Biografía:
La formación original de la banda, entonces Easy Cure, nació en un colegio de Crawley, una ciudad construida sobre los escombros que dejó la guerra en un pequeño pueblo en el corazón de la campiña del sur de Inglaterra. Aunque Easy Cure había surgido como una banda de punk, para cuando simplificaron su nombre a The Cure, la creciente fascinación de Robert Smith por los temas oscuros y opresivos, ya se había unido a su habilidad para canalizar esas ideas en canciones apasionadamente evocadoras
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Otras canciones:
- 10-15 Saturday Night
- A Forest
- A Letter To Elise
- A Very Good Advice
- All Cats Are Grey
- Apart
- Beginner Riff
- Boys Don't Cry
- Catch
- Close To Me
- Cut Here
- Doing The Unstuck
- Fire In Cairo
- Friday I'm In Love
- Friday Im In Love
- Friday Im In Love Intro
- Friday I’m In Love
- From The Edge Of The Deep Green Sea
- Funeral Party
- Grinding Halt
- How Beautiful You Are
- In Between Days
- Inbetween Days
- Jumping Someone Else's Train
- Just Like Heaven
- Last Day Of Summer
- Like Cockatoos
- Love Song
- Lovecats
- Lovesong
- Lullaby
- M
- Mint Car
- Play With Me
- Short Term Effect
- Signal To Noise
- Strange Attraction
- Taking Off
- The Caterpillar
- The End Of The World
- The Exploding Boy
- The Last Day Of Summer
- The Same Deep Water As You
- The Walk (simplified)
- This Twilight Garden
- Thousand Hours
- Throw Your Foot
- To Wish Impossible Things
- Treasure
- Underneath The Stars
- Why Can't I Be You
- Boys Don’t Cry
- Friday I’m In Love
- 10
- 2 Late
- 39
- A Boy I Never Knew
- A Japanese Dream
- A Night Like This
- A Short Term Effect
- A Strange Day
- Birdmad Girl
- Bloodflowers
- Boys Dont Cry
- Burn
- Charlotte Sometimes
- Close To Me Accoustic
- Closedown
- Cold
- Come On Eileen
- Disintegration
- Doubt
- Faith
- Fascination Street
- Give Me It
- Going Nowhere
- Gone
- Halo
- Hanging Garden
- High
- Homesick
- If Only Tonight We Could Sleep
- Jumping Someone Elses Train
- Jupiter Crash
- Just One Kiss
- Kiss Me
- Kyoto Song
- Lament
- Last Dance
- Lets Go To Bed
- Maybe Someday
- Never
- One Hundred Years
- One More Time
- Out Of This World
- Perfect Girl
- Pictures Of You
- Plainsong
- Plastic Passion
- Play For Today
- Pornography
- Prayers For Rain
- Primary
- Return
- Round Round Round
- Same Deep Water As You
- Seventeen Seconds
- Shake Dog Shake
- Siamese Twins
- Six Different Ways
- Snow In Summer
- So What
- Somebody Else
- Switch
- The Baby Screams
- The Drowning Man
- The Holy Hour
- The Hungry Ghost
- The Lovecats
- The Only One
- The Real Snow White
- The Upstairs Room
- The Walk
- There Is No If
- This Is A Lie
- Three Imaginary Boys
- Torture
- Trust
- Untitled
- Wailing Wall
- Want
- Where The Birds Always Sing
- Why Cant I Be You
- Without You
- Wrong Number
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
First* 16 bars are instrumental:
|F C |F Bb |Bb F |C | x2 [fiddle]***
|C |Em |F |C G | x2 [fiddle and banjo]
C Em
Poor old Johnny Ray
F C G
Sounded sad upon the radio moved a million hearts in mono
C
Our mothers cried
F F C G
Sang along, who'd blame them
C Em
You're grown (you're grown up), so grown (so grown up)**
F C G
Now I must say more than ever (come on Eileen)
C Em F
Toora-loora-toora-loo-rye-aye
C G
and we can sing just like our fathers
D F#m
Come on Eileen oh, I swear (well he means)
Em G A
at this moment you mean everything
D F#m
With you in that dress, my thoughts (I confess)
Em G A
verge on dirty, Ah come on Eileen
|A |A | [banjo]
|C |Em |F |C G | [fiddle and banjo]
C Em
These people round here
F
wear beaten-down eyes sunk in smoke-dried faces,
C G
so resigned to what their fate is
C Em
but not us (no never) no not us (no never)
F C G
we are far too young and clever remember
C Em F
Toora-loora-toora-loo-rye-aye
C G
Eileen I'll hum this tune for ever
D F#m
Come on Eileen, oh I swear (well he means)
Em G A
Ah come on let's take off everything
D F#m
That pretty red dress, Eileen (tell him yes)
Em G A
Ah come on let's, ah come on Eileen
D F#m
That pretty red dress, Eileen (tell him yes)
Em G A
Ah come on let's, ah come on Eileen
D
Please...
D F#m
(Come on Eileen too-loo rye-aye come on)
G D A
(Eileen too-loo rye-aye toora toora-too-loora)
Now you have grown, now you have shown, oh Eileen
D F#m
Come on Eileen, these things they are real and I know
G
how you feel Now I must say more than ever
D A
things round here have changed
D F#m G D A
Too-ra loo-ra too-ra loo-rye-aye
D F#m
Come on Eileen oh, I swear (well he means)
Em G A
at this moment you mean everything
D F#m
With you in that dress, my thoughts (I confess)
Em G A
verge on dirty, Ah come on Eileen
D F#m
Come on Eileen oh, I swear (well he means)
Em G A
at this moment you mean everything
D F#m
With you in that dress, my thoughts (I confess)
Em G A
verge on dirty, Ah come on Eileen
|F C |F Bb |Bb F |C | x2 [fiddle]***
|C |Em |F |C G | x2 [fiddle and banjo]
C Em
Poor old Johnny Ray
F C G
Sounded sad upon the radio moved a million hearts in mono
C
Our mothers cried
F F C G
Sang along, who'd blame them
C Em
You're grown (you're grown up), so grown (so grown up)**
F C G
Now I must say more than ever (come on Eileen)
C Em F
Toora-loora-toora-loo-rye-aye
C G
and we can sing just like our fathers
D F#m
Come on Eileen oh, I swear (well he means)
Em G A
at this moment you mean everything
D F#m
With you in that dress, my thoughts (I confess)
Em G A
verge on dirty, Ah come on Eileen
|A |A | [banjo]
|C |Em |F |C G | [fiddle and banjo]
C Em
These people round here
F
wear beaten-down eyes sunk in smoke-dried faces,
C G
so resigned to what their fate is
C Em
but not us (no never) no not us (no never)
F C G
we are far too young and clever remember
C Em F
Toora-loora-toora-loo-rye-aye
C G
Eileen I'll hum this tune for ever
D F#m
Come on Eileen, oh I swear (well he means)
Em G A
Ah come on let's take off everything
D F#m
That pretty red dress, Eileen (tell him yes)
Em G A
Ah come on let's, ah come on Eileen
D F#m
That pretty red dress, Eileen (tell him yes)
Em G A
Ah come on let's, ah come on Eileen
D
Please...
D F#m
(Come on Eileen too-loo rye-aye come on)
G D A
(Eileen too-loo rye-aye toora toora-too-loora)
Now you have grown, now you have shown, oh Eileen
D F#m
Come on Eileen, these things they are real and I know
G
how you feel Now I must say more than ever
D A
things round here have changed
D F#m G D A
Too-ra loo-ra too-ra loo-rye-aye
D F#m
Come on Eileen oh, I swear (well he means)
Em G A
at this moment you mean everything
D F#m
With you in that dress, my thoughts (I confess)
Em G A
verge on dirty, Ah come on Eileen
D F#m
Come on Eileen oh, I swear (well he means)
Em G A
at this moment you mean everything
D F#m
With you in that dress, my thoughts (I confess)
Em G A
verge on dirty, Ah come on Eileen
The Dead South
The Dead Weather
The Deadly Syndr (...)
The Dear Hunter
The Dears