Biografía:
The Libertines, banda inglesa de rock, caracterizados por un estilo que fluye entre el punk y lo más melódico del britpop y sus constantes problemas internos.
La banda llegó al máximo de su fama al principio de la década de los 2000, encabezando el movimiento revival del garage rock de ese tiempo. La banda se centraba en el duo compositivo de Pete Doherty (voz/guitarra rítmica) y Carl Barât (voz/guitarra principal), respaldados por John Hassall (bajo) y Gary Powell (batería).
Read more on Last.fm
Otras canciones:
- Don't Look Back Into The Sun
- Music When The Lights Go Out
- You're My Waterloo
- 7 Deadly Sins
- Albion
- All At Sea
- Anthem For Doomed Youth
- Anything But Love
- Arbeit Macht Frei
- Babyshambles
- Back From The Dead
- Bangkok
- Barbarians
- Begging
- Belly Of The Beast
- Boy Looked At Johnny
- Boys In The Band
- Breck Rd Boys In The Band
- Breck Road Lover
- Bucket Shop
- Campaign Of Hate
- Cant Stand Me Now
- Cyclops
- Dead For Love
- Death On The Stairs
- Delaney
- Dilly Boys
- Do The Coral
- Do You Know Me
- Dont Look Back Into The Sun
- Dreaming Of You
- Fame And Fortune
- For Lovers
- France
- Fury Of Chonburi
- Glasgow Coma Scale Blues
- Good Old Days
- Gunga Din
- Half Cocked Boy
- Heart Of The Matter
- Hooligans On E
- Hooray For The 21St Century
- Horror Show
- Horrow Show
- I Get Along
- I Love You But Youre Green
- Iceman
- Last Post On The Bugle
- Lazy Sunday Afternoon
- Love On The Dole
- Love Reign Oer Me
- Man Who Would Be King
- Mayday
- Mocking Bird
- Narcissist
- Never Never
- Pay The Lady
- Plan A
- Radio America
- Road To Ruin
- Sally Brown
- Sister Sister
- Skag And Bone Man
- Skint And Minted
- Smashing
- Tell The King
- The Delaney
- The Milkmans Horse
- Time For Heroes
- Untitled 108
- Up The Bracket
- Vertigo
- What A Waster
- What Became Of The Likely Lads
- What Katie Did
- Youre My Waterloo
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
INTRO
C F Dm C G
Riff between chords
d----0----
a-0h2-3---
C
DOWN IN ALBION
F
WE'RE BLACK AND BLUE
C G
BUT WE DON'T ABOUT THAT
C
ARE YOU FROM ROUND HERE?
F
HOW DO YOU DO?
C G
I'D LIKE TO ABOUT THAT
G
TALK OVER
C
GIN IN TEA CUPS AND
F
LEAVES ON THE LAWN
C
VIOLENCE AT BUS STOPS
G
AND THE PALE THIN GIRL WITH EYES FORLORN AAH
C
GIN IN TEA CUPS AND
F
LEAVES ON THE LAWN
C
VIOLENCE IN DOLE QUEUES
G
AND THE PALE THIN GIRL BEHIND THE CHECKOUT
F
BUT IF YOU'RE LOOKING FOR A CHEAP SORT
C G
GLINT WITH PERSPIRATION
F
THERE'S A FOUR MILE QUEUE OUTSIDE THE
C G
DISUSED POWER STATION
F C
NOW COME AWAY, WON'T YOU COME AWAY
G
WE'LL GO TO DEPTFORD, DIGBY, TUEBROOK, ANYWHERE
IN ALBION
INTRO
C
YELLOWING CLASSICS AND
F
CANONS AT DAWN
C
COFFEE WALLOWS AND PITH HELMETS
G
AND OH AN ENGLISH SUN 2X
F
BUT IF YOU'RE LOOKING FOR A CHEAP SORT
C G
THAT'S IN FALSE ANTICIPATION
F
I'LL BE WAITING IN THE PHOTO BOOTH
C G
AT THE RAILWAY STATION
F C
AH COME AWAY, WON'T YOU COME AWAY
G
WE'LL GO TO WATFORD, LONDON FIELDS, ANYWHERE IN ALBION
INTRO
CHORUS
END
C F Dm C G
Riff between chords
d----0----
a-0h2-3---
C
DOWN IN ALBION
F
WE'RE BLACK AND BLUE
C G
BUT WE DON'T ABOUT THAT
C
ARE YOU FROM ROUND HERE?
F
HOW DO YOU DO?
C G
I'D LIKE TO ABOUT THAT
G
TALK OVER
C
GIN IN TEA CUPS AND
F
LEAVES ON THE LAWN
C
VIOLENCE AT BUS STOPS
G
AND THE PALE THIN GIRL WITH EYES FORLORN AAH
C
GIN IN TEA CUPS AND
F
LEAVES ON THE LAWN
C
VIOLENCE IN DOLE QUEUES
G
AND THE PALE THIN GIRL BEHIND THE CHECKOUT
F
BUT IF YOU'RE LOOKING FOR A CHEAP SORT
C G
GLINT WITH PERSPIRATION
F
THERE'S A FOUR MILE QUEUE OUTSIDE THE
C G
DISUSED POWER STATION
F C
NOW COME AWAY, WON'T YOU COME AWAY
G
WE'LL GO TO DEPTFORD, DIGBY, TUEBROOK, ANYWHERE
IN ALBION
INTRO
C
YELLOWING CLASSICS AND
F
CANONS AT DAWN
C
COFFEE WALLOWS AND PITH HELMETS
G
AND OH AN ENGLISH SUN 2X
F
BUT IF YOU'RE LOOKING FOR A CHEAP SORT
C G
THAT'S IN FALSE ANTICIPATION
F
I'LL BE WAITING IN THE PHOTO BOOTH
C G
AT THE RAILWAY STATION
F C
AH COME AWAY, WON'T YOU COME AWAY
G
WE'LL GO TO WATFORD, LONDON FIELDS, ANYWHERE IN ALBION
INTRO
CHORUS
END
The Lion Sleeps (...)
The Living End
The Living Tombs (...)
The Lone Bellow
The Lonely Islan (...)