Biografía:
Tras esa imagen de entrañables abuelos barbudos está la formación más legendaria de la música irlandesa. Desde que, inspirados por la novela de Joyce, asumieran su nombre artístico, los Dubliners han dado forma a una carrera basada tanto en sus arcanas tonadas populares de inmigrantes y trabajadores como en esa reputación de crápulas santos bebedores que les acompaña desde que irrumpieron en 1967 con ‘Seven drunken nights’ (Siete noche ebrias), éxito censurado en su país que les proyectó incluso al mundo del rock.
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Otras canciones:
- Dirty Old Town
- Lord Of The Dance
- Molly Malone
- Rocky Road To Dublin
- Sean South From Garryowen
- Tell Me Ma
- The Lark In The Morning
- Whiskey In The Jar
- Carrickfergus
- All For Me Grog
- Auld Orange Flute
- Black Velvet Band
- Boston Burglar
- Bugger Off
- Building Up And Tearing England Down
- Bunch Of Red Roses
- Cavan Girl
- Cod Liver Oil
- Come And Join The British Army
- Darby Oleary
- Donegal Danny
- Dont Get Married
- Drink It Up Men
- Dublin In The Rare Old Times
- Eileen Og
- Fiddlers Green
- Finnegans Wake
- Foggy Dew
- Free The People
- Gartan Mothers Lullaby
- Go To Sea No More
- God Save Ireland
- Golden Jubilee
- Grace
- Hand Me Down My Bible
- Hot Asphalt
- I Wish I Had Someone To Love Me
- I Wish I Was Back In Liverpool
- If You Ever Go To Dublin Town
- Ill Tell Me Ma
- Im A Rover
- James Larkin
- Joe Hill
- Kelly The Boy From Killane
- Leaving Of Liverpool
- Lock Up Your Daughters
- Maids When Youre Young
- Marino Waltz
- Master Mc Grath
- Mcalpines Fusiliers
- Molly Maguires
- Monto
- Muirsheen Durkin
- Nelsons Farewell
- Nora
- Oh I Loved The Ground
- On Raglan Road
- Parcel Of Rogues
- Peggy Gordon
- Poor Paddy On The Railway
- Quare Bungle Rye
- Raglan Road
- Ragmans Ball
- Rare Old Mountain Dew
- Rising Of The Moon
- Roddy Mccorley
- Sally Mclennane
- Sam Hall
- Scorn Not His Simplicity
- Seven Deadly Sins
- Seven Drunken Nights
- Song For Ireland
- Springhill Mining Disaster
- Springhill Mining Disaster Luke Kelly Version
- The Bonny Shoals Of Herring
- The Dublin Fusiliers
- The Dundee Weaver
- The Ferryman
- The Fields Of Athenry
- The Glendalough Saint
- The Holy Ground
- The Irish Navy
- The Irish Rover
- The Last Thing On My Mind
- The Maid Of The Sweet Brown Knowe
- The Manchester Rambler
- The Molly Maguires
- The Night Visiting Song
- The Nightingale
- The Old Alarm Clock
- The Rare Old Times
- The Rose Of Allendale
- The Town I Loved So Well
- The Unquiet Grave
- The Wild Rover
- Tibby Dunbar
- Tramps And Hawkers
- When The Boys Come Rolling Home
- Whiskey On A Sunday
- Wild Rover
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
A
If you ever go to Dublin town
A
In A hundred years or so
D A
Inquire for in Baggot Street
A E
And what is was like to know
A
O he was the queer one
A D A
Fol do did dil li do
A
He was a queer one
E A
I tell you
A
My great-grandmother knew him well,
A
He asked her to come and call On him in his
D A
flat and she giggled at the thought
A E
Of a young girl's lovely fall.
A
O he was dangerous,
A D A
Fol do did dil li do
A
He was dangerous,
E A
And I tell you
A
On Pembroke Road look out for my ghost,
A
Dishevelled with shoes untied,
D A
Playing through the railings with little children
A E
Whose children have long since died.
A
O he was a nice man,
A D A
Fol do did dil li do
A
He was a nice man
E A
And I tell you
A
Go into a pub and listen well
A
If my voice still echoes there,
D A
Ask the men what their grandsires thought
A E
And tell them to answer fair,
A
O he was eccentric,
A D A
Fol do did dil li do
A
He was eccentric
E A
And I tell you
A
He had the knack of making men feel
A
As small as they really were
D A
Which meant as great as God had made them
A E
But as malesl they disliked his air.
A
O he was a proud one,
A D A
Fol do did dil li do
A
He was a proud one
E A
And I tell you
A
If ever you go to Dublin town
A
In a hundred years or so
D A
Sniff for my perso-nality,
A E
Is it Vanity's vapour now?
A
O he was a vain one,
A D A
Fol do did dil li do
A
He was a vain one
E A
And I tell you
A
I saw his name with a hundred more
A
In a book in the library,
D A
It said he had never fully achieved
A E
His potentiali-ty.
A
O he was slothful,
A D A
Fol do did dil li do
A
He was slothful
E A
And I tell you
A
He knew that posterity had no use
A
For anything but the soul,
D A
The lines that speak the passionate heart,
A E
The spirit that lives alone.
A
O he was a lone one,
A D A
Fol do did dil li do
A
O he was a lone one,
E A
And I tell you
A
O he was a lone one,
A D A
Fol do did dil li do
A
Yet he lived happily
E A
And I tell you
If you ever go to Dublin town
A
In A hundred years or so
D A
Inquire for in Baggot Street
A E
And what is was like to know
A
O he was the queer one
A D A
Fol do did dil li do
A
He was a queer one
E A
I tell you
A
My great-grandmother knew him well,
A
He asked her to come and call On him in his
D A
flat and she giggled at the thought
A E
Of a young girl's lovely fall.
A
O he was dangerous,
A D A
Fol do did dil li do
A
He was dangerous,
E A
And I tell you
A
On Pembroke Road look out for my ghost,
A
Dishevelled with shoes untied,
D A
Playing through the railings with little children
A E
Whose children have long since died.
A
O he was a nice man,
A D A
Fol do did dil li do
A
He was a nice man
E A
And I tell you
A
Go into a pub and listen well
A
If my voice still echoes there,
D A
Ask the men what their grandsires thought
A E
And tell them to answer fair,
A
O he was eccentric,
A D A
Fol do did dil li do
A
He was eccentric
E A
And I tell you
A
He had the knack of making men feel
A
As small as they really were
D A
Which meant as great as God had made them
A E
But as malesl they disliked his air.
A
O he was a proud one,
A D A
Fol do did dil li do
A
He was a proud one
E A
And I tell you
A
If ever you go to Dublin town
A
In a hundred years or so
D A
Sniff for my perso-nality,
A E
Is it Vanity's vapour now?
A
O he was a vain one,
A D A
Fol do did dil li do
A
He was a vain one
E A
And I tell you
A
I saw his name with a hundred more
A
In a book in the library,
D A
It said he had never fully achieved
A E
His potentiali-ty.
A
O he was slothful,
A D A
Fol do did dil li do
A
He was slothful
E A
And I tell you
A
He knew that posterity had no use
A
For anything but the soul,
D A
The lines that speak the passionate heart,
A E
The spirit that lives alone.
A
O he was a lone one,
A D A
Fol do did dil li do
A
O he was a lone one,
E A
And I tell you
A
O he was a lone one,
A D A
Fol do did dil li do
A
Yet he lived happily
E A
And I tell you
The Eames Era
The Earls
The Eden Project
The Elected
The Elegants