Biografía:
Jacob Gershovitz (Brooklyn, Nueva York, 26 de septiembre de 1898 - Beverly Hills, California, 11 de julio de 1937), George Gershwin, compositor estadounidense de música clásica y popular.
En un país que, hasta el final de la Primera Guerra Mundial, había dependido en el ámbito musical casi exclusivamente de modas, compositores e intérpretes llegados de Europa, George Gershwin fue el primero en hacer oír una voz inequívocamente autóctona, aunque capaz, al mismo tiempo, de conquistar el éxito fuera de las fronteras de su patria.
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¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
G Am7 Bm Am7
Oh, I got plenty o' nuttin'
Am7 G Am7 G
an' nuttin's plen ty for me.
Bm7 E A E A
I got no car, got no mule
E A E C#
I got no mis er y.
D G Am7 Bm Am7
De folks wid plenty o' plenty
G Am7 G B7
got a lock on the door
E A E A
'fraid some body's a goin' to rob 'em
E A E C#
while dey's out a makin' more.
D G Am7 Bm G
What for?
Bm Em/B Bm6
I got no lock on de door
Em/B Bm Em/B Bm6
dat's no way to be
Em/B Bm Em/B Bm6
Day kin steal de rug from de floor
Em/B Bm
dat's okeh wid me,
Am7 D
'cause de things dat I prize,
Am7 D7
like de stars in de skies, all are free.
G Am7 Bm Am7
Oh, I got plenty o' nuttin'
Am7 G Am7 G
an' nuttin's plen ty for me.
B7 E A E A
I got a gal, got my song,
E A E C#
get heaven the whole day long
no use complainin'
D G Am7 G
got my gal
Dm7 G Am7 G
got my Lawd
C G Bm Am7
got my song
G Am7 Bm Am7
Oh, I got plenty o' nuttin'
Am7 G Am7 G
an' nuttin's plen ty for me.
Bm7 E A E
I got the sun, got the A]moon
E A E C#
I got the deep blue sea.
D G Am7 Bm Am7
De folks wid plenty o' plenty
G Am7 G B7
got to pray all the day
E A E A
seems with plenty you sure got to worry
E A E C#
how to keep the debbil a way.
D G Am7 Bm G
a way
Bm Em/B Bm6
I ain't a frettin' 'bout hell
Em/B Bm Em/B Bm6
till the time a rrive
Em/B Bm Em/B Bm6
Never worry long as I'm well
Em/B Bm
never one to strive
Am7 D
to be good to be bad,
Am7 D7
what the hell? I is glad I's alive.
G Am7 Bm Am7
Oh, I got plenty o' nuttin'
Am7 G Am7 G
an' nuttin's plen ty for me.
B7 E A E A
I got a gal, got my song,
E A E C#
get heaven the whole day long
no use complainin'
D G Am7 G
got my gal
Dm7 G Am7 G
got my Lawd
C G Bm Am7
got my song
Oh, I got plenty o' nuttin'
Am7 G Am7 G
an' nuttin's plen ty for me.
Bm7 E A E A
I got no car, got no mule
E A E C#
I got no mis er y.
D G Am7 Bm Am7
De folks wid plenty o' plenty
G Am7 G B7
got a lock on the door
E A E A
'fraid some body's a goin' to rob 'em
E A E C#
while dey's out a makin' more.
D G Am7 Bm G
What for?
Bm Em/B Bm6
I got no lock on de door
Em/B Bm Em/B Bm6
dat's no way to be
Em/B Bm Em/B Bm6
Day kin steal de rug from de floor
Em/B Bm
dat's okeh wid me,
Am7 D
'cause de things dat I prize,
Am7 D7
like de stars in de skies, all are free.
G Am7 Bm Am7
Oh, I got plenty o' nuttin'
Am7 G Am7 G
an' nuttin's plen ty for me.
B7 E A E A
I got a gal, got my song,
E A E C#
get heaven the whole day long
no use complainin'
D G Am7 G
got my gal
Dm7 G Am7 G
got my Lawd
C G Bm Am7
got my song
G Am7 Bm Am7
Oh, I got plenty o' nuttin'
Am7 G Am7 G
an' nuttin's plen ty for me.
Bm7 E A E
I got the sun, got the A]moon
E A E C#
I got the deep blue sea.
D G Am7 Bm Am7
De folks wid plenty o' plenty
G Am7 G B7
got to pray all the day
E A E A
seems with plenty you sure got to worry
E A E C#
how to keep the debbil a way.
D G Am7 Bm G
a way
Bm Em/B Bm6
I ain't a frettin' 'bout hell
Em/B Bm Em/B Bm6
till the time a rrive
Em/B Bm Em/B Bm6
Never worry long as I'm well
Em/B Bm
never one to strive
Am7 D
to be good to be bad,
Am7 D7
what the hell? I is glad I's alive.
G Am7 Bm Am7
Oh, I got plenty o' nuttin'
Am7 G Am7 G
an' nuttin's plen ty for me.
B7 E A E A
I got a gal, got my song,
E A E C#
get heaven the whole day long
no use complainin'
D G Am7 G
got my gal
Dm7 G Am7 G
got my Lawd
C G Bm Am7
got my song
George Ogilvie
George Pritchard (...)
George Shearing
George Straight
George Strait
Georgius
Geowulf
Gepe
Gérald De (...)
Gerald Marks And (...)