Biografía:
Imogen Heap (9 Diciembre, 1977) es una compositora y cantante inglesa nacida en Romford, Londres.
Formada como pianista ( estudió piano clásico ) y compositora y dotada de una voz que destaca por su creatividad, Imogen Heap es diferente a los demás, pues a pesar de facturar un pop aparentemente accesible a cualquiera, su estilo es inconfundible. Ella es el máximo exponente del llamado sonido “breathy” (voz aspirada o entrecortada), una forma de expresión más que un lenguaje musical.
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Otras canciones:
- Headlock
- Hide And Seek
- Hide N Seek
- Aha
- Bad Body Double
- Cant Take It In
- Come Here Boy
- Entanglement
- First Train Home
- Glittering Cloud
- Goodnight And Go
- Half Life
- Let Go
- Little Bird
- Me The Machine
- Mmm Whatcha Say
- Run
- Say Goodnight And Go
- Speeding Cars
- Spooky
- The Beast
- The Walk
- Tidal
- You Know Where To Find Me
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
This is like the cover Dustin Kensrue (lead singer of Thrice) plays live. Watch the
vids. He uses all power chords, except the verse/bridge E (and last E..). That is full
Wicked song to play and sing..hard to get the vocal timing down though. Have fun. :)
Verse 1:
E B C# A E B
where are we? what the hell is going on?
C# A E B C#
the dust has only just begun to fall
A E B C# A
crop circles in the carpet, sinking, feeling
Verse 2:
E B C# A E
spin me around again and rub my eyes
B C# A
this can't be happening
E B C# A
when busy streets a mess with people
E B C# A
would stop to hold their heads heavy
Chorus:
E B C#
hide and seek
A C#
trains and sewing machines?
E B C# A B
all those years they were here first
Verse 3:
E B C# A
oily marks appear on walls
E B C# A
where pleasure moments hung before
E B C# A E
the takeover, the sweeping insensitivity of this
B C# A
still alive
Chorus:
E B C#
hide and seek
A C#
trains and sewing machines?
E B C# A B
blood and tears they were here first
Bridge:
A E
mm what you say
C# B
oh that you only meant well, well of course you did
A E
mm what you say
C# B
mm that it's all for the best, of course it is
A E
mm what you say
C# B
that IT'S JUST what we need, you decided this
A E
mm what you say
C# B
what did she say?
Bridge 2?/Outro:
E B
ransom notes keep falling at your mouth
C# A
mid-sweet talk, newspaper word cut outs
E B
speak no feeling no i don't believe
C# A
you don't care a bit you don't care a bit
E B
ransom notes keep falling at your mouth
C# A
mid-sweet talk, newspaper word cut outs
E B
speak no feeling no i don't believe
C# A
you don't care a bit you don't care
E
you don’t care a bit
B C#
No, you don't care a bit
A E
No, you don't care a bit
B C#
No, you don't care a bit
A
you don't care a bit
E (let ring)
you don't care a bit
vids. He uses all power chords, except the verse/bridge E (and last E..). That is full
Wicked song to play and sing..hard to get the vocal timing down though. Have fun. :)
Verse 1:
E B C# A E B
where are we? what the hell is going on?
C# A E B C#
the dust has only just begun to fall
A E B C# A
crop circles in the carpet, sinking, feeling
Verse 2:
E B C# A E
spin me around again and rub my eyes
B C# A
this can't be happening
E B C# A
when busy streets a mess with people
E B C# A
would stop to hold their heads heavy
Chorus:
E B C#
hide and seek
A C#
trains and sewing machines?
E B C# A B
all those years they were here first
Verse 3:
E B C# A
oily marks appear on walls
E B C# A
where pleasure moments hung before
E B C# A E
the takeover, the sweeping insensitivity of this
B C# A
still alive
Chorus:
E B C#
hide and seek
A C#
trains and sewing machines?
E B C# A B
blood and tears they were here first
Bridge:
A E
mm what you say
C# B
oh that you only meant well, well of course you did
A E
mm what you say
C# B
mm that it's all for the best, of course it is
A E
mm what you say
C# B
that IT'S JUST what we need, you decided this
A E
mm what you say
C# B
what did she say?
Bridge 2?/Outro:
E B
ransom notes keep falling at your mouth
C# A
mid-sweet talk, newspaper word cut outs
E B
speak no feeling no i don't believe
C# A
you don't care a bit you don't care a bit
E B
ransom notes keep falling at your mouth
C# A
mid-sweet talk, newspaper word cut outs
E B
speak no feeling no i don't believe
C# A
you don't care a bit you don't care
E
you don’t care a bit
B C#
No, you don't care a bit
A E
No, you don't care a bit
B C#
No, you don't care a bit
A
you don't care a bit
E (let ring)
you don't care a bit
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