Biografía:
Su cuna Austin Texas, musico con una gran percepcion musical dejando los standares y evolucionando como solo el sabe hacerlo, anduvo arrimandole el camaron a Sandra Bulock si van a Austin veanlo es garantia de un buen show.
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Otras canciones:
- Ass Knockin
- Beyond The Blue Skies
- Chinatown
- I'm Good Now
- 2002
- 40 Dogs Like Romeo And Juliet
- Big Blue Sea
- Bridge Builders
- Captain Kirk
- Changing Your Mind
- Changing Your Mind 2
- Come With Me Tonight
- Easy
- Everything You Love
- Fist City
- Flowerparts
- Game Plan
- God Is My Friend
- Gold In The Sunset
- Good Luck
- Goodwill
- Han Solo
- Honeypot
- Im Good Now
- Im So Happy To Be Here
- Indifference
- Let The Light In
- Long Way To Get
- Lorena
- Losing You
- Love Is Everywhere
- Medicine
- Metal And Steel
- Moon Song
- Ocho
- Peaches
- Penelope Cruz
- Piggyback
- Queen Uk
- Round And Round
- Sideshow Tornado
- Someday
- Still Life
- The Bringdown
- The Drinking Song
- The Hours And Days
- The King Of The World
- The Long Black Road
- The Other Side
- Til Someone Catches A Feelin
- Trash
- Under My Skin
- Unpromised Land
- Weed Out The Weak
- Wish The Wind Would Blow Me
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
ARTIST: Bob Schneider & Mitch Watkins
TITLE: "The Long Black Road"
ALBUM: "Underneath The Onion Trees"
~Transcribed by Connor Roberts
[email protected]
ORDER: Intro, Verse 1, Interlude 1, Verse 2, Interlude 2, Verse 3, Interlude 2, Interlude 2
CHORDS:
G C F#4 Bb4 G4 A7sus4 D2
e--3-- --3-- --6-- --10-- --7-- --3-- --3--
B--3-- --3-- --6-- --10-- --7-- --3-- --3--
G--0-- --0-- --0-- ---0-- --0-- --0-- --0--
D--0-- --2-- --0-- ---0-- --0-- --0-- --0--
A--2-- --3-- --5-- ---9-- --6-- --0-- --0--
E--3-- --x-- --6-- --10-- --7-- --0-- --2--
INTRO:
G, C, G, G (x2)
VERSE PROGRESSION:
G C G C G
There's a big black heart, in a big black hole
C G C G
In a big black box, a the bottom, of the big black sea
F#4 G F#4 G
And there's a long black road ahead
A7sus4, D2 (Intro Riff, then Interlude #)
Waiting for me...
INTERLUDE 1: (used after verse 1)
G, C, G, G
G, C, G, G
F#4, G, F#4, G
A7sus4, D2, G
(play all lines again, then go to 2nd verse)
INTERLUDE 2: (used after verses 2 & 3 and also repeated for ending)
G, C, G, G
G, C, G, G
F#4, G, Bb4, G4
A7sus4, D2, G
(play all lines again, then go to 3rd verse -or- repeat 2 more times for ending and fade out)
PICKING PROGRESSION: (example of where to finger for each chord during song)
For "C" Only For "G"/"A7sus4"/"D2" For "F#4"/"Bb4"/"G4"
e-------x--------||----------x----------||----x-----x-----------||
B--x-------x-----||----x--------x-------||-------------x--------||
G----x--------x--||----x--x--------x----||----------------------||
D----------------||---------------------||----------------------||
A--x-------------||---------------------||----------------------||
E----------------||----x----------------||----x--x--------------||
NOTES:
*For the intro and first two lines of the verses and interludes, you are NOT
going to play: G, C, G, C, but it is G, C, G, G...do not play a second "C" in
there, there is only 1 "C" note in that progression, it does not alternate back
to "C" again on the 4th note, just G, C, G, G (you may want to try a variation on
the finger picking in the last G to kind of give and audible cue as to an end to
the riff, or moving on to the verses, etc...)
*Although this is played on two guitars, it is written this way for one
guitar...the notes: "F#4", "Bb4", "G4", and "A7sus4" are all played by the second
guitar whenever applicable in the song, while the first guitar keeps playing the
intro riff...but since both parts are so minor I combined them, because this song
can be played on one guitar, and still sound great.
*Even though the song fades out, I like playing the end gradually slowing down
interlude 2 the final repetition, and ending with one downward strum on the G
chord after picking the last G; just a thought to make the end sound good while
not ending too abruptly.
TITLE: "The Long Black Road"
ALBUM: "Underneath The Onion Trees"
~Transcribed by Connor Roberts
[email protected]
ORDER: Intro, Verse 1, Interlude 1, Verse 2, Interlude 2, Verse 3, Interlude 2, Interlude 2
CHORDS:
G C F#4 Bb4 G4 A7sus4 D2
e--3-- --3-- --6-- --10-- --7-- --3-- --3--
B--3-- --3-- --6-- --10-- --7-- --3-- --3--
G--0-- --0-- --0-- ---0-- --0-- --0-- --0--
D--0-- --2-- --0-- ---0-- --0-- --0-- --0--
A--2-- --3-- --5-- ---9-- --6-- --0-- --0--
E--3-- --x-- --6-- --10-- --7-- --0-- --2--
INTRO:
G, C, G, G (x2)
VERSE PROGRESSION:
G C G C G
There's a big black heart, in a big black hole
C G C G
In a big black box, a the bottom, of the big black sea
F#4 G F#4 G
And there's a long black road ahead
A7sus4, D2 (Intro Riff, then Interlude #)
Waiting for me...
INTERLUDE 1: (used after verse 1)
G, C, G, G
G, C, G, G
F#4, G, F#4, G
A7sus4, D2, G
(play all lines again, then go to 2nd verse)
INTERLUDE 2: (used after verses 2 & 3 and also repeated for ending)
G, C, G, G
G, C, G, G
F#4, G, Bb4, G4
A7sus4, D2, G
(play all lines again, then go to 3rd verse -or- repeat 2 more times for ending and fade out)
PICKING PROGRESSION: (example of where to finger for each chord during song)
For "C" Only For "G"/"A7sus4"/"D2" For "F#4"/"Bb4"/"G4"
e-------x--------||----------x----------||----x-----x-----------||
B--x-------x-----||----x--------x-------||-------------x--------||
G----x--------x--||----x--x--------x----||----------------------||
D----------------||---------------------||----------------------||
A--x-------------||---------------------||----------------------||
E----------------||----x----------------||----x--x--------------||
NOTES:
*For the intro and first two lines of the verses and interludes, you are NOT
going to play: G, C, G, C, but it is G, C, G, G...do not play a second "C" in
there, there is only 1 "C" note in that progression, it does not alternate back
to "C" again on the 4th note, just G, C, G, G (you may want to try a variation on
the finger picking in the last G to kind of give and audible cue as to an end to
the riff, or moving on to the verses, etc...)
*Although this is played on two guitars, it is written this way for one
guitar...the notes: "F#4", "Bb4", "G4", and "A7sus4" are all played by the second
guitar whenever applicable in the song, while the first guitar keeps playing the
intro riff...but since both parts are so minor I combined them, because this song
can be played on one guitar, and still sound great.
*Even though the song fades out, I like playing the end gradually slowing down
interlude 2 the final repetition, and ending with one downward strum on the G
chord after picking the last G; just a thought to make the end sound good while
not ending too abruptly.
Bobby Bare
Bobby Birdman
Bobby Caldwell
Bobby Capó (...)
Bobby Darin