Biografía:
The Clash fue una banda londinense de punk rock que estuvo activa entre el año1976 hasta el 1986. El grupo fue uno de los más importantes e icónicos de la primera ola del punk, originada a fines de los años '70 y, a diferencia de la mayoría de las bandas punk que se caracterizaban por su simplicidad musical, ellos incorporaron Rock and Roll, Reggae, Rockabilly, y puntualmente otros estilos en su repertorio.
Sumado a esto, The Clash también
Read more on Last.fm
Otras canciones:
- Bank Robber
- Career Opportunities
- Clampdown
- Death Or Glory
- Guns Of Brixton
- Hateful
- I Fought The Law
- Jimmy Jazz
- Know Your Rights
- London Calling
- Rock The Casbah
- Rudie Can't Fail
- Should I Stay Or Should I Go ?
- Spanish Bombs
- Stay Free
- Train In Vain
- White Riot
- 1
- 1977
- 48 Hours
- All The Young Punks
- Brand New Cadillac
- Capitol Radio
- Car Jamming
- Card Cheat
- Clash
- Clash City Rockers
- Complete Control
- Deny
- English Civil War Johnny Comes Marching Home
- Every Little Bit Hurts
- Fark Kwam Yin Dee
- Garageland
- Gates Of The West
- Groovy Times
- Hate And War
- Hitsville Uk
- Im Not Down
- Im So Bored With The Usa
- Im So Bored With Usa
- In The Pouring Rain
- Jail Guitar Doors
- Janie Jones
- Julies Been Working For The Drug Squad
- Junco Partner
- Koka Kola
- Last Gang In Town
- Londons Burning
- Lose This Skin
- Lost In The Supermarket
- Magnificent Seven
- Midnight Log
- North And South
- Police And Thieves
- Police On My Back
- Rebel Waltz
- Remote Control
- Revolution Rock
- Right Profile
- Rudie Cant Fail
- Safe European Home
- Should I Stay Or Should I Go
- Something About England
- Straight To Hell
- The Guns Of Brixton
- The Man In Me
- The Prisoner
- This Is England
- Tommy Gun
- Up In Heaven Not Only Here
- Whats My Name
- White Man In Hammersmith Palais
- White Men In Hammersmith Palais
- Wrong Em Boyo
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
SAFE EUROPEAN HOME (Clash)
Chords used: (Std Tuning)
E = 022100
A = x02220
B = x24442
F#m = 244222
G#m = 466444
Asus2 = x02200
Verse 1:
Well I...
E (G#m) (E) |
Just got back and I wish I never leave now.
A B |
(Where'd you go?) Who dat
E (G#m) (E) |
Martian arrival over at the airport, yeah?
A B |
(Where'd you go?) How
E (G#m) (E) |
many local dollars for a local anesthetic?
A B |
(Where'd you go?) And the
E (G#m) (E) |
Johnny on the corner was ah very sympathetic.
A B |
(Where'd you go?) Well I..
Chorus:
F#m G#m |
Went to the place where every white face is an
A B |
in-vi-ta-tion to rob-be-ry. An'..
F#m G#m |
sitting here in my safe eur-o-pe-an
A B |
home. Don't wanna go back there a-
E ~ |
gain.
Verse 2:
E (G#m) (E)
Wasn't I lucky and wouldn't it be loverly?
A B
(Where'd ya go?)
E (G#m) (E)
Send us all cards, have a laying in on Sunday.
A B
E (G#m) (E)
I was there for two weeks, so how come I never tell now?
A B
E (G#m) (E)
That natty dread drink in the Sheraton Hotel, yeah.
A B
F#m G#m
I went to the place where every white face is an
A B
invitation to robbery.
F#m G#m
An' sitting here in my safe european
A B (E – start interlude)
home. Don't wanna go back there a-gain.
Interlude:
E G#m |A B | (start slow – singles and doubles)
/ / // //
gain..ainnn, a-
E G#m |A B |
gain..ainnn, ah-
E G#m |Asus2 A | (pick it up A bit)
ah, ahhh, ah-ah, ahh, ah-
E G#m |Asus2 A |
ah, ahhh, ah-ah, ahhhh.
E~ |
Verse 3:
E (G#m) (E)
They got the sun, they got the palm trees.
A B
(Oh.. wher'dya go?)
E (G#m) (E)
They got the weed, they got the taxies.
A B
E (G#m) (E)
Whoa, the harder they come and the home of ol' Blue Beat.
A B
E (G#m) (E)
I'd stay and be a tourist, but I can't take the gun play.
A B
Well I..
F#m G#m
I went to the place where every white face is an
A B
invitation to robbery.
F#m G#m
An' sitting here in my safe european
A B (E – start outro)
home. Don't wanna go back there again.
Outro:
E G#m |Asus2 A | (start slow/quiet and build throughout)
/ // x / // x / // x/// // x//
E G#m |Asus2 A |
What?
E G#m Asus2 A
Rudy come from Jamaica, Rudy he can't fail..
Rudy come from Jamaica, Rudy he can't fail..
Rudy come from Jamaica 'cuz Rudy he can't fail..
Rudy come from Jamaica, Rudy he can't fail..
E G#m Asus2 A
Rudy, Rudy-Rudy, Rudy, Rudy-Rudy, Rudy he can't fail..
Rudy, Rudy-Rudy, Rudy, Rudy-Rudy, Rudy he can't fail..
E G#m Asus2 A
A-Rudy loot and a-Rudy shoot and a-Rudy come up then back down
Rudy, Rudy-Rudy, Rudy, Rudy-Rudy, Rudy come up then back down
Rudy, Rudy-Rudy, Rudy, Rudy-Rudy, Rudy he can't fail..
Rudy, Rudy-Rudy, Rudy, Rudy-Rudy, Rudy he can't fail..
(enough Rudy's.. now on to the "European home" stuff...)
E G#m Asus2 A
Nice guy! Euuuurrr – ooo – peeeee-an ho-oo-me.
Explosive! Euuuurrr – ooo – peeeee-an ho-oo-me.
A 24-track! Euuuurrr – ooo – peeeee-an ho-oo-me.
??? Euuuurrr – ooo – peeeee-an home. You're a
Safe Euuuurrr - ooo - peeeee-an ho-oo-me.
???
(repeat, mumbling and gargling on ?'s to fade)
---
I'm not too sure about the interlude, but it sounds nice as shown for a reprieve between sections.
Also, the G#m in the verse may be a bit off, but there is something there that works in
on 2"
version below. The G#m in the Chorus is my main addition here to other tabs that say to
a C#m, but
that didn't sound right to me. In my 2nd version, I think the transitions sound really
but the
voicing is a bit high when using open I worked both of these versions out myself using a
of tabs
and adding my own in certain places.
---
SAFE EUROPEAN HOME (Alt Version with: Capo on 2nd fret)
Chords use:
D = x00232
D/F# = 2x0232 (use thumb)
G = 320003 (or 320033)
G6 = 320000
Em = 022000
F#m = 244222
A = x02220
Verses:
Well I...
D D/F#
just got back and I wish I never leave now.
G A
(Where'd you go?) Who dat
D D/F#
Martian arrival over at the airport, yeah?
G A
(Where'd you go?) How
D D/F#
many local dollars for a local anesthetic?
G A
(Where'd you go?) And the
D D/F#
Johnny on the corner was ah very sympathetic.
G A
(Where'd you go?) Oh I...
Chorus:
Em F#m
Went to the place where every white face is an
G A
in-vi-ta-tion to robber-ry. An'
Em F#m
sitting here in my safe eur-o-pe-an
G A
home. Don't wanna go back there a-
D ~
gain.
Outro:
Play G6's on top strings (highs) then hammer down the 3rd fret notes to make the full G
play mostly on the bottom strings (lows). I think this part sounds even nicer in D's and
than the main version above. The rest of the song I like more without the capo.
D D/F# G6 G
Rudy come from Jamaica, Rudy he can't fail.. (etc.)
And
D D/F# G6 G
Nice guy! Euuuurrr – ooo – peeeee-an home, you're a
safe! Euuuurrr – ooo – peeeee-an home.
etc.
Hope these are improvements. Send comments and rate, please.
-C.Hall
Chords used: (Std Tuning)
E = 022100
A = x02220
B = x24442
F#m = 244222
G#m = 466444
Asus2 = x02200
Verse 1:
Well I...
E (G#m) (E) |
Just got back and I wish I never leave now.
A B |
(Where'd you go?) Who dat
E (G#m) (E) |
Martian arrival over at the airport, yeah?
A B |
(Where'd you go?) How
E (G#m) (E) |
many local dollars for a local anesthetic?
A B |
(Where'd you go?) And the
E (G#m) (E) |
Johnny on the corner was ah very sympathetic.
A B |
(Where'd you go?) Well I..
Chorus:
F#m G#m |
Went to the place where every white face is an
A B |
in-vi-ta-tion to rob-be-ry. An'..
F#m G#m |
sitting here in my safe eur-o-pe-an
A B |
home. Don't wanna go back there a-
E ~ |
gain.
Verse 2:
E (G#m) (E)
Wasn't I lucky and wouldn't it be loverly?
A B
(Where'd ya go?)
E (G#m) (E)
Send us all cards, have a laying in on Sunday.
A B
E (G#m) (E)
I was there for two weeks, so how come I never tell now?
A B
E (G#m) (E)
That natty dread drink in the Sheraton Hotel, yeah.
A B
F#m G#m
I went to the place where every white face is an
A B
invitation to robbery.
F#m G#m
An' sitting here in my safe european
A B (E – start interlude)
home. Don't wanna go back there a-gain.
Interlude:
E G#m |A B | (start slow – singles and doubles)
/ / // //
gain..ainnn, a-
E G#m |A B |
gain..ainnn, ah-
E G#m |Asus2 A | (pick it up A bit)
ah, ahhh, ah-ah, ahh, ah-
E G#m |Asus2 A |
ah, ahhh, ah-ah, ahhhh.
E~ |
Verse 3:
E (G#m) (E)
They got the sun, they got the palm trees.
A B
(Oh.. wher'dya go?)
E (G#m) (E)
They got the weed, they got the taxies.
A B
E (G#m) (E)
Whoa, the harder they come and the home of ol' Blue Beat.
A B
E (G#m) (E)
I'd stay and be a tourist, but I can't take the gun play.
A B
Well I..
F#m G#m
I went to the place where every white face is an
A B
invitation to robbery.
F#m G#m
An' sitting here in my safe european
A B (E – start outro)
home. Don't wanna go back there again.
Outro:
E G#m |Asus2 A | (start slow/quiet and build throughout)
/ // x / // x / // x/// // x//
E G#m |Asus2 A |
What?
E G#m Asus2 A
Rudy come from Jamaica, Rudy he can't fail..
Rudy come from Jamaica, Rudy he can't fail..
Rudy come from Jamaica 'cuz Rudy he can't fail..
Rudy come from Jamaica, Rudy he can't fail..
E G#m Asus2 A
Rudy, Rudy-Rudy, Rudy, Rudy-Rudy, Rudy he can't fail..
Rudy, Rudy-Rudy, Rudy, Rudy-Rudy, Rudy he can't fail..
E G#m Asus2 A
A-Rudy loot and a-Rudy shoot and a-Rudy come up then back down
Rudy, Rudy-Rudy, Rudy, Rudy-Rudy, Rudy come up then back down
Rudy, Rudy-Rudy, Rudy, Rudy-Rudy, Rudy he can't fail..
Rudy, Rudy-Rudy, Rudy, Rudy-Rudy, Rudy he can't fail..
(enough Rudy's.. now on to the "European home" stuff...)
E G#m Asus2 A
Nice guy! Euuuurrr – ooo – peeeee-an ho-oo-me.
Explosive! Euuuurrr – ooo – peeeee-an ho-oo-me.
A 24-track! Euuuurrr – ooo – peeeee-an ho-oo-me.
??? Euuuurrr – ooo – peeeee-an home. You're a
Safe Euuuurrr - ooo - peeeee-an ho-oo-me.
???
(repeat, mumbling and gargling on ?'s to fade)
---
I'm not too sure about the interlude, but it sounds nice as shown for a reprieve between sections.
Also, the G#m in the verse may be a bit off, but there is something there that works in
on 2"
version below. The G#m in the Chorus is my main addition here to other tabs that say to
a C#m, but
that didn't sound right to me. In my 2nd version, I think the transitions sound really
but the
voicing is a bit high when using open I worked both of these versions out myself using a
of tabs
and adding my own in certain places.
---
SAFE EUROPEAN HOME (Alt Version with: Capo on 2nd fret)
Chords use:
D = x00232
D/F# = 2x0232 (use thumb)
G = 320003 (or 320033)
G6 = 320000
Em = 022000
F#m = 244222
A = x02220
Verses:
Well I...
D D/F#
just got back and I wish I never leave now.
G A
(Where'd you go?) Who dat
D D/F#
Martian arrival over at the airport, yeah?
G A
(Where'd you go?) How
D D/F#
many local dollars for a local anesthetic?
G A
(Where'd you go?) And the
D D/F#
Johnny on the corner was ah very sympathetic.
G A
(Where'd you go?) Oh I...
Chorus:
Em F#m
Went to the place where every white face is an
G A
in-vi-ta-tion to robber-ry. An'
Em F#m
sitting here in my safe eur-o-pe-an
G A
home. Don't wanna go back there a-
D ~
gain.
Outro:
Play G6's on top strings (highs) then hammer down the 3rd fret notes to make the full G
play mostly on the bottom strings (lows). I think this part sounds even nicer in D's and
than the main version above. The rest of the song I like more without the capo.
D D/F# G6 G
Rudy come from Jamaica, Rudy he can't fail.. (etc.)
And
D D/F# G6 G
Nice guy! Euuuurrr – ooo – peeeee-an home, you're a
safe! Euuuurrr – ooo – peeeee-an home.
etc.
Hope these are improvements. Send comments and rate, please.
-C.Hall
The Coasters
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The Commodores
The Common Linne (...)