Biografía:
Asobi Seksu (2001–2013) fue un grupo de Nueva York compuesto por Yuki (teclados, voz), James Hanna (Guitara,voces), Haji (bajo) y Mitch Spivak (batería).
Como característica diferencial de este grupo tenemos que destacar sin duda la voz peculiar de su cantante japonesa Yuki, que confiere al grupo un matiz distinto de lo que estamos acostumbrados a escuchar en los paises occidentales.
Tienen cuatro álbumes, el primero de ellos, publicado en el año 2004 se llama como ellos Asobi Seksu, Citrus se publicó en el 2006.
Read more on Last.fm
Otras canciones:
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
This is my first time submitting a tab, but i'm pretty much all the way sure it's
correct. Please leave a comment if you see something that needs to be corrected.
note: you may benefit from using a capo to play this song to avoid some of the barred
dominant 7th shapes, but, with all of the key changes in this song, i've yet to find any superior
place to put a capo, so i wrote this tab how it would be played without a capo. You may want to try
putting a capo on the first fret and adjusting the chords accordingly, it will make *most* of the song
easier to play.
enjoy!
F#m F#
F# B
I've got nothing to show
F# B7
in these hands of mine woaoaoaaaoaoah
F# D#m
But I've no reasons left to stay behind
C# D#m
Oh, please, don't let me leave this life
E F# B E F# B
And let the light come in oooo oo-oo ooo
E F# B E F# B
Oh, let the light come in oooo oo-oo oooh
G#
I can't look beyond
C#
To the end
G#
So I'll turn to look behind
C#7
These strings I can't untie
G#
How can you have no reasons
Fm
Left to stay with me
D# Fm
But please, don't leave me here with nothing
F# G# C# F# G# C#
And let the light come in oooo oo-oo ooo
B C# G# B C# D#
Oh, let the light come in oooo oo-oo oo-oooh
D# D#7 G# A#
D# E# G#
There's no reason why to look at me so sadly
A#
When I cry for you
D# E#
These noises are so maddening
G#
When light burns, they're always
A#
Screaming out for you
D# E# G# A# x 4
D#
correct. Please leave a comment if you see something that needs to be corrected.
note: you may benefit from using a capo to play this song to avoid some of the barred
dominant 7th shapes, but, with all of the key changes in this song, i've yet to find any superior
place to put a capo, so i wrote this tab how it would be played without a capo. You may want to try
putting a capo on the first fret and adjusting the chords accordingly, it will make *most* of the song
easier to play.
enjoy!
F#m F#
F# B
I've got nothing to show
F# B7
in these hands of mine woaoaoaaaoaoah
F# D#m
But I've no reasons left to stay behind
C# D#m
Oh, please, don't let me leave this life
E F# B E F# B
And let the light come in oooo oo-oo ooo
E F# B E F# B
Oh, let the light come in oooo oo-oo oooh
G#
I can't look beyond
C#
To the end
G#
So I'll turn to look behind
C#7
These strings I can't untie
G#
How can you have no reasons
Fm
Left to stay with me
D# Fm
But please, don't leave me here with nothing
F# G# C# F# G# C#
And let the light come in oooo oo-oo ooo
B C# G# B C# D#
Oh, let the light come in oooo oo-oo oo-oooh
D# D#7 G# A#
D# E# G#
There's no reason why to look at me so sadly
A#
When I cry for you
D# E#
These noises are so maddening
G#
When light burns, they're always
A#
Screaming out for you
D# E# G# A# x 4
D#
Astrud Gilberto
Asylum Street Sp (...)
At The Drive-in
Atahualpa Yupanq (...)
Ataque 77