Biografía:
Change to Corb Lund Band
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Otras canciones:
- A Game In Town Like This
- Alberta Says Hello
- Always Keep An Edge On Your Knife
- Bible On The Dash
- Blood Sweat And Water
- Counterfeit Blues
- Devils Best Dress
- Dig Gravedigger Dig
- Drink It Like You Mean It
- Especially A Paint
- Family Reunion
- Five Dollar Bill
- Gonna Shine Up My Boots
- Good Copenhagen
- Gothest Girl I Can
- Guitar From The Wall
- Hair In My Eyes Like A Highland Steer
- Heavy And Leaving
- Horse Soldier Horse Soldier
- I Wanna Be In The Cavalry
- I Wanna Be In The Cavalry Reprise
- Little Foothills Heaven
- Long Gone To Saskatchewan
- One Left In The Chamber
- Pour Em Kinda Strong
- Priceless Antique Pistol Shoots Startled Owner
- R
- Roughest Neck Around
- Run This Town
- September
- She Wont Come To Me
- Student Visas
- Sunbeam
- Switch To Whiskey
- Talkin Veterinarian Blues
- The Horse I Rode In On
- The Truth Comes Out
- This Is My Prairie
- Time To Switch To Whiskey
- Truck Got Stuck
- Washed Up Rock Star Factory Blues
- You Aint A Cowboy If You Aint Been Bucked Off
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
quick note: for the / chords, you want the bass note to be on the D string and the
following three chords in E barre chord form. If not, at least make sure the
voicings have the chromatic line. In the first verse it's F#, G, Ab, A for example.
Also, I don't know why the chord diagram things F#/A# are two different chords.
It's F# with A# in the bass
D A
never put your hat on the bed, son, never put your hat on the bed
D D/F# G Ab
cuz if your hat's on the bed you might wake up dead
A D
so don't ya never put ya hat on the bed
A
and if you do be sure it’s upside down, son, if you do be sure it’s upside down
D D/F# G Ab
cuz if there’s any doubt, it keeps the luck from runnin’ out
A D
so if you do be sure it’s upside down
A
never throw a match when it's dry, son, never throw a match when it's dry
D D/F# G Ab
don't you never throw a match cuz the grass might catch
A D
and burn three counties when it's dry
A
always keep an edge on your knife, son, always keep an edge on your knife
D D/F# G Ab A D
cuz a good sharp edge is a man's best hedge against the vague uncertainties of life
D D/F# G Ab A D
yes, a good sharp edge is a man’s best hedge against the uncertain vagaries of life
D F#m Bm G
but I never could sharpen no knife, like the one who gave the advice
D A D A D
yodel-ayhee yodel-ayhee yodeloo
E B
never sell the old .22, son, never sell the old .22
E E/G# A Bb
cause the old .22’s shot a gopher or two
B E
so don'tcha never sell the old .22
B
aim it to the left, a little low, son, aim it to the left, a little low
E E/G# A Bb
cuz the old iron sight fires high and to the right
B E Eb E
so aim it to the left, a little low
B
always tip the glass when you pour son, always tip the glass when you pour
E E/G# A Bb
cuz if you don't tip the glass, well the foam, it comes fast
B E
and runs from the table to the floor
B
always keep an edge on your knife, son, always keep an edge on your knife
E E/G# A Bb B E
cuz a good sharp edge is a man's best hedge against the vague uncertainties of life
E E/G# A Bb B E
yes, a good sharp edge is a man’s best hedge against the uncertain vagaries of life
E G#m C#m A
but I never could sharpen no knife, like the one who gave me advice
E B E B E
yodel-ayhee yodel-ayhee yodeloo
F# E# F# E# F#
yes, that makes sense. call if F if you want)
F# C#
always put your horse away dry, son, always put your horse away dry
F# F#/A# B C
cuz a hot, wet horse ain’t healthy of course
C# F#
so be sure to put your horse away dry
C#
and be sure to thaw the bit when it’s cold, son, be sure to thaw the bit when it’s cold
F# F#/A# B C
cuz if you don’t thaw the bit then your pony’s tongue sticks
C# F#
to the frozen, metal bridle when it’s cold
C#
never judge a man by his clothes, son, never judge a man by his clothes
F# F#/A# B C
you got to look through the dirt and, lord, judge him by his work
C# F#
so don'tcha never judge a man by his clothes
C#
always keep an edge on your knife, son, always keep an edge on your knife
F# F#/A# B C C# F#
cuz a good sharp edge is a man's best hedge against the vague uncertainties of life
F# F#/A# B C C# F#
yes, a good sharp edge is a man’s best hedge against the uncertain vagaries of life
F# A#m D#m B
but I never could sharpen no knife, like the one who gave me advice
F# C# F# C#
yodel-ayhee yodel-ayhee yodeloo
F# A#m D#m B
and I never could sharpen no blade, quite the way he sayed
F# C# F# C#
yodel-ayhee yodel-ayhee yodeloo
F# C# F#
yodel-ayhee yodel-ayhee yodel-ayhee yodel-ayhee yodelohoo
following three chords in E barre chord form. If not, at least make sure the
voicings have the chromatic line. In the first verse it's F#, G, Ab, A for example.
Also, I don't know why the chord diagram things F#/A# are two different chords.
It's F# with A# in the bass
D A
never put your hat on the bed, son, never put your hat on the bed
D D/F# G Ab
cuz if your hat's on the bed you might wake up dead
A D
so don't ya never put ya hat on the bed
A
and if you do be sure it’s upside down, son, if you do be sure it’s upside down
D D/F# G Ab
cuz if there’s any doubt, it keeps the luck from runnin’ out
A D
so if you do be sure it’s upside down
A
never throw a match when it's dry, son, never throw a match when it's dry
D D/F# G Ab
don't you never throw a match cuz the grass might catch
A D
and burn three counties when it's dry
A
always keep an edge on your knife, son, always keep an edge on your knife
D D/F# G Ab A D
cuz a good sharp edge is a man's best hedge against the vague uncertainties of life
D D/F# G Ab A D
yes, a good sharp edge is a man’s best hedge against the uncertain vagaries of life
D F#m Bm G
but I never could sharpen no knife, like the one who gave the advice
D A D A D
yodel-ayhee yodel-ayhee yodeloo
E B
never sell the old .22, son, never sell the old .22
E E/G# A Bb
cause the old .22’s shot a gopher or two
B E
so don'tcha never sell the old .22
B
aim it to the left, a little low, son, aim it to the left, a little low
E E/G# A Bb
cuz the old iron sight fires high and to the right
B E Eb E
so aim it to the left, a little low
B
always tip the glass when you pour son, always tip the glass when you pour
E E/G# A Bb
cuz if you don't tip the glass, well the foam, it comes fast
B E
and runs from the table to the floor
B
always keep an edge on your knife, son, always keep an edge on your knife
E E/G# A Bb B E
cuz a good sharp edge is a man's best hedge against the vague uncertainties of life
E E/G# A Bb B E
yes, a good sharp edge is a man’s best hedge against the uncertain vagaries of life
E G#m C#m A
but I never could sharpen no knife, like the one who gave me advice
E B E B E
yodel-ayhee yodel-ayhee yodeloo
F# E# F# E# F#
yes, that makes sense. call if F if you want)
F# C#
always put your horse away dry, son, always put your horse away dry
F# F#/A# B C
cuz a hot, wet horse ain’t healthy of course
C# F#
so be sure to put your horse away dry
C#
and be sure to thaw the bit when it’s cold, son, be sure to thaw the bit when it’s cold
F# F#/A# B C
cuz if you don’t thaw the bit then your pony’s tongue sticks
C# F#
to the frozen, metal bridle when it’s cold
C#
never judge a man by his clothes, son, never judge a man by his clothes
F# F#/A# B C
you got to look through the dirt and, lord, judge him by his work
C# F#
so don'tcha never judge a man by his clothes
C#
always keep an edge on your knife, son, always keep an edge on your knife
F# F#/A# B C C# F#
cuz a good sharp edge is a man's best hedge against the vague uncertainties of life
F# F#/A# B C C# F#
yes, a good sharp edge is a man’s best hedge against the uncertain vagaries of life
F# A#m D#m B
but I never could sharpen no knife, like the one who gave me advice
F# C# F# C#
yodel-ayhee yodel-ayhee yodeloo
F# A#m D#m B
and I never could sharpen no blade, quite the way he sayed
F# C# F# C#
yodel-ayhee yodel-ayhee yodeloo
F# C# F#
yodel-ayhee yodel-ayhee yodel-ayhee yodel-ayhee yodelohoo
The Cosmics
The Cottars
The Country Gaze (...)
The Country Gent (...)
The Country Side (...)