Biografía:
El nombre viene de una línea de la novela sadomasoquista The story of O(version en inglés de Histoire d' o) de Pauline Réage: "her eyes were like stars, trembling blue stars". Empezó como un proyecto de Bob Wratten, cantante y compositor de letras en The Field Mice y Northern Picture Library, cuando termina su relacion con Annemari Davies(compañera en los mencionados grupos).
El disco Her Handwriting cuyo título es una cita de Part Company de The Go Betweens: "that's her handwriting, that's the way she writes.
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Otras canciones:
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Standard Tuning
Verse 1:
A E F#m E
From a pale blue rosary
A E F#m E
From the presents I would leave
D A
Underneath your pillow
E D
Underneath your pillow
A D
From there to here
(D) F#m
From there to here
A E A
From a pale blue rosary to here
Verse 2:
A E F#m E
You don’t need a reason to call
A E F#m E
You don’t need a reason to call
D A
Could I have made it clearer
E D
Made it any clearer
A D F#m
What was going on with me?
A E A
How see-through must I have been?
Instrumental interlude: (follows verse chords)
A E F#m E
A E F#m E
Oooohh...
D A E D
A D F#m (F#m)
A E A
Verse 3:
A E F#m E
From the start you felt like home
A E F#m E
I lost that sense of being alone
D A
Through streets dark and empty
E D
You held me in a taxi
A D F#m
How I needed to be held
A E A
Needed you between me and the world
Verse 4:
A E F#m E
I tried so hard not to give in
A E F#m E
I tried to do the right thing
D A
Whatever I was saying
E D
Maybe I was hoping
A D F#m
We would get from there to here
A E A
From a pale blue rosary to here
Verse 1:
A E F#m E
From a pale blue rosary
A E F#m E
From the presents I would leave
D A
Underneath your pillow
E D
Underneath your pillow
A D
From there to here
(D) F#m
From there to here
A E A
From a pale blue rosary to here
Verse 2:
A E F#m E
You don’t need a reason to call
A E F#m E
You don’t need a reason to call
D A
Could I have made it clearer
E D
Made it any clearer
A D F#m
What was going on with me?
A E A
How see-through must I have been?
Instrumental interlude: (follows verse chords)
A E F#m E
A E F#m E
Oooohh...
D A E D
A D F#m (F#m)
A E A
Verse 3:
A E F#m E
From the start you felt like home
A E F#m E
I lost that sense of being alone
D A
Through streets dark and empty
E D
You held me in a taxi
A D F#m
How I needed to be held
A E A
Needed you between me and the world
Verse 4:
A E F#m E
I tried so hard not to give in
A E F#m E
I tried to do the right thing
D A
Whatever I was saying
E D
Maybe I was hoping
A D F#m
We would get from there to here
A E A
From a pale blue rosary to here
Trent Austin
Trent Cory
Trent Dabbs
Trent Frederick
Trent Harmon