Biografía:
The Replacements, que en un principio se llamaron Impediments, fue formado en 1978 por el cantante, compositor y guitarrista Paul Westerberg, el batería Chris Mars, el guitarrista Bob Stinson y su hermano de 12 años Tommy en el bajo. Después de varios cambios de nombre, The Replacements, conocidos cariñosamente como 'Mats por sus más cercanos fans, se ganaron la atención de la gente de su Minneapolis natal, al combinar el glamour y el espíritu de los New York Dolls con la rabia adictiva de los Sex Pistols.
Read more on Last.fm
Otras canciones:
- Achin' To Be
- Achin To Be
- Alex Chilton
- Androgynous
- Attitude
- Bastards Of Young
- Birthday Gal
- Cant Hardly Wait
- Careless
- Customer
- Darlin One
- Date To Church
- Here Comes A Regular
- Hold My Life
- I O U
- I Will Dare
- If Only You Were Lonely
- Ill Be You
- Its Hard To Wave In Handcuffs
- Kiss Me On The Bus
- Left Of The Dial
- Message To The Boys
- Nightclub Jitters
- Nobody
- Portland
- Rock N Roll Ghost
- Sadly Beautiful
- Sixteen Blue
- Skyway
- Swingin Party
- Talent Show
- The Ledge
- Torture
- Treatment Bound
- Unsatisfied
- Valentine
- Waiting For Somebody
- Waitress In The Sky
- We Know The Night
- When It Began
- Within Your Reach
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Mon, 02 Oct 95 15:58:48 0000
From: John Walston
VALENTINE
written by Paul Westerberg, Tommy Stinson, and Chris Mars
as recorded by the Replacements on Please To Meet Me
as transcribed by John Walston ([email protected])
D A G
Well you wish upon a star,
D A G
that turns into a plane
D A G
and I quess that's right on par,
D A G
with who is left to blame
D A
If you were a pill, I'd take a hand ful at my will,
G
and knock you back with something sweet and strong,
D A
pretty tired you wake up, in febuary make-up,
G
like a fool and a lone star your gone
A G A G
Tonight makes love to all your kind tomorrow's picking valentines
After paul sings "Valentines" the riff is just D A G, hit D with the
counting like:
D A G (I hope that's clear, you should be able to get the
exact strum
1 2 + 3 + 4 + from the record, with the accents)
(second verse, pre-chorus, and chorus the same guitar part)
You pop up in some place,
so sick and so refined
Are you strung out on some face,
well I know it ain't mine
If you were a pill, I'd take a handful at my will,
and knock you back with something sweet and strong.
Trouble keeping your head up, when your hungry and your fed up,
like a moon and lone star your gone.
Tonight makes love to all your kind, tomorrow's picking valentines.
The bridge is just variations on the guitar parts already used, so I'm
not going to bother tabing in all out unless someone requests it.
The final pre-chorus/chorus is:
D A
If you were a pill, I'd take a handful at my will,
G
and knock you back with something sweet as wine
D A
Yesterday was their's to say, this is their world and their time,
G
Well if tonight belongs to you, tomorrow's mine!
A G A G
Tonight makes love to all your kind, tomorrow's picking Valentines (2x)
D A G
1 2 + 3 + 4 +
The outro, apparently one of Westerberg's favorite songwriting
tools(Think "Kiss Me On The Bus") is just straight eighth note strums,
like so:
D A G
1 + 2 + 3 + 4 +
The main riff, if you want to get fancy, when you play A hammer on then
pull off to the 6th(E). When you play G, add in the 2nd(A). So the riff
looks like this:
D D A A6 A G Gadd2 G Gadd2
1 2 3 + 4 1+ 2+ 3+ 4+
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Date: Mon, 02 Oct 95 15:58:48 0000
From: John Walston
VALENTINE
written by Paul Westerberg, Tommy Stinson, and Chris Mars
as recorded by the Replacements on Please To Meet Me
as transcribed by John Walston ([email protected])
D A G
Well you wish upon a star,
D A G
that turns into a plane
D A G
and I quess that's right on par,
D A G
with who is left to blame
D A
If you were a pill, I'd take a hand ful at my will,
G
and knock you back with something sweet and strong,
D A
pretty tired you wake up, in febuary make-up,
G
like a fool and a lone star your gone
A G A G
Tonight makes love to all your kind tomorrow's picking valentines
After paul sings "Valentines" the riff is just D A G, hit D with the
counting like:
D A G (I hope that's clear, you should be able to get the
exact strum
1 2 + 3 + 4 + from the record, with the accents)
(second verse, pre-chorus, and chorus the same guitar part)
You pop up in some place,
so sick and so refined
Are you strung out on some face,
well I know it ain't mine
If you were a pill, I'd take a handful at my will,
and knock you back with something sweet and strong.
Trouble keeping your head up, when your hungry and your fed up,
like a moon and lone star your gone.
Tonight makes love to all your kind, tomorrow's picking valentines.
The bridge is just variations on the guitar parts already used, so I'm
not going to bother tabing in all out unless someone requests it.
The final pre-chorus/chorus is:
D A
If you were a pill, I'd take a handful at my will,
G
and knock you back with something sweet as wine
D A
Yesterday was their's to say, this is their world and their time,
G
Well if tonight belongs to you, tomorrow's mine!
A G A G
Tonight makes love to all your kind, tomorrow's picking Valentines (2x)
D A G
1 2 + 3 + 4 +
The outro, apparently one of Westerberg's favorite songwriting
tools(Think "Kiss Me On The Bus") is just straight eighth note strums,
like so:
D A G
1 + 2 + 3 + 4 +
The main riff, if you want to get fancy, when you play A hammer on then
pull off to the 6th(E). When you play G, add in the 2nd(A). So the riff
looks like this:
D D A A6 A G Gadd2 G Gadd2
1 2 3 + 4 1+ 2+ 3+ 4+
The Rifles
The Righteous Br (...)
The Riptides
The Road Hammers
The Rolling Ston (...)