]
G D/F# F C
And I feel, so much depends on the weather.
Gm
So is it raining in your
G D/F# F C
bedroom? And I see, that these are the eyes of disarray.
Gm
Would you even care?
[Pre-Chorus]
D Cadd9 G/B Cadd9
And I
D Cadd9 G/B Cadd9
feel it...(it....it!)
D Cadd9 G/B Cadd9
And she
D Cadd9 G/B Cadd9
feels it...(it....it!)
[Chorus part 1]
Gm F
Where ya going for tomorrow?
Gm F
Where ya going with that mask I found?
Gm F
And I feel, and I feel when the dogs begin to smell her...
Gm F
Will she smell alone?
[Chorus part 2]
G2 F
When the dogs do find her. Got time, time, to wait for
G2 F
tomorrow... to find it, to find it, to find it.
G2 F
When the dogs do find her. Got time, time, to wait for
G2 F
tomorrow... to find it, to find it, to find it.
[Instrumental] x3
[Chorus part 1]
Gm F
Where ya going for tomorrow?
Gm F
Where ya going with that mask I found?
Gm F
And I feel, and I feel when the dogs begin to smell her...
Gm F
Will she smell alone?
[Chorus part 2]
G2 F
When the dogs do find her. Got time, time, to wait for
G2 F
tomorrow... to find it, to find it, to find it.
G2 F
When the dogs do find her. Got time, time, to wait for
G2 F
tomorrow... to find it, to find it, to find it.
[Outro]
(over Intro deal)
D|-3--3--x-(3)-3---3-33-3--|-3--3--x-(3)-3---3-33-3--|
A|-3--3--x-(3)-2---2-22-2--|-1--1--x-(1)-0---0-11-2--|
F|-0--0--x-(0)-3---3-33-3--|-2--2--x-(2)-0---0-00-0--|
C|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------------------------|-------------------------| (x5)
To find it... (to find it)
then..
D|-3--3--x-(3)-3---3-33-3--|-3--3--x-(3)-3~----------|
A|-3--3--x-(3)-2---2-22-2--|-1--1--x-(1)-0~----------|
G|-0--0--x-(0)-3---3-33-3--|-2--2--x-(2)-0~----------|
C|-------------------------|------------(0)~---------|
G|-------------------------|-------------------------|
D|-------------------------|-------------------------|
To find it!
*******************************************
v = down strum
u = up stoke
x = palm
t = tap/drum on acoustic (prior to verses)
*******************************************
Chord Notes:
The chords of contraversy are going to be the G barre and Gm. The closest tab shows a Eb7/G
(365333) played for both of these. Though, that didn't sound right and was hard to play
(maybe the later is why it sounded off to me). I think the Gm with the mellower Chorus 1
("where you going for tommorrow...") strumming and mutes sounds pretty cool (even if not
exact). Then switching to a regular G bar in the main Chorus ("when the dogs to find
her...") sounds just fine for rocking it out a bit more (changing things up, etc). Same
thing with the regular F barre, sounds just fine to me, and matches up with my Gm and G
barre nicely. If my chords are too simplified, tinker with them. But, I layout the song and
break it down it with good enough detail that this version should be useful.
Stone Temple Pilots
Simplified interpretation - intended to be close enough to jam to, not exact! I offer,
hopefully, all the breakdown and detail you need to get started on this classic. Add in
complexity as desired with other tabs. I've migrated about 5 tabs into this version, and
modified some of that to an easier set. Now, this has just become the way I play the song
all the time, so I thought I'd share. (Oh, and below is the best breakdown of the intro).
Tuning: Down 1 whole step (to D) (1/2 step works nicely too)
Chords:
G = 3x0033 (or 320033, open G)
G2 = 355433 (G barre)
Gm = 355333 (or use 365333, x11333)
D/F# = 2x0232
F = 133211
C = x32010
D = xx023x (or xx0232)
Cadd9 = x3x030 (or x32033)
G/B = x2x033 (or x20033)
------------------
Section breakdowns
[Intro]
|.1..&..2..&..3..&..4..&..|.1..&..2..&..3..&..4..&..|
v v v (u) v v vu v v v v (u) v v vu v
D|-3--3--x-(3)-3---3-33-3--|-3--3--x-(3)-3---3-33-3--|
A|-3--3--x-(3)-2---2-22-2--|-1--1--x-(1)-0---0-11-2--|
F|-0--0--x-(0)-3---3-33-3--|-2--2--x-(2)-0---0-00-0--|
C|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------------------------|-------------------------| (repeat as needed)
then on last one...
v v v (u) v v vu v v v v (u) v (t tt t)
D|-3--3--x-(3)-3---3-33-3--|-3--3--x-(3)-3~----------|
A|-3--3--x-(3)-2---2-22-2--|-1--1--x-(1)-0~----------|
F|-0--0--x-(0)-3---3-33-3--|-2--2--x-(2)-0~----------|
C|-------------------------|------------(0)~---------|
G|-------------------------|-------------------------|
D|-------------------------|-------------------------|
[Verse]
|G D/F# |F C |Gm | (x2)
|1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |
// xxxx // xxxx // xxxx // xxxx // xxxx // xxxx (/=strum, x=mute, this is like radio version)
or
// x/// // x/// // x/// // x/// // x/// // x/// (on acoustic one mute does trick)
(over lyrics)
|1 . . . 2 . . . 3 . . . 4 . . . |
|G D/F# |
And I.. feel..... that
|F C |
time's a wasted go.
|Gm |
So whereya going to to-
|G D/F# |
-morrow? And I see....... that
|F C |
these are lies to come.
|Gm |D* (start pre-chorus)
So would you even care?
[Pre-Chorus]
|D Cadd9 G/B Cadd9 | (x4)
|1 . . 2 . . 3 . . 4 . . |
// // // // // /
(over lyrics)
|1 . . 2 . . 3 . . 4 . . |
|D Cadd9 G/B Cadd9 |
And I
|D Cadd9 G/B Cadd9 |
fe-el it.. (it..)(it!)
|D Cadd9 G/B Cadd9 |
Yeah I
|D Cadd9 G/B Cadd9 |
fe-el it.. (it..)(it!)
[Chorus part 1]
|Gm |F | (x4)
|1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |
/ / x xxx / / x xxx / / x xxx / / x xxx
or
/ / x /// / / x /// / / x /// / / x ///
(note: same as verse rhythm, but spacing is shown better here)
(over lyrics) *
|1 . . 2 . . 3 . . 4 . . |1 . . 2 . . 3 . . 4 . . |
|Gm * |F |
Where ya going for tomorrow?
|Gm * |F |
Where ya goin w/that mask I found?
|Gm * |F |
And I feel I feel when the dogs begin to smell her
|Gm * |F |
Will she smell a-lo-oo-----------oo-one?
* = the word under the asterisk starts at 3rd beat and rest squishes in before the correct
change over the letter/word on F (sorry, couldn't fit)
[Chorus part 2]
|G2 |F |(x3)
|1 . 2 . 3 . 4 . |1 . 2 . 3 . 4 . |
/ / / /// / / / /// / / / /// / / / ///
|G2 |F |(x1)
/ / / /// / / / /// / / / /// / /
(over lyrics)
|G2 |F |
When the dogs do find her. Got time, time, to wait for
|G2 |F |
tomorrow... to find it, to find it, to find it.
|G2 |F |
When the dogs do find her. Got time, time, to wait for
|G2 |F / / |
tomorrow... to find it, to find it. (to find it.)
---------------
(Okay, here's the complete song... Enjoy!)
PLUSH
[Intro] x2
[Verse 1]
G D/F# F C
And I feel that time's a wasted go.
Gm
So where ya going to
G D/F# F C
tomorrow? And I see that these are lies to come.
Gm
Would you even care?
[Pre-Chorus]
D Cadd9 G/B Cadd9
And I
D Cadd9 G/B Cadd9
feel it...(it....it!)
D Cadd9 G/B Cadd9
Yeah I
D Cadd9 G/B Cadd9
feel it...(it....it!)
[Chorus part 1]
Gm F
Where ya going for tomorrow?
Gm F
Where ya going with that mask I found?
Gm F
And I feel, and I feel when the dogs begin to smell her...
Gm F
Will she smell alone?
[Instrumental] x1
[Verse 2]
G D/F# F C
And I feel, so much depends on the weather.
Gm
So is it raining in your
G D/F# F C
bedroom? And I see, that these are the eyes of disarray.
Gm
Would you even care?
[Pre-Chorus]
D Cadd9 G/B Cadd9
And I
D Cadd9 G/B Cadd9
feel it...(it....it!)
D Cadd9 G/B Cadd9
And she
D Cadd9 G/B Cadd9
feels it...(it....it!)
[Chorus part 1]
Gm F
Where ya going for tomorrow?
Gm F
Where ya going with that mask I found?
Gm F
And I feel, and I feel when the dogs begin to smell her...
Gm F
Will she smell alone?
[Chorus part 2]
G2 F
When the dogs do find her. Got time, time, to wait for
G2 F
tomorrow... to find it, to find it, to find it.
G2 F
When the dogs do find her. Got time, time, to wait for
G2 F
tomorrow... to find it, to find it, to find it.
[Instrumental] x3
[Chorus part 1]
Gm F
Where ya going for tomorrow?
Gm F
Where ya going with that mask I found?
Gm F
And I feel, and I feel when the dogs begin to smell her...
Gm F
Will she smell alone?
[Chorus part 2]
G2 F
When the dogs do find her. Got time, time, to wait for
G2 F
tomorrow... to find it, to find it, to find it.
G2 F
When the dogs do find her. Got time, time, to wait for
G2 F
tomorrow... to find it, to find it, to find it.
[Outro]
(over Intro deal)
D|-3--3--x-(3)-3---3-33-3--|-3--3--x-(3)-3---3-33-3--|
A|-3--3--x-(3)-2---2-22-2--|-1--1--x-(1)-0---0-11-2--|
F|-0--0--x-(0)-3---3-33-3--|-2--2--x-(2)-0---0-00-0--|
C|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------------------------|-------------------------| (x5)
To find it... (to find it)
then..
D|-3--3--x-(3)-3---3-33-3--|-3--3--x-(3)-3~----------|
A|-3--3--x-(3)-2---2-22-2--|-1--1--x-(1)-0~----------|
G|-0--0--x-(0)-3---3-33-3--|-2--2--x-(2)-0~----------|
C|-------------------------|------------(0)~---------|
G|-------------------------|-------------------------|
D|-------------------------|-------------------------|
To find it!
*******************************************
v = down strum
u = up stoke
x = palm
t = tap/drum on acoustic (prior to verses)
*******************************************
Chord Notes:
The chords of contraversy are going to be the G barre and Gm. The closest tab shows a Eb7/G
(365333) played for both of these. Though, that didn't sound right and was hard to play
(maybe the later is why it sounded off to me). I think the Gm with the mellower Chorus 1
("where you going for tommorrow...") strumming and mutes sounds pretty cool (even if not
exact). Then switching to a regular G bar in the main Chorus ("when the dogs to find
her...") sounds just fine for rocking it out a bit more (changing things up, etc). Same
thing with the regular F barre, sounds just fine to me, and matches up with my Gm and G
barre nicely. If my chords are too simplified, tinker with them. But, I layout the song and
break it down it with good enough detail that this version should be useful.
Stornoway
Story Of The Yea (...)
Strachy Na Lachy
Strada
Straight No Chas (...)
Streets
Strike
String Cheese In (...)
Strings
Stromae