Biografía:
A finales de la década de los 90, los jóvenes Jesse Lacey, Garrett Tierney y Brian Lane comenzaban en el mundo de la música con la banda The Rookie Lot, una banda de post-hardcore de la zona de Long Island junto a Brandon Reilly, guitarrista también de bandas como The Movielife y Nightmare of You. Tras la desintegración de esta banda, Lacey se enrola en Taking Back Sunday, otra banda de post-hardcore también de la escena de Long Island. Graba con ellos su primer material no oficial
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Otras canciones:
- At The Bottom
- Be Gone
- Bed
- Car
- Degausser
- Fight Off Your Demons
- Handcuffs
- I Will Play My Game Beneath The Spinlight
- Jesus Christ
- Me Vs Maradona Vs Elvis
- Moshi Moshi
- Noro
- Play Crack The Sky
- Seventy Times 7
- Sic Transit Gloria
- Soco Amaretto Lime
- The Boy Who Blocked His Own Shot
- The Quiet Things That No One Ever Knows
- Untitled 1 (good Man)
- Untitled 3 (brothers)
- You Won't Know
- 137
- 1996
- 451
- Am I Wrong
- Batter Up
- Brothers Song
- Cant Get It Out
- Car Acoustic
- Coca
- Could Never Be Heaven
- Daisy
- Deja Entendu
- Desert
- Failure By Design
- Flying At Tree Level
- Found A Good Man
- Good Man
- Good To Know If I Ever Need Attention All I Have To Do Is Die
- Guernica
- I Am A Nightmare
- I Will Play My Game Beneath The Spin Light
- In A Jar
- In The Water
- Jude Law And A Semester Abroad
- Last Chance To Lose Your Keys
- Limousine
- Lit Me Up
- Magazines
- Mene
- Mix Tape
- No Control
- Not The Sun
- Okay I Believe You But My Tommy Gun Dont
- Out Of Mana
- Out Of Range
- Same Logic Teeth
- Sealed To Me
- Simple Man
- Sink
- Sowing Season
- Sudden Death In Carolina
- The Archers Bows Have Broken
- The Quiet Things No One Ever Knows
- Untitled 01
- Untitled 03
- Untitled 04
- Waste
- You Are The Only One For Me
- You Stole
- You Wont Know
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
[Intro]
A E
Bm D A Bm
Hide in a stork's mouth
G D A Bm
Sleep 'til it's dark out
F#m C#m D
All dressed up holding your receipts for the numbers that you picked
F#m C#m D
You in a box full of your mistakes and a leaden crucifix
[Intrumental]
F#m A Bm D 2x
F#m A E Bm D 4x
[Verse 1]
F#m A Bm D
If hearts were all made like they were balls of yarn
F#m A Bm D
Well they've all got the strings that get tugged on your heart
F#m A
Some are different lengths
Bm D
Some would be stronger than others
F#m A Bm D
And some would be the colors of your mothers and fathers
[Instrumental]
F#m A Bm D 2x
[Verse 2]
F#m A Bm Dmaj7
Do old structures stand the same as any older man?
F#m A
A place where something used to live
Bm D
But in the end just turns cold
F#m A Bm Dadd9
Am I a torn up, tattered, worn out piece of fabric
F#m A Bm D
Not suitable to stitch up a rip?
F#m A
Cause I'd like to be tightly braided
Bm A
Gold and silver bracelets
F#m A D
The type you'd like to wear round your wrist
[Chorus]
F#m A Bm
As we lay
D F#m A Bm
We start to pray
D F#m A Bm
As we lay
D F#m A Bm
We start to pray
[Outro]
F#m A
And in the places you go
Bm D
You'll find these people you know
F#m A Bm D
All sewing patterns into clothing that you've called your own
F#m A
And in these smaller designs
Bm D
There's something larger you might find
F#m A Bm D
That people's hands have worked together to make up the parts of you
F#m C#m
A E
Bm D A Bm
Hide in a stork's mouth
G D A Bm
Sleep 'til it's dark out
F#m C#m D
All dressed up holding your receipts for the numbers that you picked
F#m C#m D
You in a box full of your mistakes and a leaden crucifix
[Intrumental]
F#m A Bm D 2x
F#m A E Bm D 4x
[Verse 1]
F#m A Bm D
If hearts were all made like they were balls of yarn
F#m A Bm D
Well they've all got the strings that get tugged on your heart
F#m A
Some are different lengths
Bm D
Some would be stronger than others
F#m A Bm D
And some would be the colors of your mothers and fathers
[Instrumental]
F#m A Bm D 2x
[Verse 2]
F#m A Bm Dmaj7
Do old structures stand the same as any older man?
F#m A
A place where something used to live
Bm D
But in the end just turns cold
F#m A Bm Dadd9
Am I a torn up, tattered, worn out piece of fabric
F#m A Bm D
Not suitable to stitch up a rip?
F#m A
Cause I'd like to be tightly braided
Bm A
Gold and silver bracelets
F#m A D
The type you'd like to wear round your wrist
[Chorus]
F#m A Bm
As we lay
D F#m A Bm
We start to pray
D F#m A Bm
As we lay
D F#m A Bm
We start to pray
[Outro]
F#m A
And in the places you go
Bm D
You'll find these people you know
F#m A Bm D
All sewing patterns into clothing that you've called your own
F#m A
And in these smaller designs
Bm D
There's something larger you might find
F#m A Bm D
That people's hands have worked together to make up the parts of you
F#m C#m
Brave Giant
Brave Little Toa (...)
Brave Saint Satu (...)
Bravo
Brazilian Girls