Biografía:
The Shins es el grupo de música del compositor, cantante y guitarrista James Mercer, formada por Jesse Sandoval (batería), Marty Crandall (teclados/guitarra/bajo) y Dave Hernández (bajo/guitarra) bajo el sello discográfico Sub Pop (famoso por ser el primero en contratar a Nirvana o Soundgarden). Su música se podría describir como Indie pop..
The Shins nace en Alburquerque, Nuevo México, de la mano de James Mercer, Jesse Sandoval y Marty Crandall
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Otras canciones:
- 40 Mark Strasse
- A Comet Appears
- Austrailia
- Bait And Switch
- For A Fool
- Girl On The Wing
- It's Only Life
- Kissing The Lipless
- New Slang
- Phantom Limb
- Pink Bullets
- Port Of Morrow
- September
- Simple Song
- Sleeping Lessons
- So Now What
- Australia
- Saint Simon
- A Call To Apathity
- Breathe
- Caring Is Creepy
- Celebate Life
- Celibate Life
- Cherry Hearts
- Dead Alive
- Eating Styes From Elephant Eyes
- Eating Styes From Elephants Eyes
- Fall Of 82
- Fantasy Island
- Fighting In A Sack
- Flake Music
- Girl Inform Me
- Gone For Good
- Half A Million
- Heartworms
- Its Only Life
- Know Your Onion
- Mildenhall
- Mines Not A High Horse
- My Seventh Rib
- Name For You
- No Way Down
- Nothing At All
- One By One All Day
- Painting A Hole
- Pam Berry
- Pariah King
- Past And Pending
- Plenty Is Never Enough
- Pressed In A Book
- Red Rabbits
- Rubber Ballz
- Sea Legs
- So Says I
- Sphagnum Esplanade
- Spilt Needles
- Split Needles
- The Fear
- The Past And Pending
- The Past And The Pending
- The Rifles Spiral
- The Waltz Is Over
- Theyll Soon Discover
- Those Bold City Girls
- Those To Come
- Turn A Square
- Turn On Me
- We Will Become Silhouettes
- Weird Divide
- When I Goose Step
- Won One Too Many Fights
- Young Pilgrims
- Your Algebra
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
The Shins
Those Bold City Girls
A great Shins song, not very difficult though.
Listen to it to get the timing and the stroke patterns right.
Have fun,
CesareBorgio
Bm G
You slide out at night to show yourself
E
you mean to hang yourself on the wall
F# Bm
with the hems you call your friends.
G
You've memorized a thousand lines and
E
kissed a thousand guys but none packed
F#
more than wood.
G D
And still you wake up, the taste of the
C G A G
night before has grown somehow.
D
You memorized your makeup, you're free from
C G A Asus4 A G* A Asus4 A G* A Asus4 A
their eyes and all they laugh about.
Bm G
Sailboats that never float and lids of lead
E
that hold your ego down. What's it take
F# Bm G
to bend the lens? Well as you can see I
E F# D
really know but never can amend the trend
A G
towards the rocks wielding the knives
D
beneath your breast and all the the waves
A G
that never break within our sight. So come on
A
treat me right.
Instrumental
Bm – G – E- F# (2x)
G D
If you could keep him you'd dub him
C G A G
"The rock what aced 'em two to one"
D
but the powder from your empty boxes
C G A G
was ground from your whole empty youth.
D
And so you wake up, the taste of the
C G A G
night before has grown somehow.
D
You take off your makeup, and you're free
C G A Asus4 A G* A Asus4 A G* A Asus4 A
from their eyes and all they laugh about.
D
G* = Picked
Those Bold City Girls
A great Shins song, not very difficult though.
Listen to it to get the timing and the stroke patterns right.
Have fun,
CesareBorgio
Bm G
You slide out at night to show yourself
E
you mean to hang yourself on the wall
F# Bm
with the hems you call your friends.
G
You've memorized a thousand lines and
E
kissed a thousand guys but none packed
F#
more than wood.
G D
And still you wake up, the taste of the
C G A G
night before has grown somehow.
D
You memorized your makeup, you're free from
C G A Asus4 A G* A Asus4 A G* A Asus4 A
their eyes and all they laugh about.
Bm G
Sailboats that never float and lids of lead
E
that hold your ego down. What's it take
F# Bm G
to bend the lens? Well as you can see I
E F# D
really know but never can amend the trend
A G
towards the rocks wielding the knives
D
beneath your breast and all the the waves
A G
that never break within our sight. So come on
A
treat me right.
Instrumental
Bm – G – E- F# (2x)
G D
If you could keep him you'd dub him
C G A G
"The rock what aced 'em two to one"
D
but the powder from your empty boxes
C G A G
was ground from your whole empty youth.
D
And so you wake up, the taste of the
C G A G
night before has grown somehow.
D
You take off your makeup, and you're free
C G A Asus4 A G* A Asus4 A G* A Asus4 A
from their eyes and all they laugh about.
D
G* = Picked
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