Biografía:
Es difícil encasillar a esta fantástica banda de Illinois dentro de un género concreto musical, absorben eclécticas sonoridades de los sesenta como Beatles, Kinks, Who, Rolling Stones, Move, Cream o Yardbirds y setenta como Raspberries, el glam-rock o Led Zeppelin, para desarrollar desde un agradecido humor caústico un estilo que viaja desde el power-pop más melódico hasta el hard-rock más áspero, configurando una de las propuestas musicales más fascinantes surgida en los Estados Unidos a finales de la década de los 70.
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Otras canciones:
- California Man
- I Want You To Want Me
- Perfect Stranger
- Surrender
- Aint That A Shame
- Anytime
- Auf Wiedersehen
- Baby Loves To Rock
- Best Friend
- Cant Stop Fallin Into Love
- Carnival Game
- Cold Turkey
- Come On Come On
- Cover Girl
- Cry Cry
- Dancing The Night Away
- Didnt Know I Had It
- Dont Be Cruel
- Dont Lie To Me
- Downed
- Dream Police
- Eight Miles Low
- Everybody Knows
- Fan Club
- Four Letter Word
- Ghost Town
- Goodnight Now
- Heavens Falling
- Hello There
- Hes A Whore
- High Roller
- How Are You
- I Cant Take It
- I Cant Understand It
- I Dont Love Here Anymore
- If I Could
- If You Need Me
- If You Want My Love
- Ill Be With You Tonight
- Im The Man
- Invaders Of The Heart
- Its Only Love
- Just Got Back
- Let Her Go
- Little Sister
- Lookin Out For Number One
- Lookout
- Love Comes
- Loves Got A Hold On Me
- Mighty Wings
- Miracle
- Miss Tomorrow
- My Obsession
- Need Your Love
- Never Had A Lot To Lose
- Never Run Out Of Love
- No Direction Home
- O Claire
- Oh Candy
- Oh Caroline
- Ohm Sweet Ohm
- On Top Of The World
- Pop Drone
- Reach Out
- Saturday At Midnight
- Say Goodbye
- Scent Of A Woman
- Shelter
- Shes Tight
- Sing My Blues Away
- Smile When I See You Smile My Love
- So Good To See You
- Southern Girls
- Stiff Competition
- Take Me Im Yours
- Take Me To The Top
- Takin Me Back
- Taxman Mr Thief
- That 70S Show Theme
- The Flame
- Time Is Runnin
- Tonight Its You
- Too Much
- Twisted Heart
- Voices
- Walk Away
- Way Of The World
- When I Wake Up Tomorrow
- When The Lights Are Out
- When You Need Someone
- Wherever Would I Be
- Worlds Greatest Lover
- Wrong Side Of Love
- Youre All Talk
- Yoyoy
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
You're All Talk - Cheap Trick
-------------------------------------------------------------------------------
From the In Colour & Black and White album (1977)
Obviously, this was before the Tricksters were concentrating on cleaning up their
image to be sweet little pop sensations in the US. This is more along the lines of
their grittier first album.
Tuning: Standard
First the lyrics:
N/C G
Please don't go, Please don't go away from me
N/C G
Please don't go, Please don't go away from me
G-N/C etc. . .
I got my breakfast in bed
You're big stuff in Chicago - so get in bed
This bedroom's only 12 by 10
You're all talk, You're all talk
I got your number for a real good time
Take the phone off the hook and watch you go wild
They say you go nuts and that's what I like
You're all talk, You're all talk
Please don't go, Please don't go away from me
Please don't go, Please don't go away from me
I got your number for a real good time
Take the phone off the hook and watch you go wild
They say you go nuts and that's what I like
You're all talk, You're all talk
You're all talk, You're all talk
You're all talk, You're all talk
You're all talk, You're all talk
The song is sung over Rick's insistent riff
At various times Tom echoes Robin's vocal on the bass
the entire song is built around Bun E. Carlos' rolling thunder drum track
You'll really need to listen to the track to get its "feel"
To help, I tabbed as much of the primary riffs to assist you all in getting
maximum enjoyment out of this tune. CHEERS!
The MAIN RIFF:
e|---------------------------------------------------------------------------|
B|---------------------------------------------------------------------------|
G|------------------3-5---------------6-5-3----------------------------------|
D|----5-3--5-3--5-3--------5-3-5-3-5-----------------------------------------|
A|---------------------------------------------------------------------------|
E|---------------------------------------------------------------------------|
Repeats throughout with augmentations
One type of augmentation Rick uses:
e|---------------------------------------------------------------------------|
B|----------------3--5------------------------------------------------------ |
G|----------------3--5---------653-------------------------------------------|
D|---5-3-5-3--5-3------53-53-5-----------------------------------------------|
A|---------------------------------------------------------------------------|
E|---------------------------------------------------------------------------|
The "melody" line over "Please don't go" while Rick riffs furiously:
e|---------------------------------------3-----------------------------------|
B|---------------------------------------0-----------------------------------|
G|---------------------------------------0-----------------------------------|
D|------5-------------5------------------0-----------------------------------|
A|---------53------------5353------------2-----------------------------------|
E|------------------------------63-------3-----------------------------------|
Descending riff Rick uses prior to lead insanity:
e|---------------------------------------------------------------------------|
B|---------------------------------------------------------------------------|
G|---------------------------------------------------------------------------|
D|---------------------------------------------------------------------------|
A|-----0-----3-2-1---0----3-2-1------0----3-2-1------------------------------|
E|---------------------------------------------------------------------------|
Lead is based around the 12th fret based around this figure:
e|---------13--13--12-13--12-13-12-13--12-13-12-13-12-13-15-15--13-12-12-----|
B|---------------------------------------------------------------------------|
G|---------------------------------------------------------------------------|
D|---------------------------------------------------------------------------|
A|---------------------------------------------------------------------------|
E|---------------------------------------------------------------------------|
Rick uses lots of feedback and whangbar pyrotechnics throughout the lead
-------------------------------------------------------------------------------
From the In Colour & Black and White album (1977)
Obviously, this was before the Tricksters were concentrating on cleaning up their
image to be sweet little pop sensations in the US. This is more along the lines of
their grittier first album.
Tuning: Standard
First the lyrics:
N/C G
Please don't go, Please don't go away from me
N/C G
Please don't go, Please don't go away from me
G-N/C etc. . .
I got my breakfast in bed
You're big stuff in Chicago - so get in bed
This bedroom's only 12 by 10
You're all talk, You're all talk
I got your number for a real good time
Take the phone off the hook and watch you go wild
They say you go nuts and that's what I like
You're all talk, You're all talk
Please don't go, Please don't go away from me
Please don't go, Please don't go away from me
I got your number for a real good time
Take the phone off the hook and watch you go wild
They say you go nuts and that's what I like
You're all talk, You're all talk
You're all talk, You're all talk
You're all talk, You're all talk
You're all talk, You're all talk
The song is sung over Rick's insistent riff
At various times Tom echoes Robin's vocal on the bass
the entire song is built around Bun E. Carlos' rolling thunder drum track
You'll really need to listen to the track to get its "feel"
To help, I tabbed as much of the primary riffs to assist you all in getting
maximum enjoyment out of this tune. CHEERS!
The MAIN RIFF:
e|---------------------------------------------------------------------------|
B|---------------------------------------------------------------------------|
G|------------------3-5---------------6-5-3----------------------------------|
D|----5-3--5-3--5-3--------5-3-5-3-5-----------------------------------------|
A|---------------------------------------------------------------------------|
E|---------------------------------------------------------------------------|
Repeats throughout with augmentations
One type of augmentation Rick uses:
e|---------------------------------------------------------------------------|
B|----------------3--5------------------------------------------------------ |
G|----------------3--5---------653-------------------------------------------|
D|---5-3-5-3--5-3------53-53-5-----------------------------------------------|
A|---------------------------------------------------------------------------|
E|---------------------------------------------------------------------------|
The "melody" line over "Please don't go" while Rick riffs furiously:
e|---------------------------------------3-----------------------------------|
B|---------------------------------------0-----------------------------------|
G|---------------------------------------0-----------------------------------|
D|------5-------------5------------------0-----------------------------------|
A|---------53------------5353------------2-----------------------------------|
E|------------------------------63-------3-----------------------------------|
Descending riff Rick uses prior to lead insanity:
e|---------------------------------------------------------------------------|
B|---------------------------------------------------------------------------|
G|---------------------------------------------------------------------------|
D|---------------------------------------------------------------------------|
A|-----0-----3-2-1---0----3-2-1------0----3-2-1------------------------------|
E|---------------------------------------------------------------------------|
Lead is based around the 12th fret based around this figure:
e|---------13--13--12-13--12-13-12-13--12-13-12-13-12-13-15-15--13-12-12-----|
B|---------------------------------------------------------------------------|
G|---------------------------------------------------------------------------|
D|---------------------------------------------------------------------------|
A|---------------------------------------------------------------------------|
E|---------------------------------------------------------------------------|
Rick uses lots of feedback and whangbar pyrotechnics throughout the lead
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