Biografía:
Donald Jay Fagen (Nacido el 10 de enero de, 1948 en Passaic, New Jersey) Músico y compositor americano. Más conocido como volcalista principal de la banda de rock Steely Dan, junto con walter Becker, bajista y más adelante guitarra. Fagen es también compositor, co-fundador, además de tocar teclados y melódica.
Fagen y Becker también tocaron en el instituto con el famoso actor y comediante Chevi Chase en una banda llamada The Leather Canary,
Read more on Last.fm
Otras canciones:
- Brite Nightgown
- Centurys End
- Countermoon
- Florida Room
- Good Stuff
- Goodbye Look
- Great Pagoda Of Funn
- Green Flower Street
- H Gang
- I
- Igy
- Im Not The Same Without You
- Mary Shut The Garden Door
- Maxine
- Memorabilia
- Miss Marlene
- Morph The Cat
- New Frontier
- On The Dunes
- Out Of The Ghetto
- Planet Drhonda
- Ruby Baby
- Security Joan
- Slinky Thing
- Snowbound
- Springtime
- Teahouse On The Tracks
- The New Breed
- The Night Belongs To Mona
- The Nightfly
- The Weather In My Head
- Tomorrows Girls
- Trans
- True Companion
- Walk Between The Raindrops
- What I Do
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
I'm Not The Same Without You - Donald Fagen
--------------------------------------------
From the album "Sunken Condos"
Transcribed/arranged by Howard Wright
hakwright (at) gmail (dot) com
This wonderfully lively track from Donald Fagen's new album
works nicely on the guitar, and the chord shapes and changes
are all fairly comfortable. The main exception is the
sequence with the crisp changes between Dm9 and G7 in the
verse/bridge sections - they're just a bit too quick to manage
easily. If the bass notes are dropped from the chords the fast
changes for that sequence are much more straight forward.
All chord shapes given at the end.
Intro
------
F#m11 Dsus2/F Em11 Dadd2
Verse 1
--------
Am7 G7 C7
Since you’ve been gone an awesome change has come about
Bbmaj7(b5) E7sus4 Ab/Bb G/A
My life is different now I’m not the same without you
Am7 G7 C7
I’m evolving at a really astounding rate of speed
Bbmaj7(b5) E7sus4 Ab/Bb G/A
Into something way cooler than what I was before
Verse 2
--------
Am7 G7 C7
I feel much stronger than I have in years
Bbmaj7(b5) E7sus4 Ab/Bb G/A
My mind is sharp and my spirit’s sound
Am7 G7 C7
Now people tell me the shape of my face is changing
Bbmaj7(b5) E7sus4 Ab/Bb G/A
I’ve grown an inch taller since July What in the world is going on?
Please tell me
Chorus
-------
D C F9b5(no3rd) E7sus4(vii)
Without you, I now have eyes to see
E7(vii) Fmaj7(viii)
Some other destiny
Baug Em11 A7b5 Dm11 G7sus4 G7 Cmaj7 Fmaj7 D/E
A futurescape of bright arcades in which I bring off heroic escapades
Ab/Bb
Verse/Bridge
-------------
Am7 G7 C7
I can hold my breath for a really long time now
Bbmaj7(b5)
I can hold my own
E7sus4 Dm9 G7 Dm9 G7 Dm9 G7 Dm9 G7
I’m not the same without you
F#m11 Dsus2/F Em11 Dadd2
Solo
-----
(Verse chords)
Am7 G7 C7
Bbmaj7(b5) E7sus4 Ab/Bb G/A
Am7 G7 C7
Bbmaj7(b5) E7sus4 Ab/Bb G/A
Chorus
-------
D C F9b5(no3rd) E7sus4(vii)
Without you, I now have eyes to see
E7(vii) Fmaj7(viii)
Some other destiny
Baug Em11 A7b5 Dm11 G7sus4 G7 Cmaj7 Fmaj7 D/E
A futurescape of bright arcades in which I bring off heroic escapades
Ab/Bb
Verse/Bridge
-------------
Am7 G7 C7
Since you’ve been gone, it’s like somebody switched the stars back on
Bbmaj7(b5) E7sus4 G/A
I can see into everybody’s heart and everybody’s dreams girl
Am7 G7 C7
I don’t need sleep anymore but if I close my eyes
Bbmaj7(b5)
I'd sleep the sleep of the gods
E7sus4 Dm9 G7 Dm9 G7 Dm9 G7 Dm9 G7
I’m not the same without you no, no, no
F#m11 Dsus2/F
Outro
------
Am7 F7 E7 Fmaj7 E7*
Am7 F7 E7 Fmaj7 E7*
I’m not the same without you
(repeat and fade)
Chord shapes
-------------
EADGBE EADGBE EADGBE EADGBE
2xx200 1xx230 x7x785 xx0975
F#m11 Dsus2/F Em11 Dadd2
EADGBE EADGBE EADGBE EADGBE EADGBE
5x555x 3x343x x3535x 6x775x 0x775x
Am7 G7 C7 Bbmaj7(b5) E7sus4
Substituting a C9 shape (x32333) in place of some of the C7 shapes works
well and gives some variety. You can also try the idea below, taken from
some of the piano figures used, where the note on the B string is "rolled"
up from D to D# to E (use hammer-ons with 2nd and 4th fingers).
E---------|
B--3h4h5--|
G--3------|
D--5------|
A--3------|
E---------|
You might also want to try using a fuller shape for the E7sus4: 077700.
When the Bbmaj7(b5) chord is used the b5 (the top E) isn't always prominent
(hence the brackets), though it is usually implied. You can either play the
full chord with the E or omit it (giving a sparser sounding Bmaj7: 6x77xx)
EADGBE EADGBE
6x654x 5x543x
Ab/Bb G/A
EADGBE EADGBE EADGBE E A D G B E
x5777x x3555x x8x887 x 7 9 7 10 7
D C F9b5(no3rd) E7sus4(vii)
The F9b5(no3rd) chord, as played on the keyboards, includes a D at the top
making it F13b5(no3rd). Unfortunately this chord doesn't fit nicely on the
guitar, so the simpler F9 shape has to be used.
EADGBE E A D G B E EADGBE EADGBE
x79797 x 8 10 9 10 8 xx9887 x0564x
E7(vii) Fmaj7(viii) Baug A7b5
EADGBE EADGBE EADGBE EADGBE EADGBE
xx0563 3x353x x3545x 1x221x 07x775
Dm11 G7sus4 Cmaj7 Fmaj7 D/E
EADGBE EADGBE EADGBE EADGBE
x5355x 13124x 02013x 02010x
Dm9 F7 E7 E7*
For a sparser sound on the F7 and E7 shapes (which I prefer)
mute the A string and use shapes 1x124x, 0x013x and 0x010x
--------------------------------------------
From the album "Sunken Condos"
Transcribed/arranged by Howard Wright
hakwright (at) gmail (dot) com
This wonderfully lively track from Donald Fagen's new album
works nicely on the guitar, and the chord shapes and changes
are all fairly comfortable. The main exception is the
sequence with the crisp changes between Dm9 and G7 in the
verse/bridge sections - they're just a bit too quick to manage
easily. If the bass notes are dropped from the chords the fast
changes for that sequence are much more straight forward.
All chord shapes given at the end.
Intro
------
F#m11 Dsus2/F Em11 Dadd2
Verse 1
--------
Am7 G7 C7
Since you’ve been gone an awesome change has come about
Bbmaj7(b5) E7sus4 Ab/Bb G/A
My life is different now I’m not the same without you
Am7 G7 C7
I’m evolving at a really astounding rate of speed
Bbmaj7(b5) E7sus4 Ab/Bb G/A
Into something way cooler than what I was before
Verse 2
--------
Am7 G7 C7
I feel much stronger than I have in years
Bbmaj7(b5) E7sus4 Ab/Bb G/A
My mind is sharp and my spirit’s sound
Am7 G7 C7
Now people tell me the shape of my face is changing
Bbmaj7(b5) E7sus4 Ab/Bb G/A
I’ve grown an inch taller since July What in the world is going on?
Please tell me
Chorus
-------
D C F9b5(no3rd) E7sus4(vii)
Without you, I now have eyes to see
E7(vii) Fmaj7(viii)
Some other destiny
Baug Em11 A7b5 Dm11 G7sus4 G7 Cmaj7 Fmaj7 D/E
A futurescape of bright arcades in which I bring off heroic escapades
Ab/Bb
Verse/Bridge
-------------
Am7 G7 C7
I can hold my breath for a really long time now
Bbmaj7(b5)
I can hold my own
E7sus4 Dm9 G7 Dm9 G7 Dm9 G7 Dm9 G7
I’m not the same without you
F#m11 Dsus2/F Em11 Dadd2
Solo
-----
(Verse chords)
Am7 G7 C7
Bbmaj7(b5) E7sus4 Ab/Bb G/A
Am7 G7 C7
Bbmaj7(b5) E7sus4 Ab/Bb G/A
Chorus
-------
D C F9b5(no3rd) E7sus4(vii)
Without you, I now have eyes to see
E7(vii) Fmaj7(viii)
Some other destiny
Baug Em11 A7b5 Dm11 G7sus4 G7 Cmaj7 Fmaj7 D/E
A futurescape of bright arcades in which I bring off heroic escapades
Ab/Bb
Verse/Bridge
-------------
Am7 G7 C7
Since you’ve been gone, it’s like somebody switched the stars back on
Bbmaj7(b5) E7sus4 G/A
I can see into everybody’s heart and everybody’s dreams girl
Am7 G7 C7
I don’t need sleep anymore but if I close my eyes
Bbmaj7(b5)
I'd sleep the sleep of the gods
E7sus4 Dm9 G7 Dm9 G7 Dm9 G7 Dm9 G7
I’m not the same without you no, no, no
F#m11 Dsus2/F
Outro
------
Am7 F7 E7 Fmaj7 E7*
Am7 F7 E7 Fmaj7 E7*
I’m not the same without you
(repeat and fade)
Chord shapes
-------------
EADGBE EADGBE EADGBE EADGBE
2xx200 1xx230 x7x785 xx0975
F#m11 Dsus2/F Em11 Dadd2
EADGBE EADGBE EADGBE EADGBE EADGBE
5x555x 3x343x x3535x 6x775x 0x775x
Am7 G7 C7 Bbmaj7(b5) E7sus4
Substituting a C9 shape (x32333) in place of some of the C7 shapes works
well and gives some variety. You can also try the idea below, taken from
some of the piano figures used, where the note on the B string is "rolled"
up from D to D# to E (use hammer-ons with 2nd and 4th fingers).
E---------|
B--3h4h5--|
G--3------|
D--5------|
A--3------|
E---------|
You might also want to try using a fuller shape for the E7sus4: 077700.
When the Bbmaj7(b5) chord is used the b5 (the top E) isn't always prominent
(hence the brackets), though it is usually implied. You can either play the
full chord with the E or omit it (giving a sparser sounding Bmaj7: 6x77xx)
EADGBE EADGBE
6x654x 5x543x
Ab/Bb G/A
EADGBE EADGBE EADGBE E A D G B E
x5777x x3555x x8x887 x 7 9 7 10 7
D C F9b5(no3rd) E7sus4(vii)
The F9b5(no3rd) chord, as played on the keyboards, includes a D at the top
making it F13b5(no3rd). Unfortunately this chord doesn't fit nicely on the
guitar, so the simpler F9 shape has to be used.
EADGBE E A D G B E EADGBE EADGBE
x79797 x 8 10 9 10 8 xx9887 x0564x
E7(vii) Fmaj7(viii) Baug A7b5
EADGBE EADGBE EADGBE EADGBE EADGBE
xx0563 3x353x x3545x 1x221x 07x775
Dm11 G7sus4 Cmaj7 Fmaj7 D/E
EADGBE EADGBE EADGBE EADGBE
x5355x 13124x 02013x 02010x
Dm9 F7 E7 E7*
For a sparser sound on the F7 and E7 shapes (which I prefer)
mute the A string and use shapes 1x124x, 0x013x and 0x010x
Done With Dolls
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Donnie Fritts