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Silversun Pickups

Lazy Eye

by Silversun Pickups
Silversun Pickups

Biografía:

Silversun Pickups es un grupo musical estadounidense de rock alternativo, formado en Los Ángeles, California.
Silversun Pickups está conformado por Brian Aubert (guitarra y voz), Nikki Monninger (bajo y voz), Christopher Guanlao (batería) y Joe Lester (teclado).

Los miembros del grupo son amigos, que han tocado juntos anteriormente o con amigos mutuos en otros grupos.
Silversun Pickups lanzó su primer EP, titulado Pikul, en julio del 2005.

El primer álbum de la banda, llamado Carnavas, fue lanzado el 26 de julio de 2006.

Read more on Last.fm

Silversun Pickups

Otras canciones:

  • Freakazoid
  • Kissing Families
  • Lazy Eye
  • Little Lover's So Polite
  • Panic Switch
  • The Royal We
  • Bloody Mary Nerve Endings
  • Cannibal
  • Catch And Release
  • Circadian Rhythm Last Dance
  • Common Reactor
  • Creation Lake
  • Dots And Dashes Enough Already
  • Dream At Tempo 119
  • Friendly Fires
  • Growing Old Is Getting Old
  • Here We Are Chancer
  • Its Nice To Know You Work Alone
  • Latchkey Kids
  • Let It Decay
  • Melatonin
  • Nightlight
  • Pins And Needles
  • Ribbons And Detours
  • Rusted Wheel
  • Sci
  • Shadowplay
  • Skin Graph
  • Table Scraps
  • The Pit
  • Well Thought Out Twinkles

Comparte esta pestaña

           

¡Cuatro años de duro trabajo!

Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!

316 Artista   104 Música   247 Tablatura Tab
LAZY EYE - Acoustic Chords (Alt. version for lone guitarists)
Silversun Pickups
Std. Tuning
| Chord | Full (Roots) | Play Suggestions |
| G#m/E | 0-11--x-13-12-11 | 0-11--x-13(12)-x |
| F#m/E | 0--9--x-11-10--9 | 0--9--x-11(10)-x |
| Am/E | 0-12--x-14-13-12 | 0-12--x-14(13)-x |
| C#m | 9-11-11--9--9--9 | 9-11-11-(9--9)-x |
| B | 7--9--9--8--7--7 | 7--9--9-(8--8)-x |
| G#? | ??? | x-11--x--9--x--x |
| E | 0--2--2--1--0--0 | 0--2--2--1-(0)-x |
| E2 | x--7--x--9--9--7 | x--7--x--9-(9)-x |

[Main Riffs]
Riff 1 is the same with a different F#m/E at start of 2nd measure.
The Am/E (Am) is the quick slide or bend to the A note (if playing only 2 strings) or shown
here as a slide to Am.
* below = Double-time (repeat). Messes up the formatting to try to squish another chord in.
Basically, all chords shown are downstrokes on 8 counts/measure, where there's an astericks
below fit in a quick follow-up upstroke (usually only hitting the E and A strings). At the
end of Riffs 1a-c, do this on the last 0-11 (or use 0-x) on E and A strings to make the record
skipping sound, before connecting to a similar pass.

[Riff 1a] |----(1a)----|
| 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |
G#m/E F#m/E G#m/E (Am)
e|---------(*)----------*--|---------(*)------------*|
B|(12)--------(12)---------|(10----10-10-12-12/1312)|
G|-13(13-13-13)13(13-13-13)|-11----11-11-13-13/1413-|
D|-x--x--x--x--x--x--x--x--|-x-----x--x--x--x--x--x--|
A|-11-11-11-11-11-11-11-11-|-9-----9--9--11-11/1211*|
E|-0--0--0--0--0--0--0--0--|-0-----0--0--0--0-----0-0|

[Riff 1b] |----(1b)----|
G#m/E F#m/E G#m/E (Am)
e|---------(*)----------*--|------------------------*|
B|(12)--------(12)---------|---------(12-12-12/1312)|
G|-13(13-13-13)13(13-13-13)|(119-/11)13-13-13/1413-|
D|-x--x--x--x--x--x--x--x--|-x--x--x--x--x--x--x--x--|
A|-11-11-11-11-11-11-11-11-|-9-7-/9--11-11-11/1211*|
E|-0--0--0--0--0--0--0--0--|-0--------0--0--0-----0-0|

[Riff 1c] |----(1c)----|
G#m/E F#m/E G#m/E (Am)
e|---------(*)----------*--|------------------------*|
B|(12)--------(12)---------|------------(12-12/1312)|
G|-13(13-13-13)13(13-13-13)|---------(13)13-13/1413-|
D|-x--x--x--x--x--x--x--x--|-9-h11p9--x--x--x--x--x--|
A|-11-11-11-11-11-11-11-11-|(9)-------11-11-11/1211*|
E|-0--0--0--0--0--0--0--0--|(0)-------0--0--0-----0-0|

[Riff 2](varies in use, but this demonstrates the regular approach)
| 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |
C#m B
e|---------(*)----------*--|---------(*)----------*--|
B|(9~)--------(9)----------|(7~)--------(7)----------|
G|-9~----------9-----------|-8~----------8-----------|
D|-11(11-11-11)11(11-11-11)-9-(9--9--9)-9-(9--9--9)-|
A|-11-11-11-11-11-11-11-11--9--9--9--9--9--9--9--9--|
E|-9--9--9--9--9--9--9--9---7--7--7--7--7--7--7--7--|

[Bass Riff](pretty much throughout, heard more towards middle and end)
| 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |
E|-0--0--0--0--0--0--0--0--|-7--7--7--0-----0--0--0--|
Okay, now let's attack the song...

[INTRO]
| 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |
|G#m/E |F#m/E(1a) G#m/E (Am) | (x3) - w/ Riff 1a
|G#m/E |F#m/E(1b) G#m/E (Am) | (x1) - w/ Riff 1b
|C#m |B | (x1) - w/ Riff 2
|G#m/E |F#m/E(1c) G#m/E (Am) | (x4) - w/ Riff 1c
4) I've been...

[VERSE 1]
|G#m/E |F#m/E(1a) G#m/E (Am) | (x1) - w/ Riff 1a
waiting... I've been
|G#m/E |F#m/E(1b) G#m/E (Am) | (x1) - w/ Riff 1b
waiting for this moment all... my...
|C#m |B | (x1) - w/ Riff 2
life... but it's not quite
|G#m/E |F#m/E(1c) G#m/E (Am) | (x2) - w/ Riff 1c
1)right.
2) And this...

[VERSE 2]
|G#m/E |F#m/E(1b) G#m/E (Am) | (x2)
1)"real"... it's im-
2)-possible, if possible at who's blind...
|C#m |B | (x1)
word... so clear but so un-(heard)
* start Solo 1:1 (over this pass and a half)
|G#m/E |F#m/E(1c) G#m/E (Am) | (x2)
1)-heard.

[SOLO 1]Part 1
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------------------------|-14--14-12---------------|
A|-------------------------|----------14p12h14p1211-|
E|-------------------------|-------------------------|

e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------9-----------9-----|-------------------------|
A|-9-h11---11--9-h11---11--|-------------------------|
E|-------------------------|-10/1210-7--------------|

Then...
* play Solo 1:2 (over these 4 measures)
|G#m/E |F#m/E(1a) G#m/E (Am) | (x1)
|G#m/E |F#m/E(1b) G#m/E (Am) | (x1)
I've been...
[SOLO 1]Part 2
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-11-11--13--13/14-11-----|
D|-14-14-14-14-14-14-14-14-|-------------------------|
A|-------------------------|-------------------------|
E|-------------------------|-------------------------|

e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-11-11/13--11/9----------|
D|-14-14-14-14-14-14-14-14-|-------------------------|
A|-------------------------|-------------------------|
E|-------------------------|-------------------------|
(I've been...)
[VERSE 3]

|G#m/E |F#m/E(1b) G#m/E (Am) | (x2)
1)waiting... I've been
2)waiting for this silence all... night...

|C#m |B | (x1)
long... it's just a matter of

* play Solo 2 here (its short)
|G#m/E |F#m/E(1b) G#m/E (Am) | (x1)
time. To appear...

[SOLO 2]
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------------------------|-14-14-------------------|
A|-------------------------|------1412----(11/1211)|
E|-------------------------|---------------(0--0--0-)|
(To appear...)
[VERSE 4]

|G#m/E |F#m/E(1b) G#m/E (Am) | (x2)
1)sad... with this
2)same ol' decent lazy eye fixed to rest on

|C#m |B | (x1)
you... aim free and so un-(true)

[MIDDLE SECTION](NICE)
(This is the "dic-A-dant-dant, dic-A-dic-A-dant-dant" part)
G#? F#m G#m F#m G#m G#m-Am-F#m
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13--11--13--13-13/1411-| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x--x--|
A|-11-11-x-x-9--9--9--x-x-/|-11--9---11--11-11/129--|
E|-------------------------|-------------------------|
true.

G#? F#m G#m F#-E
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13--13--13--13-119-----| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x-----|
A|-11-11-x-x-9--9--9--x-x-/|-11--11--11--11-9-7-----|
E|-------------------------|-------------------------|

G#? F#m G#m F#m G#m G#m-Am-F#m
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13--11--13--13-13/1411-| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x--x--|
A|-11-11-x-x-9--9--9--x-x-/|-11--9---11--11-11/129--|
E|-------------------------|-------------------------|

G#? F#m G#m F#-E
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13-13-13-119-----------| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x--x--x--x--x-----------|
A|-11-11-x-x-9--9--9--x-x-/|-11-11-11-9-7-(11/1211)|
E|-------------------------|---------------(0--0--0-)|
Every-

|C#m |B | (x1)
-one is so int-i-mately rearanged...
|G#m/E |F#m/E(1c) G#m/E (Am) | (x2)
2) Every-

|C#m |B | (x1)
-one can fo-cus clearly with such
* Solo 3 played over the next 8 measures
|G#m/E |F#m/E(1a) G#m/E (Am) | (x3)
1)shine.
|G#m/E |F#m/E(1b) G#m/E (Am) | (x1)
Every-(one)

[SOLO 3]
(Sorry haven't worked out or confirmed yet - when I don't know the solos, I just play the
Riff 1a-c's using full chords and it sounds awesome, though doesn't match cd. Try it out)

|C#m |B | (x1)
-one is so int-i-mately re--a--(ranged...)
|G#m/E |F#m/E(1a) G#m/E (Am) | (x1)
-ranged...
|G#m/E |F#m/E(1b) G#m/E (Am) | (x1)
Every-
|C#m |B | (x1)
-one can fo-cus clearly with such

[MIDDLE SECTION](ANGRY THEN SWEET)
E | E | (E2, can be used here too)
1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |
e|-------------------------|-------------------------|
B|------(0)---------(0)----|------(0)---(0)---(0)----| (x4)
G|-------1-----------1-----|-------1-----1-----1-----|
D|-------2-----------2-----|-------2-----2-----2-----|
A|-2-2-2-2-----2-2-2-2-----|-2-2-2-2-2-2-2-2-2-2-----|
E|-0-0-0-------0-0-0-------|-0-0-0---0-0---0-0-------|
1) shine!!! Lost and
2) loaded!! Still the
3) same ol' decent lazy eye straight thru your
4) gaze!!!! That's why I said that I have to re-

|C#m |B | (x1)
-late!!! I said it really, its so fun to re-
|G#m/E |F#m/E(1c) G#m/E (Am) | (x2)
1)-late!
2) It's the...
|G#m/E |F#m/E(1b) G#m/E (Am) | (x2)
1)room, the sun, and the sk-y-y--y. It's the
2)room, the sun, and the sky-----y.

[SPACEY INTERLUDE SECTION](Adlib solos over repeated sets of Riff 1a, 1b, and 2)
|C#m* |B* | (x1)
* sometimes in this section the first C#m or B of Riff 2 is strummed and held through measure.

[Solo 4][here, played over]
[Background 1]
|G#m/E |F#m/E(1a) G#m/E (Am) | (x1)
|G#m/E |F#m/E(1b) G#m/E (Am) | (x1)

Or

[Background 2]
E|-0--0--0--0--0--0--0--0--|-7--7--7--0-----0--0--0--| (x2) - Bass Riff

[SOLO 4](Alt. for phaser solo)
D|-------------------------|-------------------------|
A|-14-14-14-14-14-14-14-14-|-14-14-12-14-12-11-9--11-|
E|-0--0--0--0--0--0--0--0--|-0--0--0--0--0--0--0--0--|

G|-------------------------|-------------------------|
D|-------9----------9h11---|-------------------------|
A|-9-h11---11-9-h11------11|-------------------------|
E|-0--0----0--0--0-------0-|-12-12-10-7--------------|

then...
|C#m |B | (x1)

into...
| E2 | E2 | (x4)
| 1 . 2 . 3 . 4 . | 1 . 2 . 3 . 4 . |
e|-------------------------|-------------------------|
B|------(9)---------(9)----|------(9)---(9)---(9)----| (E, reg/open, can be used here too)
G|-------9-----------9-----|-------9-----9-----9-----|
D|-x-x-x-x-----x-x-x-x-----|-x-x-x-x-x-x-x-x-x-x-----|
A|-7-7-7-7-----7-7-7-7-----|-7-7-7-7-7-7-7-7-7-7-----|
E|-x-x-x-------x-x-x-------|-x-x-x---x-x---x-x-------|
then back to...
|C#m |B | (x1)

[OUTRO](Back to familiarity to finish up...)
|G#m/E |F#m/E(1c) G#m/E (Am) | (x4)
4) I've been...

|G#m/E |F#m/E(1a) G#m/E (Am) | (x3)
1)waiting... I've been
2)waiting for this moment...
3)

|G#m/E |F#m/E(1b) G#m/E (Am) | (x1)
|G#m/E*| (*single hit of 1st beat only)

************************************

| x Dead note
| (n) Ghost note
| * Natural harmonic
| / Slide up
| Slide down
| h Hammer-on
| p Pull-off
| ~ Vibrato
| . Staccato


************************************



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