Biografía:
Josh Pyke is an Australian singer-songwriting musician
Josh Pyke was in his first band by age 12 and played his first performance in front of 650 parents and students at his primary school graduation. Playing guitar and initial song writing efforts came aged 14. Despite his aptitude for song writing and performance, he stayed 'under the radar' throughout his high school years at Fort Street High School.
Read more on Last.fm
Otras canciones:
- Love Lies
- Memories And Dust
- Silver
- The Lighthouse Song
- Beg Your Pardon
- Book Of Revelations
- Buttons
- Candle In Your Window
- Chimneys Afire
- Covers Are Thrown
- Diet Of Worms
- Doing What Youre Told
- Endless Summer
- Fed And Watered
- Fill You In
- Forever Song
- Goldmines
- Good Head Start
- Hollering Hearts
- House At Pooh Corner
- Leeward Side
- Lighthouse Song
- Lines On Palms
- Make You Happy
- Middle Of The Hill
- Momentary Glow
- New Years Song
- Private Education
- Punch In The Heart
- Sew My Name
- Staring Down The Sun
- Still Some Big Deal
- The Beginning And The End Of Everything
- The Best Man At Your First Loves Wedding
- The Doldrums
- The Summer
- Theres A Line
- Vibration In Air
- Vibrations In Air
- When Your Colours Go
- Where Two Oceans Meet
- Wuthering Heights
- You Dont Scare Me
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
VIBRATIONS IN AIR
Written by Josh Pyke
* Josh plays this song in an altered Open-Gm tuning *
that can be found here: http://aussie.totaltabs.com/tablature/Josh_Pyke/Vibrations_In_Air_Chord_38760/
But this version, is more practical, and sounds pretty damn similar, all credit must go to Waynus Of Uranus,
March 2007
STANDARD TUNING
CHORDS:
Gm Bb Cm D Ebmaj7 Gm/D Gsus2 F Dm D7
E|--3---6---3----5----6------6------5.6--1----5---8--|
B|--3---6---4.3--7----8------8------3----1----6---10-|
G|--3---7---5----7----7------7------0----2.3--7---11-|
D|--5---8---5----0----8------0------0----3----7---0--|
A|--5---8---3---------6------------------3----5------|
E|--3---6--------------------------------1-----------|
. optional passing notes
INTRO:
Gm* Bb Cm D
VERSE-A:
Gm*
thinking 'bout the times I know I should have taken
Bb
photographs something to re-
Cm Bb
ly on sharper than a memo-ry 'cos chemistry dic-
Ebmaj7 Cm
tates them they're not coloured by e-motion they're coloured by the
D D
shades of how things used to be and
VERSE-B:
Gm*
nothing breaks the heart much more than looking at old
Bb
photographs when you can taste the
Cm Bb
moment and worse still if it's passed they're gone now to the
Ebmaj7 Cm
future but you still can't de-ny them like a song that's
D Gm/D D
sung re-
PRE-CHORUS:
Ebmaj7 Gsus2 Ebmaj7 Gsus2
gret is like a filter that colours all of your en-deavours and
Cm(9) Bb Ebmaj7 Ebmaj7
once put on becomes a feature of your current works what I
CHORUS-A:
Cm Gm F
fear__________ is that
Ebmaj7* Bb* Gm
all of these things I hold dear never be-__come more than vi-
F (----- 2/4 bar -----)
brations in air what I
CHORUS-B:
Cm Gm F
fear__________ is that
Ebmaj7* Bb* Gm
all of these things I hold dear never be-__come more than vibrations in air__
Bb Ebmaj7 Ebmaj7
__ vi-brations in air
VERSE-C:
Gm F
voices in the air they echo in my head like radios scratchy frequen-
Cm Bb
cies and static in between words they're all on the
Ebmaj7 Cm
wind now but I bet I never told you I missed you when you were
D Gm/D D7
gone re-
PRE-CHORUS-LONG:
Ebmaj7 Gsus2 Ebmaj7 Gsus2
gret is like a filter that colours all of your en-deavours and
Cm Bb Ebmaj7
once put on becomes a feature of your current works you've
Cm Dm Ebmaj7 Ebmaj7
gotta change your focus turn your eye to something else______ what I
CHORUS-A:
Cm Gm F
fear__________ is that
Ebmaj7 Bb Gm
all of these things I hold dear never be-__come more than vi-
F (----- 2/4 bar -----)
brations in air what I
CHORUS-A:
Cm Gm F
fear__________ is that
Ebmaj7 Bb Gm
all of these things I hold dear never be-__come more than vi-
F (----- 2/4 bar -----)
brations in air what I
CHORUS-C:
Ebmaj7 Bb Gm F F
fear_____________________ is that
(2/4)
Ebmaj7* Bb* Gm
all of these things I hold dear never be-__come more than vibrations in air__
Bb Cm Bb Ebmaj7 Cm D
__ vi-brations in air vi-brations in air
Written by Josh Pyke
* Josh plays this song in an altered Open-Gm tuning *
that can be found here: http://aussie.totaltabs.com/tablature/Josh_Pyke/Vibrations_In_Air_Chord_38760/
But this version, is more practical, and sounds pretty damn similar, all credit must go to Waynus Of Uranus,
March 2007
STANDARD TUNING
CHORDS:
Gm Bb Cm D Ebmaj7 Gm/D Gsus2 F Dm D7
E|--3---6---3----5----6------6------5.6--1----5---8--|
B|--3---6---4.3--7----8------8------3----1----6---10-|
G|--3---7---5----7----7------7------0----2.3--7---11-|
D|--5---8---5----0----8------0------0----3----7---0--|
A|--5---8---3---------6------------------3----5------|
E|--3---6--------------------------------1-----------|
. optional passing notes
INTRO:
Gm* Bb Cm D
VERSE-A:
Gm*
thinking 'bout the times I know I should have taken
Bb
photographs something to re-
Cm Bb
ly on sharper than a memo-ry 'cos chemistry dic-
Ebmaj7 Cm
tates them they're not coloured by e-motion they're coloured by the
D D
shades of how things used to be and
VERSE-B:
Gm*
nothing breaks the heart much more than looking at old
Bb
photographs when you can taste the
Cm Bb
moment and worse still if it's passed they're gone now to the
Ebmaj7 Cm
future but you still can't de-ny them like a song that's
D Gm/D D
sung re-
PRE-CHORUS:
Ebmaj7 Gsus2 Ebmaj7 Gsus2
gret is like a filter that colours all of your en-deavours and
Cm(9) Bb Ebmaj7 Ebmaj7
once put on becomes a feature of your current works what I
CHORUS-A:
Cm Gm F
fear__________ is that
Ebmaj7* Bb* Gm
all of these things I hold dear never be-__come more than vi-
F (----- 2/4 bar -----)
brations in air what I
CHORUS-B:
Cm Gm F
fear__________ is that
Ebmaj7* Bb* Gm
all of these things I hold dear never be-__come more than vibrations in air__
Bb Ebmaj7 Ebmaj7
__ vi-brations in air
VERSE-C:
Gm F
voices in the air they echo in my head like radios scratchy frequen-
Cm Bb
cies and static in between words they're all on the
Ebmaj7 Cm
wind now but I bet I never told you I missed you when you were
D Gm/D D7
gone re-
PRE-CHORUS-LONG:
Ebmaj7 Gsus2 Ebmaj7 Gsus2
gret is like a filter that colours all of your en-deavours and
Cm Bb Ebmaj7
once put on becomes a feature of your current works you've
Cm Dm Ebmaj7 Ebmaj7
gotta change your focus turn your eye to something else______ what I
CHORUS-A:
Cm Gm F
fear__________ is that
Ebmaj7 Bb Gm
all of these things I hold dear never be-__come more than vi-
F (----- 2/4 bar -----)
brations in air what I
CHORUS-A:
Cm Gm F
fear__________ is that
Ebmaj7 Bb Gm
all of these things I hold dear never be-__come more than vi-
F (----- 2/4 bar -----)
brations in air what I
CHORUS-C:
Ebmaj7 Bb Gm F F
fear_____________________ is that
(2/4)
Ebmaj7* Bb* Gm
all of these things I hold dear never be-__come more than vibrations in air__
Bb Cm Bb Ebmaj7 Cm D
__ vi-brations in air vi-brations in air
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