Biografía:
La génesis de la banda llegó con la reunión de Wheeler y el guitarrista David Gavurin en la Universidad de Bristol. Wheeler ha desempeñado conciertos con la banda de Jim Jiminee. El dúo reclutó poco después al bajista Paul Brindley y al baterista Patrick Hannan.
The Sundays recibierón un gran apoyo mediático por la prensa británica después de sus primeros conciertos en Londres en 1988, aprovechando las comparaciones con Cocteau Twins y The Smiths.
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Otras canciones:
- Wild Horses
- Cant Be Sure
- Cry
- Folk Song
- God Made Me
- Gone
- Goodbye
- Heres Where The Story Ends
- Homeward
- I Feel
- I Kicked A Boy
- Leave This City
- Life And Soul
- Life Goes On
- Medicine
- More
- My Finest Hour
- Nothing Sweet
- On Earth
- She
- Skin And Bones
- So Much
- Something More
- Summertime
- Through The Dark
- When Im Thinking About You
- Your Eyes
- Youre Not The Only One I Know
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Fmaj7/C: x33210
Cmaj7: x32000
G/E: 020003 (which might also be a Gadd6 and an Em7)
Dm7: xx0211
Dm7/C: x30211
Intro:
Fmaj7/C Cmaj7 Fmaj7/C Cmaj7
Fmaj7/C Cmaj7
Where's the harm in voicing a doubt
Fmaj7/C Cmaj7
You'll find me in the lavatory
Fmaj7/C Cmaj7
And where's the harm in talking out loud
G/E Fmaj7/C
When I'm on my own
Fmaj7/C Cmaj7
What's so wrong with reading my stars
Fmaj7/C Cmaj7
When I'll be in the lavatory
Fmaj7/C Cmaj7
And what is so wrong with counting the cards
G/E Fmaj7/C
When I'm all alone
G/E Fmaj7/C (on 'one", lift your pinky)
You're not the only one
Dm7 Dm7/C
That I know
Fmaj7/C G/E
But I'm too proud to talk to you anyway
G/E Fmaj7/C
You're not the only one
Dm7 Dm7/C
That I know
Fmaj7/C G/E Fmaj7/C
But I'm far too proud to talk to you any day
Cmaj7
So I say
Fmaj7/C Cmaj7
I'm in love with the world
Fmaj7/C Cmaj7
And what is so wrong with voicing a doubt
G/E Fmaj7/C
When I'm on my own
Fmaj7/C Cmaj7
It's perfectly fine to sleep in a chair
Fmaj7/C Cmaj7
From Monday 'til Saturday
Fmaj7/C Cmaj7
And what is so wrong with talking out loud
G/E Fmaj7/C
When I'm all alone
Repeat Chorus
Break:
G/E
Fmaj7/C
G/E
Fmaj7/C Cmaj7
Fmaj7/C Cmaj7
Fmaj7/C Cmaj7
So they rode out west to the seaside
Fmaj7/C Cmaj7
And they gladly decided to stay
Fmaj7/C Cmaj7
But after two hours wandering outside
G/E Fmaj7/C
Ooh the sea air drove them away, yeah
Repeat Chorus
End on Fmaj7/C
Cmaj7: x32000
G/E: 020003 (which might also be a Gadd6 and an Em7)
Dm7: xx0211
Dm7/C: x30211
Intro:
Fmaj7/C Cmaj7 Fmaj7/C Cmaj7
Fmaj7/C Cmaj7
Where's the harm in voicing a doubt
Fmaj7/C Cmaj7
You'll find me in the lavatory
Fmaj7/C Cmaj7
And where's the harm in talking out loud
G/E Fmaj7/C
When I'm on my own
Fmaj7/C Cmaj7
What's so wrong with reading my stars
Fmaj7/C Cmaj7
When I'll be in the lavatory
Fmaj7/C Cmaj7
And what is so wrong with counting the cards
G/E Fmaj7/C
When I'm all alone
G/E Fmaj7/C (on 'one", lift your pinky)
You're not the only one
Dm7 Dm7/C
That I know
Fmaj7/C G/E
But I'm too proud to talk to you anyway
G/E Fmaj7/C
You're not the only one
Dm7 Dm7/C
That I know
Fmaj7/C G/E Fmaj7/C
But I'm far too proud to talk to you any day
Cmaj7
So I say
Fmaj7/C Cmaj7
I'm in love with the world
Fmaj7/C Cmaj7
And what is so wrong with voicing a doubt
G/E Fmaj7/C
When I'm on my own
Fmaj7/C Cmaj7
It's perfectly fine to sleep in a chair
Fmaj7/C Cmaj7
From Monday 'til Saturday
Fmaj7/C Cmaj7
And what is so wrong with talking out loud
G/E Fmaj7/C
When I'm all alone
Repeat Chorus
Break:
G/E
Fmaj7/C
G/E
Fmaj7/C Cmaj7
Fmaj7/C Cmaj7
Fmaj7/C Cmaj7
So they rode out west to the seaside
Fmaj7/C Cmaj7
And they gladly decided to stay
Fmaj7/C Cmaj7
But after two hours wandering outside
G/E Fmaj7/C
Ooh the sea air drove them away, yeah
Repeat Chorus
End on Fmaj7/C
The Swingers
The Sword
The Taj Motel Tr (...)
The Tallest Mab (...)
The Tallest Man (...)
The Ting Tings
The Tiny
The Toadies
The Toe
The Tokens