Biografía:
Gregory Alan Isakov es un cantante-compositor. Nacido en Johannesburgo, Sudáfrica, inmigró a los Estados Unidos como niño, y fue criado en Filadelfia, Pensilvania.? En Filadelfia, empezó a tocar con una banda a la edad de 16, y más tarde se mudó a Colorado.? Su música combina indie y folk, presentando instrumentos como la guitarra y el bandolin. Algunas de sus canciones más populares incluyen "The Stable Song", "Big Black Car", y "Raising Cain"
Read more on Last.fm
Otras canciones:
- All Shades Of Blue
- Big Black Car
- Caves
- If I Go I'm Goin'
- Living Proof
- Suitcase Full Of Sparks
- That Moon Song
- That Sea, The Gambler
- The Stable Song
- Time Will Tell
- 3Am
- All There Is
- Amsterdam
- Astronaut
- Berth
- Black Blue
- Bullet Holes
- Buried In The Waves
- Chelsea Hotel No 2
- Chemicals
- Dandelion Wine
- Dark Dark Dark
- Desdemone
- Drank All The Wine
- Evelyn
- February
- Fire Escape
- Garden
- Girl With The Feather
- Highway 29
- Honey Its Alright
- Idaho
- If I Go Im Goin
- If I Go Im Going
- Ill Feed Your Horses
- In Tall Buildings
- John Browns Body
- Kathys Song
- Liars
- Light Year
- Master And A Hound
- Mercury
- Monsters
- Morning Lady
- O City Lights
- One Of Us Cannot Be Wrong
- Raising Cain
- Red And Gold
- Saint Valentine
- Salt And The Sea
- San Francisco
- San Luis
- Second Chances
- She Always Takes It Black
- Shining Offa You
- Southern Star
- That Sea The Gamber
- That Sea The Gambler
- The Moon Song
- The Moon Was Red And Dangerous
- The Universe
- This Empty Northern Hemisphere
- Too Far Away
- Unwritable Girl
- Virginia May
- Was I Just Another One
- Where You Gonna Go
- Wings In All Black
- Words
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
This seems to be played on an electric piano, but it was too beautiful to not transcribe for guitar.
Keep in mind, the meter is a bit tricky, as it is in a syncopated 3/4, with asymmetrical bar structures.
I won't notate all of that, so you'll have to listen to it to get the feel.
Here's a tip:
Play the A with just your pinky and ring finger on the D and G string,
so when you slide up to the open B, C#m, and E, it's a smoooth transition,
only needing to add your index finger as you go up from B all the way to the E, holding the same fingering.
Until the final chorus, the chords in the intro are the same cadence for its entirety.
[Intro]
A B C#m E X2
[Verse 1]
A B C#m E
Silver winged, broken English, boys they smoke
A B C# E
Talk and joke, above the water
A B C#m E
New York lady, holding in her heavy hand
A B C#m E
Sacred lantern, guiding dawn
[Chorus]
A B C#m E
Quit all that, quit all that, quit all that looking back
A B C#m E
Quit all that, quit all that, quit all that
A B C#m E
Quit all that, quit all that, quit all that looking back
A B C#m E
Quit all that, quit all that, quit all that
[Verse 2]
A B C#m E
Casting glances backwards, but it's not your fault
A B C#m E
Turned to salt for the wandering
A B C#m E
In your braids and heavy pages, we were folded
A B C#m E
Kiss the cold and dirty ground
[Chorus]
A B C#m E
Quit all that, quit all that, quit all that looking back
A B C#m E
Quit all that, quit all that, quit all that
A B C#m E
Quit all that, quit all that, quit all that looking back
A B C#m E
Quit all that, quit all that, quit all that
[Instrumental]
A B C#m E x2
[Verse 3]
A B C#m E
Seasons wake with sleeping birds now flying south
A B C#m E
Covered mouth, we watch in awe
A B C#m E
Fallen pines to shape the skyline, take me there
A B C#m E
Beneath the barren coloured moon
A B C#m
(Quit all that, quit all that, quit all that looking back)
A C#m E
(Quit all that, quit all that, quit all that)
[Bridge]
A
Greeting all the masses
B C#m E
From their teeming shores
A B C#m E
She was born with open hands
A B C#m
(Quit all that, quit all that, quit all that looking back)
A C#m E
(Quit all that, quit all that, quit all that)
[Outro]
E A
Quit all that, quit all that, quit all that looking back
E A
Quit all that, quit all that, quit all that looking back
E A
Quit all that, quit all that, quit all that looking back
E A
Quit all that, quit all that, quit all that looking back
E A
Quit all that, quit all that, quit all that looking back
E A E A
Mmmm, mmmm
Keep in mind, the meter is a bit tricky, as it is in a syncopated 3/4, with asymmetrical bar structures.
I won't notate all of that, so you'll have to listen to it to get the feel.
Here's a tip:
Play the A with just your pinky and ring finger on the D and G string,
so when you slide up to the open B, C#m, and E, it's a smoooth transition,
only needing to add your index finger as you go up from B all the way to the E, holding the same fingering.
Until the final chorus, the chords in the intro are the same cadence for its entirety.
[Intro]
A B C#m E X2
[Verse 1]
A B C#m E
Silver winged, broken English, boys they smoke
A B C# E
Talk and joke, above the water
A B C#m E
New York lady, holding in her heavy hand
A B C#m E
Sacred lantern, guiding dawn
[Chorus]
A B C#m E
Quit all that, quit all that, quit all that looking back
A B C#m E
Quit all that, quit all that, quit all that
A B C#m E
Quit all that, quit all that, quit all that looking back
A B C#m E
Quit all that, quit all that, quit all that
[Verse 2]
A B C#m E
Casting glances backwards, but it's not your fault
A B C#m E
Turned to salt for the wandering
A B C#m E
In your braids and heavy pages, we were folded
A B C#m E
Kiss the cold and dirty ground
[Chorus]
A B C#m E
Quit all that, quit all that, quit all that looking back
A B C#m E
Quit all that, quit all that, quit all that
A B C#m E
Quit all that, quit all that, quit all that looking back
A B C#m E
Quit all that, quit all that, quit all that
[Instrumental]
A B C#m E x2
[Verse 3]
A B C#m E
Seasons wake with sleeping birds now flying south
A B C#m E
Covered mouth, we watch in awe
A B C#m E
Fallen pines to shape the skyline, take me there
A B C#m E
Beneath the barren coloured moon
A B C#m
(Quit all that, quit all that, quit all that looking back)
A C#m E
(Quit all that, quit all that, quit all that)
[Bridge]
A
Greeting all the masses
B C#m E
From their teeming shores
A B C#m E
She was born with open hands
A B C#m
(Quit all that, quit all that, quit all that looking back)
A C#m E
(Quit all that, quit all that, quit all that)
[Outro]
E A
Quit all that, quit all that, quit all that looking back
E A
Quit all that, quit all that, quit all that looking back
E A
Quit all that, quit all that, quit all that looking back
E A
Quit all that, quit all that, quit all that looking back
E A
Quit all that, quit all that, quit all that looking back
E A E A
Mmmm, mmmm
Greta Isaac
Grey
Grey Larson
Greyson Chance
Gribi
Groove Coverage
Groucho Marx
Groundation
Grouplove
Grover Washingto (...)