Biografía:
2010 fue el año de confirmación para James Blake. Bueno, mejor dicho casi al mismo tiempo el año de presentación y de confirmación, puesto que su primera referencia física fue en julio de 2009, Air & Lack Thereof (2009, Hemlock Recordings), y hasta varios meses después, en marzo, no llego su primer EP, The Bells Sketch (2010, Hessle Audio).
Sólo dos lanzamientos más tarde el nombre de James Blake ya había subido como la espuma, tanto dentro de la escena electrónica como fuera de ella, lo más sorprendente de este fenómeno hype.
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Otras canciones:
- Limit To Your Love
- Retrograde
- Vincent
- A Case Of You
- Fall Creek Boys Choir
- Forever
- Give Me My Month
- I Am Sold
- I Need A Forest Fire
- If The Car Beside You Moves Ahead
- Ill Come Too
- Lindisfarne 1
- Love Me In Whatever Way
- Measurements
- Modern Soul
- My Willing Heart
- Our Love Comes Back
- Overgrown
- Radio Silence
- The Wilhelm Scream
- To The Last
- Unluck
- What Was It You Said About Luck
- Wilhelms Scream
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Lovely tune from James Blake's second album. Playing it on guitar
just about works, strumming softly. The first couple of verses
are just a bassline playing D and A notes, it's neither a D major
nor a D minor chord really.
D* Dm7
e|-----1-|
B|-----1-|
G|-7---2-|
D|-7---0-|
A|-5---0-|
E|-------|
D*
And I want you to know
I took it with me
That when things are thrown away
Like they are daily
Time passes in the constant state
G
So if that is how it is
Am Am/G
I don't wanna be a star
F
But a stone on the shore
Dm7
A door frame in the wall
F Em
When everything's overgrown
D*
But what she really really wanted was my rights and my wrongs
And I wouldn't understand but I would try to play along
[The outro is different, rather than our D*]
F Em Dm7
But what she really really wanted was my rights and my wrongs
(Em) F Em Dm7
And I wouldn't understand but I would try to play along
just about works, strumming softly. The first couple of verses
are just a bassline playing D and A notes, it's neither a D major
nor a D minor chord really.
D* Dm7
e|-----1-|
B|-----1-|
G|-7---2-|
D|-7---0-|
A|-5---0-|
E|-------|
D*
And I want you to know
I took it with me
That when things are thrown away
Like they are daily
Time passes in the constant state
G
So if that is how it is
Am Am/G
I don't wanna be a star
F
But a stone on the shore
Dm7
A door frame in the wall
F Em
When everything's overgrown
D*
But what she really really wanted was my rights and my wrongs
And I wouldn't understand but I would try to play along
[The outro is different, rather than our D*]
F Em Dm7
But what she really really wanted was my rights and my wrongs
(Em) F Em Dm7
And I wouldn't understand but I would try to play along
James Dean Bradf (...)
James Droll
James Hersey
James Honer
James Horner
James Pierpoint
James Pierpont
James Q.
James R.b. Kieli (...)
James Reid And N (...)