Biografía:
Dave Van Ronk (30 de Junio de 1936 – 10 de Febrero de 2002) fue un cantante folk estadounidense nacido en Brooklyn, Nueva York, y que luego viviría en Greenwich Village. Tuvo como apodo el de "Alcalde de MacDougal Street."
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Otras canciones:
- Another Time And Place
- Back Water Blues
- Betty And Dupree
- Black Mountain Blues
- Careless Love
- Dinks Song
- Duncan And Brady
- Gamblers Blues St James Infirmary
- Hang Me Oh Hang Me
- He Was A Friend Of Mine
- Hesitation Blues
- Just A Closer Walk With Thee
- Kc Moan
- Lady Gay
- Losers
- Luang Prabang
- Oh What A Beautiful City
- Please See That My Grave Is Kept Clean
- Shanty Mans Life
- Stealin
- Tell Old Bill
- Willie The Weeper
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Standard Tuning, Capo on 5
It's a pretty standard blues progression, E7/A/B7
You can get a similar sound to his initial picking pattern fooling around with the high
E string and a second fret on the B string
For the interlude, base the (E7/D#7/D7) transition around a D7 chord, and then go back
to the normal E7
Intro:E7
E7 A E7
Well on black mountain, where a child'll spit in your face
A E7
I say on black mountain, where a child'll spit in your face
B7 A E7
all the babies cry for whisky, all the birds sing bass
E7 A E7
Well on black mountain, there as mean as they can be
A E7
I say on black mountain, well as mean as they can be
B7 A E7
Well you know they use gunpowder, just to sweeten their tea
Interlude: (E7/D#7/D7)/E7/A/E7/(E7/D#7/D7)/E7/B7/A/E7/A/E7
E7 A E7
Well on black mountain, well you can't keep a man in jail
A E7
I say on black mountain, well you can't keep a man in jail
B7 A E7
Well if the jury finds him guilty, the judge'll go that bail
E7 A E7
I had a gal on black mountain, well the sweetest gal in town
A E7
I had a gal on black mountain, well the sweetest gal in town
B7 A E7
Well met a sweet backed man, and she threw me down
Interlude:(E7/D#7/D7)/E7/A/E7/(E7/D#7/D7)/E7/B7/A/E7/A/E7
E7 A E7
I'm going back to black mountain, me my razor and my gun
A E7
I'm going back to black mountain, me my razor and my gun
B7 A E7
I'm gonna cut her if she stands, shoot her if she runs
Interlude/outro:(E7/D#7/D7)/E7/A/E7/(E7/D#7/D7)/E7/B7/A/E7/A/E7
It's a pretty standard blues progression, E7/A/B7
You can get a similar sound to his initial picking pattern fooling around with the high
E string and a second fret on the B string
For the interlude, base the (E7/D#7/D7) transition around a D7 chord, and then go back
to the normal E7
Intro:E7
E7 A E7
Well on black mountain, where a child'll spit in your face
A E7
I say on black mountain, where a child'll spit in your face
B7 A E7
all the babies cry for whisky, all the birds sing bass
E7 A E7
Well on black mountain, there as mean as they can be
A E7
I say on black mountain, well as mean as they can be
B7 A E7
Well you know they use gunpowder, just to sweeten their tea
Interlude: (E7/D#7/D7)/E7/A/E7/(E7/D#7/D7)/E7/B7/A/E7/A/E7
E7 A E7
Well on black mountain, well you can't keep a man in jail
A E7
I say on black mountain, well you can't keep a man in jail
B7 A E7
Well if the jury finds him guilty, the judge'll go that bail
E7 A E7
I had a gal on black mountain, well the sweetest gal in town
A E7
I had a gal on black mountain, well the sweetest gal in town
B7 A E7
Well met a sweet backed man, and she threw me down
Interlude:(E7/D#7/D7)/E7/A/E7/(E7/D#7/D7)/E7/B7/A/E7/A/E7
E7 A E7
I'm going back to black mountain, me my razor and my gun
A E7
I'm going back to black mountain, me my razor and my gun
B7 A E7
I'm gonna cut her if she stands, shoot her if she runs
Interlude/outro:(E7/D#7/D7)/E7/A/E7/(E7/D#7/D7)/E7/B7/A/E7/A/E7
Davey Suicide
Davi Sacer
Davi Silva
Davichi
David & Die Kern (...)
David Batteau
David Beaker Str (...)
David Beats Goli (...)
David Beckingham
David Belt