Biografía:
The Agonist, antes conocidos como The Tempest
Producido por Chris Donaldson, guitarrista de los deathmetaleros Cryptopsy, los canadienses, liderados por la carismática e inquietante Alissa White-Gluz, han grabado una colección de canciones que aunan melodía y fiereza. Hay pasajes sumamente agresivos, donde la cantante muestra su mal café al igual que Angela Gossow, vocalista de Arch Enemy, pero también logra una voz limpia.
Los tres primeros cortes de Once only imagined: Rise and fall
Read more on Last.fm
Otras canciones:
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Em C
Em C Am
Em D
Em A
Em F#m G Am
Halted embryogenesis at the birth of second thought,
Em F#m G Am
creating before acting to stay safelyat the start.
Em F#m G Am
Textbook nebulse authentical the World Order’s end.
Em F#m G Am
But we dictate through creation just how, where and when.
Em G Am
The sound of self-severed limbs. Broken joints on cold steel links.
Em G Am
Impossible havens harbor them. Damp floors carve swollen skin.
Em G Am
The long-sought elusive passage keys! Where once was a door, now stands a wall.
Em G Am
Concrete beds prevent digging deep. Leonine threats behind bamboo stalks.
Em F#m G Am
And anxious Darwinians frantically self-analyse,
Em F#m G Am
too ultimately aware to trust anyone alive.
Em F#m G Am
Toxic, parasitic ideas hijack our minds.
Em F#m G Am
Mimetically commandeered to include the suicide.
D F#m Em A
D Em C G
The privacy of experience. The illusion of focus.
D F#m Em A
The future is anticipated memory.
D Bm C D
... The virulence of idea.
Em F#m G Am
Halted embryogenesis at the birth of second thought,
Em F#m G Am
creating before acting to stay safelyat the start.
Em F#m G Am
Textbook nebulse authentical the World Order’s end.
Em F#m G Am
But we dictate through creation just how, where and when.
Em G Am
Vanitas on aged pages, copper violin.
Em G Am
Incumbent phrenology to drain you of your doubt.
Em G Am
Don’t call my landscape a plane, you increate egoist!
Em G Am
You’re merely a hallucination of my own Atmas!
Em Eb G Ab
Volition decides the future as the authors all agree,
Em Eb G Ab
Impatiently arranging for evolution’s recrudescence.
Em Eb G Ab
Visual receptors are undeniably unique
Em Eb G Ab
in a closed Cartesian Theater,body anchored to the seat.
C D A
Em D
The danger, dear empiritic is that to which Narcissus
C D
succumbed, and still do, some. Fountainshead, automatons.
Em D
To subordinates genetic interest is ultimately human!
Em G D
Rampant self-awareness in your invisible Hands
Em G D
means everything is fickle, subject to your shape and shade.
Em G D
How will you, dear eremite program your semaphore?
Em G D Bm
Self-preservation is subject to an emotional homunculus.
Em F#m G Am
Em F#m G Am
And anxious Darwinians frantically self-analyse,
Em F#m G Am
too ultimately aware to include the suicide.
Em F#m G Am
Halted embryogenesis at the birth of second thought,
Em F#m G Am
creating before acting to stay safelyat the start.
Em F#m G Am
Textbook nebulse authentical the World Order’s end.
Em F#m G Am
But we dictate through creation just how, where and when.
Em C Am
Em D
Em A
Em F#m G Am
Halted embryogenesis at the birth of second thought,
Em F#m G Am
creating before acting to stay safelyat the start.
Em F#m G Am
Textbook nebulse authentical the World Order’s end.
Em F#m G Am
But we dictate through creation just how, where and when.
Em G Am
The sound of self-severed limbs. Broken joints on cold steel links.
Em G Am
Impossible havens harbor them. Damp floors carve swollen skin.
Em G Am
The long-sought elusive passage keys! Where once was a door, now stands a wall.
Em G Am
Concrete beds prevent digging deep. Leonine threats behind bamboo stalks.
Em F#m G Am
And anxious Darwinians frantically self-analyse,
Em F#m G Am
too ultimately aware to trust anyone alive.
Em F#m G Am
Toxic, parasitic ideas hijack our minds.
Em F#m G Am
Mimetically commandeered to include the suicide.
D F#m Em A
D Em C G
The privacy of experience. The illusion of focus.
D F#m Em A
The future is anticipated memory.
D Bm C D
... The virulence of idea.
Em F#m G Am
Halted embryogenesis at the birth of second thought,
Em F#m G Am
creating before acting to stay safelyat the start.
Em F#m G Am
Textbook nebulse authentical the World Order’s end.
Em F#m G Am
But we dictate through creation just how, where and when.
Em G Am
Vanitas on aged pages, copper violin.
Em G Am
Incumbent phrenology to drain you of your doubt.
Em G Am
Don’t call my landscape a plane, you increate egoist!
Em G Am
You’re merely a hallucination of my own Atmas!
Em Eb G Ab
Volition decides the future as the authors all agree,
Em Eb G Ab
Impatiently arranging for evolution’s recrudescence.
Em Eb G Ab
Visual receptors are undeniably unique
Em Eb G Ab
in a closed Cartesian Theater,body anchored to the seat.
C D A
Em D
The danger, dear empiritic is that to which Narcissus
C D
succumbed, and still do, some. Fountainshead, automatons.
Em D
To subordinates genetic interest is ultimately human!
Em G D
Rampant self-awareness in your invisible Hands
Em G D
means everything is fickle, subject to your shape and shade.
Em G D
How will you, dear eremite program your semaphore?
Em G D Bm
Self-preservation is subject to an emotional homunculus.
Em F#m G Am
Em F#m G Am
And anxious Darwinians frantically self-analyse,
Em F#m G Am
too ultimately aware to include the suicide.
Em F#m G Am
Halted embryogenesis at the birth of second thought,
Em F#m G Am
creating before acting to stay safelyat the start.
Em F#m G Am
Textbook nebulse authentical the World Order’s end.
Em F#m G Am
But we dictate through creation just how, where and when.
The Alexander Br (...)
The Alexandria Q (...)
The Alley Cats
The Allisons
The Allusions