Biografía:
Joanna Newsom (nacida el 18 de enero de 1982 en la ciudad de Nevada, California) es una cantante, instrumentista y compositora estadounidense, que combina el canto con el sonido del arpa. Sus canciones son de una temática notablemente madura, en constraste con su luminoso e inocente estilo de canto.
Comenzó a tocar el arpa a los 7 años de edad. Estudió música y escritura creativa en el Mills College. También toca el piano y el clavicordio.
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Otras canciones:
- '81
- Bridges And Balloons
- Clam Crab Cockle Cowry
- Emily
- On A Good Day
- Peach, Plum, Pear
- 81
- A Pin Light Bent
- Anecdotes
- Autumn
- Baby Birch
- Book Of Right
- Ca The Yowes To The Nowes
- Cassiopeia
- Clam Crab Cockle Cowrie
- Cosmia
- Divers
- Does Not Suffice
- Easy
- En Gallop
- Esme
- Go Long
- Good Intentions Paving Company
- Goose Eggs
- Have One On Me
- In California
- Inflamatory Writ
- Inflammatory Writ
- Jackrabbits
- Kingfisher
- Leaving The City
- Look And Despair
- Make Hay
- Monkey Bear
- No Provenance
- Occident
- Only Skin
- Peach Plum Pear
- Ribbon Bows
- Sadie
- Sapokanikan
- Sawdust And Diamonds
- Soft As Chalk
- Sprout And The Bean
- Swansea
- The Divers Wife
- The Fray
- The Northstar Grassman And The Ravens
- The Things I Say
- This Side Of The Blue
- Time As A Symptom
- Waltz Of The 101St Lightborne
- What We Have Known
- You And Me Bess
- You Will Not Take My Heart Alive
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Clam, Crab, Cockle, Cowry
C G
That means no where I come from. I am cold, out waiting for the day to come.
C F
I chew my lips, oh and I scratch my nose, feels so good to be a rose.
C
Oh don't, don't you lift me up like I'm that shy, no no no no no,
G
just give it up –
F G C
There are bats all dissolving in a row
F G Am
into the wishy-washy dark that cannot let go.
C
I cannot let go, so I thank the lord, and I thank his sword!
G Am
'tho it be mincing up the morning, slightly bored.
C F C G F
O, morning without warning like a hole, and I watch you go.
C G F
There are some mornings when the sky looks like a road.
C G F
There are some dragons who were built to have and hold.
C G F
And some machines are dropped from great heights lovingly.
C F C G F
and some bellies ache with many bumblebees. (and they sting so terribly).
C
I do as I please. Now I'm on my knees.
G Am
Your skin is something that I stir into my tea.
F Am
And I am watching you and you are starry, starry, starry
C G F
and I'm tumbling down, and I check a frown.
C
It's why I love this town. Well, just look around:
Am
just see me serenaded hourly! celebrated sourly!
F G C
dedicated dourly; waltzing with the open sea –
G F G Am
clam, crab, cockle, cowrie : will you just look at me?
C F C G F x3 (3rd time) G C
Oh… Hmm
C G
That means no where I come from. I am cold, out waiting for the day to come.
C F
I chew my lips, oh and I scratch my nose, feels so good to be a rose.
C
Oh don't, don't you lift me up like I'm that shy, no no no no no,
G
just give it up –
F G C
There are bats all dissolving in a row
F G Am
into the wishy-washy dark that cannot let go.
C
I cannot let go, so I thank the lord, and I thank his sword!
G Am
'tho it be mincing up the morning, slightly bored.
C F C G F
O, morning without warning like a hole, and I watch you go.
C G F
There are some mornings when the sky looks like a road.
C G F
There are some dragons who were built to have and hold.
C G F
And some machines are dropped from great heights lovingly.
C F C G F
and some bellies ache with many bumblebees. (and they sting so terribly).
C
I do as I please. Now I'm on my knees.
G Am
Your skin is something that I stir into my tea.
F Am
And I am watching you and you are starry, starry, starry
C G F
and I'm tumbling down, and I check a frown.
C
It's why I love this town. Well, just look around:
Am
just see me serenaded hourly! celebrated sourly!
F G C
dedicated dourly; waltzing with the open sea –
G F G Am
clam, crab, cockle, cowrie : will you just look at me?
C F C G F x3 (3rd time) G C
Oh… Hmm
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